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The Latest Breaking News from Guitar World

“The Höfner is so light, it encouraged me to play with a light touch and be more adventurous with it. I’d play it more like a guitar”: Why Paul McCartney’s violin bass was essential in creating his most playful bassline on Sgt. Pepper’s

The Beatles took Lovely Rita into Studio Two of Abbey Road on February 23rd, 1967 – McCartney’s faithful Höfner came along for the ride

Guitar World

"An astounding number of features and a lot of bang for your buck, but is it too good to be true?": Mooer GS1000 multi-effects and amp profiling pedal review

Mooer presents their MSNRS 2.0 amp capturing tech, allowing users to "emulate their favourite gear" at an affordable price point, with a ton of other features to boot

Guitar World

“Only Happy When It Rains has a solo and lot of that is backward guitar. We had to figure out how to play it –and flipped the two-inch tape reels over. I struggle playing that every night!” Garbage’s Duke Erikson and Steve Marker don't like to look back

The pair discuss experimenting without overthinking, how they know when a song is going to work, when to delete a clever guitar part, and why it’s still hard to play one of their biggest hits

Guitar World

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“You’ve gotta be able to learn the songs by ear – especially with Cradle of Filth. The tabs online are terrible”: Cradle Of Filth’s Donny Burbage and Marek ‘Ashok’ Šmerda on their theatrical metal roles – and what modern players miss about Marshalls

The hands that rock the Cradle reveal the guitar tonesbehind their theatrical metal mayhem and find modern guitars are weak and false

Guitar World

Jack White gifted Vernon Reid his wild signature Telecaster after a random airport encounter – and now the Living Color legend is playing the Triplecaster on stage

The guitarists swapped signature axes late last year after a chance meeting – and Reid is already putting his to good use

Guitar World

“The event organizer said, ‘You know that little fellow who followed you around with his briefcase? He’s Bob Dylan.’ I said, ‘Who’s Bob Dylan?’” Peggy Seeger on the first time she unknowingly met a future folk icon

Seeger recalls meeting Robert Zimmerman – better known as Bob Dylan – back when he was a student

Guitar World

“If your idea works on an acoustic guitar, you can change the world”: John Mayer and Ernie Ball’s string experiments continue with the launch of the firm’s “most sonically complex” acoustic set yet

With a little inspiration from drum cymbals, the revamped Earthwood Bell Bronze strings boasts a richer low-end that promises not to get too dark

Guitar World

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“I’m getting arm cramps just watching this”: The brutal shred-fest that has quietly become one of our biggest playthrough videos

Four years ago, we published this video of Erik Rutan. It's since become one of our most-watched videos

Guitar World

“Did l know she was a future legend? Not at the time. I didn’t know how talented she was. Obviously, we all found out”: 40 years ago, session ace Paul Jackson Jr. turned up to record with a then unknown singer –her name was Whitney Houston

Jackson tells us how, armed with the Strat he played on Thriller, he turned up for a studio session that would introduce us to one of the world's biggest stars

Guitar World

“World-class recording, editing, and production capabilities”: Fender Studio is a free recording app that comes loaded with official Fender amp and effects models

With authentic amp sims, pedals, and a suite of editing controls, Fender Studio injects some fresh competition into the DAW market

Guitar World

“The tone of a great-sounding single-coil and the positive characteristics of a humbucker”: PRS doubles down on its next-gen Narrowfield innovations and rolls out newly configured 3-pickup S2 and SE models

The versatile Maryland and Indonesia-built guitars continue PRS’ 40th anniversary celebrations

Guitar World

“My employees are so valuable to me. They have this institutional knowledge and rely on their income from this job to support their families”: EarthQuaker Devices CEO reveals the Ohio-based business is at risk of going bankrupt amidst tariff uncertainty

The boutique pedal company has forecasted that, should the trade war persist, the cost per pedal would increase from 2 cents in April to $12.80 in December

Guitar World

“We'll see each other on tour. Or rather, you'll see me – I'll hardly be able to see you in the audience”: Former Oasis bassist reportedly confirms his involvement in the band's highly-anticipated reunion tour

Other Oasis alumni rumored to be joining the spectacle include Gem Archer and Paul ‘Bonehead’ Arthurs

Guitar World

“The volume was painful. The loudness came from Stevie, who had a Frankenstein wall of amps”: Marked by substance abuse, new members, and studio snags – Stevie Ray Vaughan's Soul to Soul was a classic that signaled trouble to come

Chris Layton, Reese Wynans, Tommy Shannon, and Joe Sublett recall the difficult birth of the 1985 classic of Texas blues, as cocaine, whiskey, and fatigue took their toll

Guitar World

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Guitar World

“Within the world of slide guitar, he is one of the greatest ever”: Joe Bonamassa explains the slide guitar genius of his hero and icon, Rory Gallagher

In this tab and video lesson, Joe dons a metal guitar slide and unpacks the late Irish blues legend's glissando magic

Guitar World

“Used for the creation of the greatest recordings of all time”: Boss has brought 8 iconic effects pedals to the digital realm for the first time – and more are set to follow

It’s the firm’s first foray into virtual effects – but paywall complications might deter some potential users

Guitar World

“Transcends nostalgia”: Kramer draws inspiration from its 1980s shredder heydays for the Volante – an all-new modern-minded Superstrat

Kramer hopes its newly devised shred machines will help reposition the firm as “the progressive choice for high-performance guitarists”

Guitar World

“It was so secretive that I, as a curator of the Met, had no idea what was actually there”: One of the world’s finest guitar collections has been kept under wraps for decades – now it’s been donated in full to the Met

The collection has been in the works since 1987 and is now set to be displayed in a permanent gallery that charts the instrument’s influence on American culture

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Guitar World

“Everywhere I went with the picture, I would show it to ’em, and they was like, it was something evil”: Bootsy Collins’ Space Bass design was turned down everywhere he went – his ‘last straw’ proved the winner

Back in 1975, the funkateer had a larger-than-life vision for his dream bass – one which would see him knock on the door of many a luthier and music store before it became a reality

Guitar World

“CBS ran an ad that said, ‘6 million people have heard the sound of his guitar. Let us introduce you to him…’ That made a huge rift”: Barry Goudreau was there from the beginning of Boston –but has regrets about how things ended with Tom Scholz

Gibson wielder, who always preferred Marshall to Scholz’s Rockman brand, recalls being edged out but not caring at first, until it led to an angry split and legal repercussions

Guitar World

“Dive deeper into the depths of ambience”: Electro-Harmonix launches the Oceans Abyss – taking on the likes of Strymon and Meris with an immersive ambient reverb

With two independently programmable reverb engines, 10 voices, and a bevy of effects, the Oceans Abyss is throwing its hat in the ring for 2025’s best one-stop ambience machine

Guitar World

“Most players buy a Soloist for stank face riffs and shredding ‘til sundown. For that, the SL2DX is magnificent”: Jackson American Series Soloist SL2DX review

Jackson’s latest speed metal machine is built in Fender’s Corona factory and sticks close to the time-tested Soloist recipe, and could just prove to be your next heavy metal workhorse

Guitar World

“People were saying, ‘You’re not gonna make it.’ We just kept going. It took us six years”: The Smithereens’ Jim Babjak on how they went from broke to touring with Tom Petty –and became Kurt Cobain’s tonal reference for Nevermind

Babjak reflects on the remarkable career of the Smithereens, competing with tribute acts, and why he was too scared to speak to Pete Townshend

Guitar World

“Muddy Waters told my dad, ‘Jimmie, when I’m gone, teach everybody how to play like that.’ He liked the way he played slide”: He's the son of Jimmie Vaughan and the nephew of SRV, now he’s carrying the weight of his family playing legacy

SRV’s death left father and son struggling to continue, but they made it. Now, Strat fan Tyrone Vaughan knows he’s capable of delivering a great album – and it might be the one he’s working on now

Guitar World

“Those were the cocaine ’80s. They devoted a whole day to auditioning snare drum samples –just to double-up the actual snare”: Nancy Wilson knew Heart had to adapt to survive the excesses of the 1980s – but she didn’t expect their greatest success

Heart's self-titled 1985 album was just what the doctor ordered, ushering in a triumphant second act for the iconic Seattle rockers

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