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The Latest Breaking News from Guitarist

“Listening to him had an effect on me similar to what I might feel if I were to meet an alien from outer space”: How Eric Clapton’s mission to spread the blues gospel was the making of the first guitar ‘god’

The discovery of Freddie King was the Eureka! moment in the origin story of Slowhand's ascent as the British blues scene's greatest player

MusicRadar

“We didn’t have time to fix it, so I traded it for a Fender Twin. But I know where they are”: Jeff Tweedy on the two guitars he regrets selling – and how Billy Gibbons ended up with them

The sharp-dressed guitar hero doesn’t seem to be in the mood for letting them go...

Guitar World

“His dedication to Gibson’s quality and legacy is beyond reproach”: 5 ways Cesar Gueikian transformed Gibson – and proved to be a very different kind of guitar CEO

As he leaves the top job at one of the world’s biggest guitar companies, we look back at the Gibson leader’s legacy – and how he oversaw a renaissance for the Nashville guitar giant

Guitar World

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“Even if it doesn’t survive, you can just get a screwdriver and screw it back together”: Bill Frisell on why the Telecaster beats the archtop as the touring jazz guitarist’s best friend

The Blue Note jazz legend checks in to pay tribute to the original mass produced electric guitar – the guitar that trends and airlines cannot kill

Guitar World

“We didn’t think he was up to it. He was perfectly capable of playing the major and minor chords in the right place, but not the lead”: Brian Robertson’s early reservations on Scott Gorham joining Thin Lizzy

Robertson wasn’t filled with confidence when Gorham first joined the band

Guitar World

“Ry Cooder once said there is really no better tool for the guitar than your right hand. There are so many ways you can approach it”: Eric Bibb on why happiness is a good acoustic guitar – and what makes the electric a different species

The country blues master pays a mid-tour visit to Guitarist to talk touring acoustics and the foundation of his amazing fingerstyle technique

Guitar World

“I’m a firm believer that if you put a truss rod in a guitar, it sucks the tone out of it”: Simon McBride has a hot tone take you’ve probably never heard before

The Deep Purple guitarist prefers guitars that forego truss rods – here's why

Guitar World

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“It was a nightmare. My only experience was playing in my room where I was alone”: Laura Cox on the challenges of transitioning from YouTube to the studio – and how to conquer them

The French guitarist made her name with classic rock videos on YouTube, but when it came to cutting her teeth in the studio, Cox admits it was another story altogether...

Guitar World

“It took me 10 or 11 takes to get the timing on the intro right. Jimi easily could have just done it”: The life and times of Dave Mason, the former Traffic guitarist who made a habit of playing on iconic tracks

The Traffic guitarist’s best work of the ’60s and ’70s was magical, but the stop/start nature of his career held him off household-name status

Guitar World

“I bought it for 100 bucks. The guy didn’t think it was fixable. Years later, he came to a show and saw me playing it. He was mad – said I took advantage of him”: Jeff Tweedy says his mom has an eye for guitar bargains – these are the cheapest gems yet

The $100 purchase was in poor condition, and when he got it singing, its former owner was vexed...

Guitar World

“I knew about it for years. I couldn’t tell anyone”: Eric Clapton's ‘Summersburst’ Les Paul – used on Cream's debut album – has finally been unearthed after 60 years

From England to New York and Paris, the 1960 Les Paul Standard Clapton used on Cream’s game-changing debut is now being brought to the masses of guitar aficionados, thanks to Matthieu Lucas of Matt’s Guitar Shop

Guitar World

“He plugged it in and we both shut up and went, ‘This is an amazing guitar.’ It just sounded extraordinary”: How a friendly rivalry with Jake Kiszka helped Chris Turpin bag this stunning double-cut

This 1961 Gibson Les Paul/SG is the guitar dreams are made of. And the two Mirador guitarists both had their hearts set on it. Turpin tells us how it all went down

Guitar World

“I said, ‘But Ed’s still alive. He’s still making amazing records. He’s still on tour. What guitar player would ever try to imitate him while he’s still working?’”: Joe Satriani recalls being approached by David Lee Roth for a Van Halen cover band

Satch may be filling Van Halen’s shoes during the Sammy Hagar-led Best of All Worlds tour, but he was reluctant for decades to play the legendary guitarist’s parts

Guitar World

“Dave had something so many guitar reviewers lack”: Remembering Dave Burrluck, our colleague and friend – and a guitar journalist who changed the game

Guitarist magazine editor Jamie Dickson reflects on the immense contribution of one of our industry’s most important voices

Guitar World

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Guitar World

In production for seven decades, the hollow-bodied ES-175 was the perfect partner for jazzers of the 1950s – especially at its original $175 price point

Guitar World

“It’s like the wind is at your back when you’re playing it”: The difference between a PRS Silver Sky and Fender Stratocaster, according to a blues hero who plays both

The guitars have their own unique qualities in Philip Sayce's eyes – and both are welcome in his rig

Guitar World

“Without the guitar, I’d probably be a professional dog-walker or in jail”: The life and times of Motörhead guitarist Phil Campbell

Motörhead’s longest-serving guitarist was the perfect fit for a band whose bludgeoning sound and appetite for excess eclipsed all others

Guitar World

“I find that the electric guitar is almost a separate species”: Why being an acoustic guitarist doesn't necessarily make you an electric player – according to Eric Bibb

Bibb admits he won't be calling himself an electric guitar player anytime soon

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Guitar World

“I sold the guitar to Bob Rock like an idiot for $10,000. Then Slash blew up, and I immediately missed out on about $150,000": Billy Duffy on the one guitar he wish he never sold

Duffy’s timing could hardly have been worse

Guitar World

“I was starting to get tired – as much as I hate to say it – of the very predictable Marshall sound”: Slash took his new favorite amp brand on the Guns N’ Roses tour without telling anyone

Slash pivoted from Marshall to Magnatone in a high profile move back in 2023

Guitar World

“It turned out to be the worst time to do an auction – his guitars really undersold”: The celebrity guitar auction where guitars did not sell for what they should have

Big money changed hands during the 2021 Neal Schon mega-auction but some collectors – Joe Bonamassa included – believed it was “brutal”, and he should have got a lot more

Guitar World

“She put it under her bed and didn’t play it for 60 years. When I got it, it still had the original strings on it”: Why telling your guitar’s backstory could help it sell for more money

Reverb's Cyril Nigg offers some sage advice for selling your guitar, and it's just like Joe Bonamassa says: "I don't buy guitars, I buy stories"

Guitar World

“My dad said, ‘Take a seat – a band is coming in to make a record.’ I spotted a guitar case entering through the side door… carried by none other than B.B. King”: Billy Gibbons on how B.B. King changed his life

At the age of 7, seeing B.B. King lit the path for Gibbons as a blues guitarist. The ZZ Top legend discusses B.B.’s lasting impact

Guitar World

“I never liked the electric guitar. I’m just not drawn to it”: The life and times of Ralph Towner, the endlessly curious frontiersman of acoustic jazz who worked with everyone from Bill Bruford to Robben Ford

Taking influence from Indian classical, Brazilian bossa nova and beyond, this late jazz master’s touch and vision equalled anyone on the fusion scene

Guitar World

“I had a couple of drinks and started thinking, ‘I wonder if they have an Ovation Breadwinner…’” Jake E. Lee on the ultimate ’70s oddball guitar –and how he found a holy grail Marshall for $80 while touring with Ozzy

The ex-Ozzy guitarist talks about his love for SGs, his disdain for bad amps, andhow you can find a connection with the most unlikely instruments

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