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The Latest Breaking News from Guitar World

“Think The Pretenders, Tom Petty or Sam Fender”: 5 easy open-position alternate chord voicings that will give you extra jangle

James Honeyman-Scott of The Pretenders was a master at creating interesting parts from simple alternate chords. We look at five you can use in your playing

Guitar World

“The record label hid my name in a very small font size behind the CD. It took a long time to find!” You may not know who played guitar on some of Avril Lavigne’s biggest hits. It was Corky James

The self-confessed late developer was in his 50s when his career hit its stride. He explains how he wound up working with Liz Phair, Demi Lovato, and more, and reveals the gear that got him there

Guitar World

“When Ozzy approached me, there was an inner warning light that said, ‘Don’t do that’”: Why Michael Schenker turned down Ozzy Osbourne

Schenker was approached by the Prince of Darkness following the tragic death of Randy Rhoads

Guitar World

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“A lot of people say he sounds like Hendrix, but to me, he doesn’t really”: Prince’s long-time bassist on teaching guitar to the Purple Rain hitmaker – and why the Jimi Hendrix comparisons are inaccurate

In 1994, Prince changed his stage name to 'O(+>' due to contractual disputes with his label, and, amid the turbulence, he granted Guitar World access to his onstage inner sanctum

Guitar World

“I was so poor. I was pushing 50 years old. I thought, ‘I might have to get a job again’”: Guitar wizard Nels Cline was about to get a day job before Jeff Tweedy changed his life and asked him to join Wilco

Cline was about to look at alternative income streams before Tweedy came out of the blue and asked him to join Wilco

Guitar World

“No-one believed in us. The manager said, ‘You can only play for a few minutes.’ The entire audience jumped up on their tables”: The story of Fanny, one of the world’s first all-female rock bands

Fanny never topped the charts, but they made fans of everyone from the Beatles to David Bowie – despite constantly having to prove they could play

Guitar World

“I love it and it’s my friend forever. If I had to, I’d f**k it”: Keith Richards on his enduring love affair with the guitar, the effects of arthritis on his playing, and why he’s still learning the instrument at 82

The Rolling Stones icon reflects on life as a rhythm guitar hero, the size of his collection, and how the restriction of five-strings and open tunings blew his mind

Guitar World

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“A unique symbol of punk’s emergence in the UK”: The Damned frontman Brian James’ iconic Gibson SG, the guitar that defined the sound of early UK punk, already set to exceed estimate at auction

The 1964 SG soundtracked the Damned’s first two records, and featured on the first punk single to ever be released in the UK

Guitar World

“I love this guitar so much – if something happened to it, I’d stop playing”: Fingerstyle phenom Laura Snowden on the guitar she can’t live without, how downtuning makes classical guitar “creepy” and what she learned from the great Julian Bream

The classical guitarist's solo debut, This Changing Sky, is a breathtaking work that finds her exploring altered tunings in search of drama

Guitar World

“Every Gretsch from the mid-’90s onwards is a copy of one I had in my collection”: How Randy Bachman saved Gretsch after its factory burned down

Bachman became obsessed with collecting Gretsch guitars after his prized 6120 model was stolen in 1976

Guitar World

“I didn’t see it for 18 or 19 years. It disappeared, and it broke my heart”: Jerry Cantrell looks back on the guitar gift from Eddie Van Halen that went missing

Cantrell opens up on the nearly-two decade search to find his Van Halen Music Man

Guitar World

“It can easily be seen as a gimmick, but it's much more than that. As a guitar, it’s superb; as a MIDI controller, it’s uncanny”: Strandberg x Jamstik Chameleon review

Jamstik’s new MIDI pickup tech finds a home in Strandberg’s futuristic guitar design, but is it a match made in tonal heaven?

Guitar World

This browser-based amp and effects generator creates guitar tones based on text prompts – and it’s free to use

The tech generates tweakable tones from prompts, with no installs needed – and it’s free to try out

Guitar World

“I really wanted to see Ozzy one last time, to give him one last hug”: Gus G opens up on missing out on Back to the Beginning

The guitarist was a notable absentee at Ozzy Osbourne’s farewell show, but accepted it wasn’t meant to be

Guitar World

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Guitar World

“I would get up in the middle of the night, play it in the middle of the night, in the dark, no light”: Billy Corgan trained himself to play in pitch black

Corgan reveals the unconventional approach he took to learn the instrument

Guitar World

“A growing global movement to ensure his legacy is never forgotten”: Petition launched for Randy Rhoads memorial statue in his hometown of Burbank

The project already has the backing of Randy’s sister, as well as his former Ozzy bandmate

Guitar World

“I’d put his riffs up against anyone in rock today. He’s as good as Homme or Morello”: First he got a DM from Pearl Jam, now Stone Gossard is hailing him as one of the best riffers in the business

The Pearl Jam guitarist took British alt-rock trio Tigercub out of their comfort zone – leader Jamie Hall was dialing Marshalls to 10, down-tuning a gift from Rabea Massaad, and finding tones that take enamel off your teeth

Guitar World

“I couldn’t believe he was a guitar player”: Ritchie Blackmore says most guitarists aren’t nice people – but names one player who bucks the trend

Blackmore reserves particularly high praise for one of his Deep Purple successors

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Guitar World

“People phoned in, saying, ‘If you play that song again, I’m going to firebomb your station!’” How XTC battled the “rottweiler” Todd Rundgren and their record label to make their breakthrough

Andy Partridge reflects on Skylarking, a change of direction for XTC that was the most difficult of births under producer Todd Rundgren's direction and the label’s interference

Guitar World

“I never liked the electric guitar. I’m just not drawn to it”: The life and times of Ralph Towner, the endlessly curious frontiersman of acoustic jazz who worked with everyone from Bill Bruford to Robben Ford

Taking influence from Indian classical, Brazilian bossa nova and beyond, this late jazz master’s touch and vision equalled anyone on the fusion scene

Guitar World

“The best times of heavy metal were over… My concept was a new guitar design in the style of the ’40s or ’50s”: How Duesenberg Guitars became a major player with original old-school designs – and a little help from Mike Campbell

We check in with Duesenberg Guitars’ co-owners, Dieter Gölsdorf and Ingo Renner, to chart 30 years of its best-selling Starplayer

Guitar World

“Their first record was very different from the record they made after they met me and the guys in Metallica”: Dave Mustaine on the influence he had on the Big Four of thrash metal

Mustaine makes a compelling argument that he directly inspired the likes of Kerry King and Scott Ian

Guitar World

“I thought I’d got over my Mk.gee-inspired Jaguar hype, but Fender has sent me spiraling down the rabbit hole again”: All the guitar gear that caught my eye this week – including the most futuristic Epiphones ever created

Big drops from Fender, Gibson, Marshall and more headline the round-up this week

Guitar World

“When the session was over, Mickie said, ‘Nope, Peter can’t be in your band. There’s only going to be one star, and that’s you’”: Suzi Quatro reveals Peter Frampton nearly joined her band – but was rejected by her producer

In 1972, Quatro released her first single after she moved to England – and there are a couple of familiar names in the credits

Guitar World

“A Strat with a P-90 at the bridge and a Jazzmaster pickup at the neck is not going to sound like anything else Fender makes”: Ariel Posen on Jeff Beck, amp strategies and how his thirst for fresh tones inspired one of the most unorthodox Strats ever

Posen's new album, Bannatyne, finds the Canadian flipping the script for rock guitar, exploring in full the creative potential of that quite brilliant signature Strat of his

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