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The Latest Breaking News from Guitar World

“I think Pantera might’ve talked about this in Hot and Heavy”: Kayla Kent nails Eddie Van Halen’s Ice Cream Man solo in the style of Dimebag Darrell

The Dime-loving shred star is at it again, blurring the lines between the tone and playing styles of two greats in one blinding performance

Guitar World

“The most convincing acoustic tone from an acoustic electric that we’ve yet heard”: LR Baggs AEG-1 review

This cutting-edge electro from LR Baggs has a plywood body frame, torrefied spruce top, rosewood back and studio-quality electrics – and we can’t wait to plug it in…

Guitar World

“You can almost hear the music in your head when looking at these photos”: How legendary photographer Jim Marshall captured the essence of the Grateful Dead and documented the rise of the ultimate jam band

An upcoming book of photos captures Marshall's unique relationship with the Dead. His former assistant, the photographer Amelia Davis, explains how he became part of the Dead family

Guitar World

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“To be honest, I didn’t like Stevie’s tone as much in the heavy Dumble period. It sounded a little tight to me”: Ian Moore on jamming with the Stones, writing with Billy Gibbons, and discussing those SRV comparisons – with Stevie Ray Vaughan

The SRV disciple admits he confused people by moving from Texas blues to art rock, but believes his skills are only increasing, despite a neurological condition that means he can barely speak

Guitar World

“At some country show I was playing, my dad saw one lying on the floor that somebody left or dropped. I had never seen one before”: He started playing at the age of three, and at 13, he came across something that would help define his unique sound

One of the most distinctive (and underrated) blues guitar players of his era, Jeff Healey adopted his radically unconventional approach to the instrument at a very young age

Guitar World

How to play slap bass: an essential guide to slapping and popping

Also known as thumpin’ and pluckin’, slap bass is one of the mainstays of funk bass

Guitar World

“It's the most significant development in the last 50 years. Everything else has just been a little tweak on something Leo Fender or Les Paul did”: Once Allan Holdsworth picked up a headless Steinberger, there was no turning back

Though he'd also later work with Carvin, Holdsworth remained a headless guitar devotee for the rest of his life, telling Guitar World in an interview just days before his death, “Once you play a headless guitar, you’ll never want to play a regular guitar again”

Guitar World

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“I got together with Jeff a few years ago. The famous white Strat was sitting on the couch so I said, ‘Jeff, pick it up and play it!’” Rockabilly rover Mick Rogers on playing with Frank Zappa, touring with Kiss, and rootsy jams with Jeff Beck

The veteran rocker recalls how Frank Zappa helped him get his first Les Paul – and also got him kicked out of Manfred Mann’s Earth Band – and discusses his recordings with Jeff Beck, which Rogers says were the last the late virtuoso ever made

Guitar World

"The Standard Stratocaster has all of the classic Strat sounds at its disposal. You’ll just have to work a bit more to uncover them." Fender Standard Stratocaster review

One of the most divisive releases in years from Fender has arrived

Guitar World

Bass chords: shapes that work on bass guitar – and go beyond the power chord

Learning how to play chords on the bass is an absolute must if you want to develop your musicianship

Guitar World

“Not everybody has a high standard. A lot of indie people think playing too good is a bad thing”: Billy Corgan on the difference between rock and “indie” guitar players

The Smashing Pumpkins frontman recently sat down with Richie Sambora to discuss their early musical experiences

Guitar World

“This is a powerhouse of a stompbox that manages to keep things simple while offering endless inspiration”: Strymon EC-1 Single Head dTape Echo pedal review

Strymon brings its beloved dTape technology to a smaller format stomp creating one of its most inspiring delays to date

Guitar World

“I'd sit there with my guitar and that was my education. This show gave me purpose, it gave me hope”: Gary Clark Jr. dons a Strat to cover Stevie Ray Vaughan classics at Austin City Limits' 50th Anniversary televised special

As a nod to SRV, Clark Jr. and fellow blues guitarist Eve Monsees wielded Strats for the stirring performance

Guitar World

“There was never any half-measures with Gary. If he didn’t like something he’d soon tell you to f**k off”: In July 1979, Gary Moore stormed off stage and officially left Thin Lizzy – now, guitarist Eric Bell reveals the real reason why

Moore's stints with Thin Lizzy continue to inform the band's legacy

Guitar World

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Guitar World

“One of the coolest guitars I own”: Dweezil Zappa has some absolutely wild guitars in his vault – but his insane one-of-one fretless Gibson SG is one of his favorites

Zappa has an eye for weird and wonderful instruments, and this heavily modded example – which began life as a Roxy SG – might be one of his finest

Guitar World

“Delivers the same tones that made the original popular with legends”: Rotosound’s ultra-rare fuzz pedal has been reissued – bringing Jimmy Page-approved fuzz magic to the masses

Page was pictured playing the ultra-rare OG pedal on several occasions in 1969 – and now the elusive Rotosound Fuzz has been reissued

Guitar World

“Maybe we could buy a 12-string and have it sawed in two”: Kevin Bacon and Jimmy Fallon rewrite Bryan Adams’ Summer of ’69 – and make it all about six-strings

There’s no room for Jimmy to quit, or for Jody to get married, in this version

Guitar World

“It's getting harder for him. But I've seen people younger than him in wheelchairs on stage doing what they do”: Ritchie Blackmore suffered a heart attack last year – and a return to Europe has been ruled out for the time being

The Deep Purple legend is set to play six shows in the US this Spring, but has been told not to fly by his cardiologist

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Guitar World

“A classical guitar for the modern era, with all the specifications expected by the seasoned player”: Harley Benton seizes on the Polyphia-led nylon-string revival with a versatile acoustic-electric for under $300

The new model, which boasts a sleek look, an integrated piezo pickup system, and a “warm and resonant” tonal quality, is the latest addition to Harley Benton's budget-friendly acoustic line

Guitar World

“That’s the same guitar I’m playing on stage with the band and on tour with Green Day in front of 50,000 people”: Billy Corgan on why he plays off-the-shelf Reverends – and isn’t fussed about playing expensive guitars

The Smashing Pumpkins frontman plays his stock signature guitars for the band's biggest gigs

Guitar World

“The guitar work on her tracks is perfectly wonderful without me, so I decided to throw some mud at the wall”: Pete Townshend passes the torch to the next generation as he lends his guitar chops to emerging Dutch guitarist's latest record

Seems like the kids are alright after all

Guitar World

“You have to fight to be heard in metal. But you have to give them something worth fighting for!” 20 metal bassists who took heavy bass playing in new directions

Featuring metal’s leading low-enders – from old-school thrash to modern metal

Guitar World

“What you hear on Stratus is pretty much the first take. Tommy Bolin's guitar playing is some of the best that ever was”: Legendary sideman Lee Sklar reveals the studio secrets behind his incredible career

The legendary bassist looks back at five decades of studio work on hit songs by James Taylor, Jackson Browne, Phil Collins, and many more

Guitar World

“I played the national anthem at a football game on a Les Paul with a Floyd Rose. I turned my back for five minutes and it got stolen”: Orianthi names her favorite guitars – and tells us why her PRS sounds better than a holy grail Les Paul

The Australian virtuoso is a guitar nut with an extensive collection, but if it came down to a choice of three, these would be the guitars she could not bear to let go

Guitar World

“I did the intro to The Killing Moon without thinking. We went for a curry – and the engineer spotted that run and put it at the start”: How happy accidents, disastrous finances and an un-tuneable 12-string made Echo and the Bunnymen’s classic album

Sergeant might not be 100 percent happy with Ocean Rain but that doesn't stop it being a stone-cold classic with a killer lead single, whose influence we hear in generations of post-punk bands

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