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The Latest Breaking News from DACS

Peter Hujar: Eyes Open in the Dark review – visions of a vanished world

The American photographer Peter Hujar, who died of Aids complications in 1987, chronicles New York’s 70s and 80s gay scene – and much else besides – in this haunting retrospective

The Guardian - UK

Surrealism as feminist resistance: artists against fascism in Leeds

‘The Traumatic Surreal’ at the Henry Moore Institute, unpacks the generational trauma left by Nazism for postwar women

Wallpaper

Britain faces ‘talent drain’ of visual artists as earnings fall by 40% since 2010

Report says funding cuts, inflation and rise of AI contributing to median income dropping to £12,500

The Guardian - UK

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Louise Giovanelli pulls back the curtain on spectacle and suspense at The Hepworth Wakefield

'Louise Giovanelli: A Song of Ascents' is at The Hepworth Wakefield from 23 November 2024 - 27 April 2025

Wallpaper

Picasso: printmaker at the British Museum review – an eye-opener of a show in more ways than one

4/5 Every aspect of Picasso’s development is reflected in his printmaking and thus in this excellent show

Evening Standard

Francis Bacon at the National Portrait Gallery is an emotional tour de force

‘Francis Bacon: Human Presence’ at the National Portrait Gallery in London puts the spotlight on Bacon's portraiture

Wallpaper

'I want them to be tender': Gary Hume on his new artworks at Sprüth Magers in London

With Gary Hume’s exhibition ‘Mirrors and Other Creatures’ now open at Sprüth Magers, the artist speaks of swans, their curves, and why ‘it’s brilliant’ being a painter

Wallpaper

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Peggy Guggenheim: ‘My motto was “Buy a picture a day” and I lived up to it’

Five years spent at her Sussex country retreat inspired Peggy Guggenheim to reframe her future, kickstarting one of the most thrilling modern-art collections in history

Wallpaper

Put levy on smartphones to help creatives survive AI threat, top UK artists tell Labour

Open letter to culture secretary also proposes ‘freelancers’ commissioner’ to champion cause of the low-paid

The Guardian - UK

Damien Hirst takes over Château La Coste

Damien Hirst’s ‘The Light That Shines’ at Château La Coste includes new and existing work, and takes over the entire 500-acre estate in Provence

Wallpaper

When Forms Come Alive; Beyond Form: Lines of Abstraction 1950-70 review – a restless triumph and a badly lit jumble sale

Rising, falling, like entrails, clouds, tentacles… sculpture spanning 60 years breaks free in the Hayward’s tremendous group show. In Margate, another sculpture-heavy show squanders two decades of abstract art by women

The Guardian - UK

Life’s rich tapestry: the unsung wonders of textile art

Fibre art has long been a subversive medium. A new show at the Barbican unravels its power to reflect on everything from giving birth to racial oppression

The Guardian - UK

Damien Hirst and Tracey Emin among thousands of British artists used to train AI software, Midjourney

US lawyers approached about a class action against Midjourney and other AI firms accused of ‘copyright laundering’

The Guardian - UK

Charleston aims to bring Bloomsbury group works back to ‘rightful home’

Charity that runs house in East Sussex launches bid to fill gaps in collection with ‘treasures’ held in private hands

The Guardian - UK

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The Guardian - UK

The week in TV: Sex Education; Chris Packham: Is It Time to Break the Law?; Picasso: The Beauty and the Beast; Juice – review

The game-changing school drama comes of age in its final season; a despairing Chris Packham considers abandoning peaceful protest. Plus, Picasso in the round and the comedy surrealism of Mawaan Rizwan

The Guardian - UK

Capturing the Moment review – not a serious exhibition

You can’t move for masterpieces – most of them owned by the Taiwanese collector Pierre Chen – but this supposed journey through painting and photography is rambling and at times comically simplistic

Evening Standard

Drake and The Weeknd AI track goes viral: What does this mean for music?

The rise of AI generated vocals is sparking conversation in the music industry

The Guardian - UK

Souls Grown Deep Like the Rivers: Black Artists from the American South review – hardwon labours of love

Conjured out of found objects, plant juice, even dirt, the work of 34 Black artists from the American south is jubilant, defiant, awkward, profound – and innately free

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The Guardian - UK

Souls Grown Deep Like the Rivers review – art of poverty and resilience from the US south

This moving show considers the wealth of inventive and influential work by African American artists from communities that remained in southern states after the civil war

Evening Standard

Souls Grown Deep like the Rivers at the Royal Academy review: an essential show

Artists like Lonnie Holley, Thornton Dial and Joe Minter are finally getting due attention, but this exhibition will leave visitors wanting more

The Guardian - UK

Alice Neel: Hot Off the Griddle; Action, Gesture, Paint – review

The American artist puts her sitters at such ease that, one way or another, they reveal all in a superbly curated show of her life’s work

The Guardian - UK

Mohammed Sami: The Point 0; Giorgio Morandi: Masterpieces from the Magnani-Rocca Foundation – review

The masterly paintings of Baghdad-born Mohammed Sami conjure an ominous no man’s land. And vases conspire with jugs in the still lifes of Giorgio Morandi

The Guardian - UK

Giorgio Morandi review – sublime still lives shimmer with mystery and joy

Humble, haunting and deeply enigmatic, these masterful paintings resist obvious symbolism to show us the poetry of the everyday

The Guardian - UK

Making Modernism review – four female trailblazers up close and personal

Intimate and exquisite revelations from Paula Modersohn-Becker, Käthe Kollwitz, Gabriele Münter and Marianne Werefkin are constrained by gallery space

The Independent UK

Damning Damien Hirst for publicity stunts is like panning Van Gogh for painting flowers

The controversial artist has generated headlines by burning his own artworks, which were estimated to be worth £10m. But let’s not forget that Hirst has made his fortune by turning his every move into a global media event, writes Mark Hudson

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