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The Latest Breaking News from Richard Prince

‘What can I say? We saw the future’: artist Robert Longo on AI, Keanu and his vast mirrorball of death

Since directing Johnny Mnemonic and a making a sculpture from 40,000 bullets, the New Yorker has returned to the stunning photorealistic drawings that made him famous. He takes us round his latest show

The Guardian - UK

7 of the most iconic fashion x art crossovers of all time

7 of the most iconic fashion x art crossovers of all time

From Louis Vuitton x Richard Prince to Elsa Schiaparelli x Salvador Dalí, ahead of Frieze 2024, we look back at fashion’s artistic ambitions

"Focusing on smiles in an extreme close-up makes these photos feel more demonic, manic and deranged than the happy vibe they were intended to evoke"

"Focusing on smiles in an extreme close-up makes these photos feel more demonic, manic and deranged than the happy vibe they were intended to evoke"

The Art of Seeing #77: With iPhone photography and ‘appropriated art’, Benedict Brain continues his creative journey

Digital Camera World

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Prince’s prints, stolen Shrigleys and Apocalypse, Nativity – the week in art

It’s your last chance to catch a post-modernist provocateur’s photos, a jaw-dropping dinosaur and more – all in your weekly dispatch

The Guardian - UK

Fontainebleau Las Vegas brings a splash of ocean-inspired opulence to the desert city

Fontainebleau Las Vegas nods to the hotel brand’s Miami roots, and includes specially commissioned art amid its luxurious interiors

Black Americans express concerns about racist depictions in news media, lack of coverage efforts

In a major new study, Black Americans expressed broad concerns about how they are depicted in the news media, with majorities saying they see racist or negative depictions and a lack of effort by journalists to cover broader segments of their community

The Independent UK

Haunted Realism review – a queasy, intoxicating view of late capitalism

Rachel Whiteread, Gerhard Richter, Jenny Saville and co explore the age of ‘lost futures’ in a group show that works best unimpeded by theory

The Guardian - UK

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