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The Latest Breaking News from Phil Barker

“It’s four octaves up or down. Some people would argue that’s too much. We’d argue that we look forward to what people could do with it”: How Boss reimagined the wildest effect on your pedalboard

Boss's Matt Knight gives us the lowdown on the XS-1 and XS-100 Poly Shifter series, the pitch-shifting pedals that put the DigiTech Whammy on notice

Guitar World

“This has been a difficult decision for us, as we have greatly appreciated the enthusiasm and support from the guitar community across the United States”: Harley Benton is closing its US store on Reverb

Players in the US have until 31 January to place their orders before the doors shut at the German brand's US warehouse. Harley Benton says it is “no longer feasible” to operate in the US

MusicRadar

“A radical approach to fuzz – whether you’re a Muse fan or not”: Manson Guitar Works Supermassive Black Fuzz review

Manson Guitar Works’ first stompbox delivers ahighdegree of variation in your fuzz tone

Guitar World

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‘I couldn’t believe how much gunge it removed!’ – this £6.99 Amazon bestseller will clean your fridge and keep your food fresher for longer

'I couldn’t believe how much gunge it removed!’

Ideal Home

“It may be based on a Tone Bender, but it can also be considered a generic fuzz – and we mean that in a good way”: Electro-Harmonix Bender Royale review

Electro-Harmonix revives the classic three-transistor Tone Bender and evolves it for more sonic variety

Guitar World

"There really isn't anything else on the market quite like this": Strymon PCH Stereo Active DI Box With Headphone Amp review

Tired of compromising your signal chain and listening experience as an amp pedal user? Strymon might have the solution with its unique DI / headphone amp PCH

Guitar World

"A well-chosen feature set that really elevates it above similarly-priced short-scales”: CortGB-Short Scale Bass review

Cort short? A MarkBass preamp, roasted maple neck and more proves that short-scale basses don't have to mean 'less'

Guitar World

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"Its simplicity is a selling point": Funny Little Boxes Caught By The Fuzz review

A UK-built, two-knob fuzz for under a hundred bucks? We're listening...

MusicRadar

“A supremely versatile platform that blurs the line between solidbody and semi”: The PRS 40th Anniversary Special Semi-Hollow Limited Edition is $6,990, impossibly beautiful, and they’re only making 280 of them – but here’s why we want one

PRS Guitars has been releasing eye-popping limited-run instruments month after month but this do-it-all high-end electric might just be the pick of the litter

Guitar World

“Proper old school producers might also baulk at the ease of song creation and the slick results” – Teenage Engineering EP-40 Riddim and EP-2350 Ting review

It’s a mobile reggae, dub and dancehall sound system with its own mic for less than 300 quid

MusicRadar

How I saved money by reorganising my fridge – I’ve already noticed a huge saving on my energy bills and weekly shop

Sorting out my fridge freezer has immediately saved me money and energy

Ideal Home

The Guitar World reviews team's gear of the year 2025

Platinum Award-winners, forward-thinkers and new classics from our favourite guitars, amps, effects, plugins, bass gear and more

Guitar World

Clean, almost all original, lightweight, with PAFs to die for – Gary Moore’s 1962 Gibson Les Paul/SG is a true grail

Sold at auction via Bonham's for around $27,385, was this Les Paul/SG one of the great bargains for vintage collectors and Gary Moore superfans?

Guitar World

“It stacks brilliantly and the additional modes are super useful”: DOD Overdrive Preamp 250-X review

The DOD 250 gets modernized, with two additional modes. Is the workhorse showing its age? We find out.

Guitar World

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Guitar World

“Gary was great on a 335 – he really, really pulled the expression out of that guitar”: Greeny and his Strats were his superstar electrics, but these ‘60s Gibson semi-hollows were Gary Moore’s workhorses – and they’ve still got the blues mojo

Serial number A33857, this stunning '60 ES-355TD was top-of-the-line in its day, and with his ’63 ES-335TD, offered Moore stunning tones. We took a closer look as they headed to an auction where they fetched around $94,000 and $65,000, respectively

MusicRadar

“These are classy sounds with no danger of single coil hum... a near-perfect function-gig guitar”: PRS Fiore HH Satin review

PRS’s under-the-radar Fiore, the signature guitar of Mark Lettieri, gets a dual humbucking makeover and packs serious punch

Guitar World

“I discovered African blackwood probably around 20 years ago. The first guitar was paired with a cedar top and the volume blew me away”: How a $10K acoustic build put the loud into Lowden – with exotic tonewoods and faultless construction

Meet the high-end cutaway acoustic of your dreams that looks a million dollars and costs more than $10,000 – another occasion when Irish luthier George Lowden has raised the bar

Guitar World

“A tighter, louder and gutsier tone from an already stellar-sounding amp”: Bad Cat Mod Shop Black Cat 30 review

Remixed and refreshed by the late, great amp-guru Mark Sampson, thisBlack Cat has two more tubes, 10 more watts and a whole new voice

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Guitar World

“You can get some very mournful sounds out of it as well as in‑your-face. It’s a real old battle-axe”: Gary Moore’s 1963 Telecaster is modded and thrashed to death – and it’s got a tone pot that behaves like a wah

Before it was auctioned for just under $69,000, we take a closer look at one of the lesser-spotted electrics in Moore’s collection, with Bonham’s Steve Clarke sharing its story

Guitar World

“Does it sound like a J-45? No. Instead, you get the impression that the instrument has been reimagined through the lens of a master craftsman”: Bourgeois Slope D Standard T/S review

The latest in Bourgeois’ Touchstone range has shades of Gibson’s J-45. Will it live up to expectations and carve a legendary niche all its own?

Guitar World

“The origins of its nickname remain obscure, but, thankfully, the rest of its particulars were easier to pin down”: You know Greeny, now it’s time to meet Stripe – Gary Moore’s other go-to ’59 Les Paul, and a guitar of incalculable vibe

With some of the most phenomenal buckle rash you will ever see, Stripe is a holy grail to end all holy grails. As it is being sold privately via Bonham's, we get evaluator Steve Clarke to spill Stripe's secrets

Guitar World

“Could make your pedalboard truly portable with enough power to get you through a gig”: Walrus Audio Canvas Power USB review

The latest in Walrus Audio’s Canvas accessory range enables your pedalboard to run from USB power delivery

Guitar World

“I’d put it right alongside any of the classic Fender amps. I think it’s earned that right”: 30 years of the Blues Junior – the Fender combo that came, saw and conquered the tube amp market

Compact, affordable and full of Fender DNA, the Blues Junior celebrates three decades as one of the company’s most iconic and celebrated tube amp designs. This is its story

Guitar World

“I’d heard these rumours that ‘it’s even been a sunburst’… I’ve read that one, too. But I could find no evidence of this”: Up close and personal with Gary Moore’s mythical 1960 Fender Stratocaster – the $330,000 Strat that lit up his Red House performance

Having just been auctioned for megabucks, we take a closer look at Moore's red Strat, sifting through the myths behind a guitar forever linked to his blazing 2004 performance of a Hendrix standard

Guitar World

“I’ve picked up others… they were like a piece of plywood. But not this one”: Gary Moore’s iconic red Stratocaster sells at auction for more than $330,000

This was the Strat that Moore played during his legendary 2004 performance of Red House – when people dared say it was better than Hendrix

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