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The Latest Breaking News from Guitarist

“If you have a 16-bar guitar solo, please don’t turn into Yngwie Malmsteen orJoe Satriani”: Ian Anderson had some soloing advice for Jethro Tull’s new guitarist

No Arpeggios From Hell!? Denied! What the hopping flautist with the wild-eyed stare told Jack Clark when it came time to track leads for Jethro Tull's latest album, Curious Ruminant

Guitar World

“Jim Irsay was so proud of having acquired this guitar. It was like the jewel in the crown of his collection”: Getting up-close with a $10m trio of guitars once wielded by Kurt Cobain, Eric Clapton and David Gilmour

The truly iconic guitars are due to go under the hammer at Christie's soon – and Guitarist got an exclusive look ahead of the sale

Guitar World

“The one thing that’s making it very hard in the industry – at whatever level – is that there’s just too much choice”: Lee Anderton on guitarists' changing tastes, and why it’s not all doom and gloom for guitar stores

The owner (and Captain) of legendary UK gear retailer Andertons gives us reason for optimism that the brick-and-mortar guitar store has still got some life left

Guitar World

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“I didn’t need all the extra crap. Just give me a single-P-90 guitar and a Tube Screamer and I’m ready to play the Royal Albert Hall”: Jared James Nichols on why he took the Klon off his pedalboard and what players get wrong about drive pedals

Not everyone is expanding their pedalboards. Nichols explains why he prefers to keep it simple – and to leave the super-rare high-value pedalboard gold at home

MusicRadar

“The rest of the world didn't know that the world's greatest guitarist was playing a weekend gig at this place in Chelmsford”: The Aristocrats' Bryan Beller recalls the moment he met Guthrie Govan and formed a new kind of supergroup

As per Aristocrats lore, the power trio formed right after an impromptu jam at NAMM 2011

Guitar World

“We know for a fact that not all ’Bursts were great-sounding, but the surviving examples we played lived up to the legend”: I spent an evening with 7 original Gibson Les Paul ’Bursts from 1958 to 1960 – here's what I learned

There were two ’58s, an ex-Mick Taylor ’59; the exquisite ‘Minnesota’ ’59 ’Burst, and ‘Grainger’, too –but did a 1960 ’Burst made to ’59 spec steal the show?

Guitar World

“I didn’t start until I was 21. Most people I know were 13 when they had their first guitar”: Chris Rea, Driving Home For Christmas singer and slide guitar maestro, dies aged 74

The underrated guitar star blended blues, gospel, soul and more across 25 solo albums

Guitar World

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“I had letters threatening me with death for getting Bert Jansch to play through an amp”: The life and wild times of Danny Thompson, the legend of upright bass who “brought greatness to everything he played”

The fabled upright acoustic bassist leaves us with a thousand tales of misadventure and an extraordinary body of music that weaves through the rock ’n’ roll era

Guitar World

“We were told they’d all gone down. You’ll never see a house full of people get so quiet, it was pin-drop silence – eventually we found out Buddy and Eric were okay”: Veteran bluesman Larry McCray recalls the night Stevie Ray Vaughan died

The famed Strat wielder passed away at the age of 35 in a helicopter crash outside East Troy, Wisconsin

Guitar World

“Does it sound like a J-45? No. Instead, you get the impression that the instrument has been reimagined through the lens of a master craftsman”: Bourgeois Slope D Standard T/S review

The latest in Bourgeois’ Touchstone range has shades of Gibson’s J-45. Will it live up to expectations and carve a legendary niche all its own?

Guitar World

“A single-note solo played over just bass and drums runs the risk of sounding empty… The solution is to include some chord tones”: How to use triads in blues solos like Stevie Ray Vaughan and Jimi Hendrix

When you’re the only guitarist in the band, triads are your best friends in a guitar solo – and Hendrix and SRV were the masters

Guitar World

“They can show you what a guitar is about right away”: Wolfgang Van Halen names the 2 classic rock tracks he plays to test any electric guitar

Forget the forbidden riffs and the flashy taps. Wolfgang finds it's better to keep things simple...

Guitar World

“I’ve picked up others… they were like a piece of plywood. But not this one”: Gary Moore’s iconic red Stratocaster sells at auction for more than $330,000

This was the Strat that Moore played during his legendary 2004 performance of Red House – when people dared say it was better than Hendrix

Guitar World

“People think you can just drop it a few times and drag it down the street… but it’s actually a really intensive process”: The art of relic’ing a Fender guitar – and why it’s harder than you think

Fender’s Chief Product Officer explains the science behind a relic job, and why for many players it’s the best chance they’ll get to own a lived-in guitar

Guitar World

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Guitar World

“People talk a lot of poo about my tone. But it’s what I love and have loved since I was a kid”: Kiki Wong’s go-to amp at home is a budget combo everyone loves to hate

The cheap modelling amp is mocked by many, but it indirectly helped Wong get the biggest gig of her career

Guitar World

“Initially, Gary was very frosty. I said, ‘On this track, you used the “Greeny” Les Paul, didn’t you?’ And his eyes lit up”: Inside the final Gary Moore gear auction – from the amps behind his sound to the red Strat that unleashed his blues power

With the last of Moore’s guitars going under the hammer, we join Claire Tole-Moir of Bonhams and Neville Marten, former Guitarist editor and friend to Gary, to examine his extraordinary collection

Guitar World

“A guy offered me way more than I paid – it was too hard to pass up. I let it go and immediately regretted it”: Phil X on the guitars he’s loved and lost – and how Eddie Van Halen taught him to “enjoy and ruin” the instrument

The former session man turned Bon Jovi six-stringer dialled in with Guitarist totalk about his journey buying, selling, regretting and loving guitars

Guitar World

“Tony was a very successful professionalguitarist who played for Frank Sinatra... he designed this guitar with Les Paul”: Through a Dumble it sounds “like Madison Square Garden” and it’s totally unique – meet Tony Mottola’s 1968 Gibson ES-355TDR

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Guitar World

“The sound that comes out of that speaker is just dynamite”: One of the main guitars on Biffy Clyro’s new album was a tiny Fender with a built-in speaker – which is also beloved by Tom Bukovac

The forgotten ’90s oddball was employed for some “cheap-sounding warmth” and sludgy goodness

Guitar World

“I opened the case and Glenn went, ‘Wow. What’d you pay for that?’ I went '$1,200...’ He said, ‘Cheap!’ in a very derogatory way –so I called my ’59 ‘the cheap Les Paul’”: Don Felder on medical emergencies, Eagles sessions and his million dollar ’Burst

With The Vault – Fifty Years Of Music, the ex-Eagles guitarist marks a career milestone by bringing lost demos to life and re-recording the classic Heavy Metal. And he isn't stopping any time soon

Guitar World

“This guy walked in with a silver Rickenbacker case. I thought, ‘Oh, it’s just a fellow musician, that’s fine’”: How Roger McGuinn’s Byrds Rickenbacker was stolen – from right under his nose

The guitarist’s trust in a ‘fellow musician’ was tragically misplaced

Guitar World

“I was just talking to Paul Reed Smith – and I don’t know if I should be telling you this – but he’s made a new guitar that’s a revolution”: John McLaughlin teases unreleased PRS that he calls the mysterious ‘Yellow Guitar’

The jazz legend has been testing one of two prototypes, and both big names have been blown away...

Guitar World

“He was standing two feet from me. When he was done, he said, ‘Well, what do you think?’ And I said, ‘I want to cry’”: How this bluesman linked up with Eric Clapton – and got him to play a solo on his album

They’ve forged a close friendship over the years, but getting Slowhand to play an “insane” solo on his record wasn’t easy

Guitar World

“It’s a vintage Les Paul with a different shape. I wanted to have my own recipe”: Meet the Tributo, the Italian super-guitar that turns the ’59 Les Paul formula on its head

Based on the home of Italian supercars comes a super-electric with serious boutique pedigree. The inspiration is obvious. The upgrades less so, and it could be the acme of vintage-inspired design. Luthier Nicolas Giordano explains his process

Guitar World

“Reshaping the nut to look more like a Gibson from the ’50s is too tempting not to do”: How I made the Epiphone Jeff Beck Oxblood 1954 Les Paul a little more Jeff Beck

After quite a few playing hours under its belt, Dave Burrluck gets the Epiphone Oxblood Les Paul back into the garage for a bit of a tinker and a tune-up

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