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The Latest Breaking News from Phil Barker

“Does it sound like a J-45? No. Instead, you get the impression that the instrument has been reimagined through the lens of a master craftsman”: Bourgeois Slope D Standard T/S review

The latest in Bourgeois’ Touchstone range has shades of Gibson’s J-45. Will it live up to expectations and carve a legendary niche all its own?

Guitar World

“The origins of its nickname remain obscure, but, thankfully, the rest of its particulars were easier to pin down”: You know Greeny, now it’s time to meet Stripe – Gary Moore’s other go-to ’59 Les Paul, and a guitar of incalculable vibe

With some of the most phenomenal buckle rash you will ever see, Stripe is a holy grail to end all holy grails. As it is being sold privately via Bonham's, we get evaluator Steve Clarke to spill Stripe's secrets

Guitar World

“Could make your pedalboard truly portable with enough power to get you through a gig”: Walrus Audio Canvas Power USB review

The latest in Walrus Audio’s Canvas accessory range enables your pedalboard to run from USB power delivery

Guitar World

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“I’d put it right alongside any of the classic Fender amps. I think it’s earned that right”: 30 years of the Blues Junior – the Fender combo that came, saw and conquered the tube amp market

Compact, affordable and full of Fender DNA, the Blues Junior celebrates three decades as one of the company’s most iconic and celebrated tube amp designs. This is its story

Guitar World

“I’d heard these rumours that ‘it’s even been a sunburst’… I’ve read that one, too. But I could find no evidence of this”: Up close and personal with Gary Moore’s mythical 1960 Fender Stratocaster – the $330,000 Strat that lit up his Red House performance

Having just been auctioned for megabucks, we take a closer look at Moore's red Strat, sifting through the myths behind a guitar forever linked to his blazing 2004 performance of a Hendrix standard

Guitar World

“I’ve picked up others… they were like a piece of plywood. But not this one”: Gary Moore’s iconic red Stratocaster sells at auction for more than $330,000

This was the Strat that Moore played during his legendary 2004 performance of Red House – when people dared say it was better than Hendrix

Guitar World

“I’m nervousof that guitar because it’s so expensive. I can barely look at it”: Biffy Clyro’s Simon Neil on how you can shake the Earth with one finger, and why he fell in love with Kirk Hammett’s Greeny – even if he’s still Team Strat

With their 10th album, Futique, Biffy Clyro remind us exactly why they are one of the most important rock bands of the modern age

Guitar World

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“Took us totally by surprise – sirloin steak quality for chicken nuggets price”: Jet Guitars JT-350 BKM H and JJ-300 P90 SFG review

These guitars have outlines that you'll recognise, but their meagre price points surely belie the set of specs and level of build quality? Let’s find out

Guitar World

“Aim to clone the style of the high-end UK Custom Shop models… To be honest, we’re struggling to find any negatives”: PJD Origin Series Carey Pro and St John Pro review

Known for its finely made production-led UK builds, PJD Guitars is now aiming for the mainstream with a range of Indonesian-made solidbodies and its lowest price points yet

Guitar World

“If you’re heading off on holiday any time soon and want a guitar-shaped companion with a good pedigree, look no further”: Furch Pioneer-ER A review

The latest travel guitar from the renowned Czech builder may look small, but it packs a punch and benefits from some revolutionary new technology

Guitar World

“Initially, Gary was very frosty. I said, ‘On this track, you used the “Greeny” Les Paul, didn’t you?’ And his eyes lit up”: Inside the final Gary Moore gear auction – from the amps behind his sound to the red Strat that unleashed his blues power

With the last of Moore’s guitars going under the hammer, we join Claire Tole-Moir of Bonhams and Neville Marten, former Guitarist editor and friend to Gary, to examine his extraordinary collection

Guitar World

“For a budget amp, it offers an impressive feature set without costing the earth”: Harley Benton DNAFX AmP20 review

Can Harley Benton offer something new in the highly competitive world of modelling amps?

MusicRadar

"Not only is this Riviera the most Oasis-relevant guitar of the recently launched trio, it’s the most affordable too": Epiphone Bonehead Riviera review

Noel Gallagher’s new Gibson Les Paul might have grabbed the headlines, but of the recently launched Oasis trio, it’s Bonehead that delivers the banger

Guitar World

“If you're looking for a do-it-all acoustic guitar for well under $500, then there really aren't many better options”: Harley Benton CLG-650SM-CE review

High-gloss finish, superb playability, on-board pickup system and all-solid wood… at $339?

MusicRadar

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MusicRadar

“For the majority of producers the iMac probably isn’t the right choice”: Apple iMac M4 review

An all-in-one desktop computer that's gorgeous, capable, and just a little conflicted

Guitar World

"Some might say this is far from a valid Oasis signature guitar, having only come into play earlier this year": Gibson Noel Gallagher Les Paul Standard review

What started this year as a ’mystery’ guitar and then became a 25-only £17k collector’s piece is now a Gibson USA ‘Paul for the people

Guitar World

“The quality of guitars didn’t plummet overnight – some might argue that it remained high for at least a decade”: Fender CBS guitars get a bad rep – but what actually changed?

The CBS takeover of Fender was many things but it was not an overnight revolution. We track the key changes to its builds through the era

Guitar World

“A first-class build that’s impossible to fault… it would be criminal if this didn’t hit a stage”: Patrick James Eggle Oz-t Cabronita Thinline review

Upholding the craft of the luthier, Patrick James Eggle’s latest build is another reason to look to the UK if you want the best

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Guitar World

"Will it knock your socks off? For some, absolutely, but for me, I find it works admirably in a cranked rig and stacks nicely with other gain pedals": Warm Audio Tube Squealer overdrive pedal review

Warm Audio’s latest overdrive machine serves up the three greatest hits of the 'Green Screamer' overdrive in one stompbox

Guitar World

“Boss’s claims of the pedal being artifact-free more than hold up. I’d have the confidence to gig with this and use it to avoid guitar changes”: Boss XS-1 Poly Shifter review

The Japanese giant's new pitch-shifting algorithm has been in its laboratory for years, but patience has proven a virtue with this small-but-mightily-usable stompbox

Guitar World

“All-solid body construction and premium electronics for under $350? You have my attention”: Harley Benton CLC-650SM-CE review

Harley Benton is once again pushing the boundaries of what 'bang for your buck' actually means

Guitar World

“The standard-bearer against which to judge all small combo amps”: Fender Blues Junior IV 30th Anniversary review

Decked out in tooled western-style livery with a saddle bag’s worth of speaker and circuit upgrades, this anniversary edition stands strong in the lineage of the classic benchmark combo

Guitar World

“It may be a cliché, but let’s say it anyway: Jimi Hendrix didn’t do too badly with CBS Fenders”: Fender’s CBS era is often associated with the company losing its reputation for quality – but is that view still justified?

Fender’s CBS era is often boiled down to an equation of ‘corporate drive for profit and quantity = lowering of build standards,’ but like many things in life, it's not so simple

MusicRadar

“Some might say a guitar at this kind of price point has no business resonating so well”: Harley Benton ST-80FR MN review

Harley Benton pays homage to the golden age of shred with this single-pickup and Floyd Rose-equipped firecracker

Guitar World

"A Bluesbreaker and a King of Tone walk into a bar… and I went home with both of them": Warm Audio Throne of Tone pedal review

Could this be the finest drive and boost pedal of the year?

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