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The Latest Breaking News from John Paul Jones

“It's the first heavy metal riff ever written – and I wrote it!”: How Jeff Beck and Jimmy Page combined to create a groundbreaking song – and then argued over the writing credit

It also features Keith Moon drums – and screams

MusicRadar

“One night Zeppelin were all going down the boozer and I said, 'You guys bugger off but Bonzo, you stay behind because I've got an idea’”: The genius behind John Bonham’s towering When the Levee Breaks drum sound

It’s one of the best drum recordings in history, but the resulting sound was just as much a feat of engineering as it way playing

MusicRadar

“That’s one of the things that made us sound so heavy”: Led Zeppelin’s Immigrant Song, Kashmir, and The Song Remains the Same are wildly different classic rock staples, but one key element ties them all together, says John Paul Jones

Zeppelin’s power lay in their timing, the low-end giant explains, but there was more in the method to the band's madness

Guitar World

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“I remember when Led Zeppelin II came out and hearing The Lemon Song. That bass solo is one of my favorite bass parts ever”: Why The Lemon Song is John Paul Jones’ finest moment in Led Zeppelin

The third cut from 1969's Led Zeppelin IIis considered the peak of John Paul Jones’ melodic, harmonic, and rhythmic brilliance

Guitar World

“It was painful for me to listen to Ian Anderson’s voice. I felt for him a lot”: Dave Pegg on why he quit Jethro Tull, beating Metallica to a Grammy, gigging with John Bonham and working with Nick Drake in a smelly squat

The proud owner of a broken Grammy award is regarded as a revelation in folk rock with Fairport Convention – but he only played bass that way because he didn’t know what else to do

Guitar World

“It came from a great deal of eye contact between the two of us”: When it came to Led Zeppelin's most powerful riffs, sometimes what didn't get played was more important than what did, says John Paul Jones

They may have played a huge role in bringing heaviness and triple-digit onstage decibel counts to rock, but as bassist John Paul Jones explains, Zeppelin were also masters of silence

Guitar World

“Now I’m caught up in the ceaselessly toxic, dysfunctional web of Led Zeppelin interpersonal relationships”: How Phil Collins’ globe-spanning Live Aid journey led to one of the most disastrous reunions ever

The hectic day that Phil Collins Concorde-hopped between continents was mired by a shambolic reunion which he unwittingly became a part of

MusicRadar

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24 People Who Left A Mark In History And Are Actually Still Around, Much To The Surprise Of Folks In This Online Group

Numerous commenters on Reddit pointed out 35 famous people, who made history and still are our contemporaries.

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“It proved to be too tricky for everyone to hear and perform together without losing track of the beat”: Led Zeppelin's John Paul Jones explains what people get wrong about his Black Dog riff – which originally tripped up even Jimmy Page and John Bonham

In his inaugural Guitar World lesson column, authored in 1996, the legendary bassist also revealed why he used pick to lay the song down in the studio – and why he later would use an eight-string bass to play it live

Guitar World

“I dragged George Harrison in to listen to it on the way back from a Beatles session. He didn’t get it at all”: When the first Led Zeppelin album confused a Beatle — and was ignored by Mick Jagger

The album was made for a bargain price of £1,782

MusicRadar

“When I'm listening to Dear Prudence or those other great Beatles songs, you’re aware of what the bass is doing. That doesn’t happen with the Stones”: Why Gene Simmons calls Paul McCartney the king of bassists

His other favourites include Motown legend James Jamerson and — surprise — Ronnie Wood

MusicRadar

"I'm physically lifted from the seat and violently spun around by a pissed-off John Paul Jones": Led Zeppelin - Out of Control in the USA

Led Zeppelin’s final tour of the US in 1977 should have been their most glorious. But it wasn’t. There was tension, unpleasantness and negativity, and that was just the start

Louder

“If you’re a Zep fan and really want to go see Zeppelin, you might as well go and see one of the better tribute bands”: The epic life and career of John Paul Jones, the heartbeat of Led Zeppelin and so much more

Crack session musician, in-demand producer, one quarter of the world’s biggest rock band – ex-Led Zeppelin bassist John Paul Jones has done it all

Louder

“I said, ‘Let’s get Hendrix to play on it.’ His manager said, ‘Jimi’s playing shows back-to-back.’ So we got Jimmy Page”: The hit ’60s single that was supposed to feature Jimi Hendrix… but ended up with Jimmy Page

Donovan tried to recruit Hendrix when he went in the studio in the late 1960s, but ended up working with the soon-to-be Led Zeppelin guitar great

Guitar World

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Louder

From ecology to the occult: the dark secrets of Led Zeppelin IV

The mysterious sleeve artwork of Led Zeppelin's fourth album, dissected

Louder

“I tried to write songs with Paul McCartney, but it was impossible, because every idea I had sparked him off and every idea he had sparked me off”: Donovan’s transcendental tales of The Beatles, Dylan, Hendrix and David Lynch

Folkd rock pioneer Donovan on jamming with Macca and Dylan, butting heads with John Paul Jones and meditating with David Lynch

Louder

"We haven’t adjusted it for the taste of modern kids. This is how it's meant to be heard": An interview with the makers of Becoming Led Zeppelin

As Becoming Led Zeppelin continues to take the world by storm, we talk to the duo who put it all together

Louder

"John Paul Jones' production rounds the edges a little but that's not necessarily a good thing": The Datsuns back themselves into a musical cul-de-sac on Outta Sight / Outta Mind

The trousers were tight, the guitars were wielded like weapons, but The Datsuns' second album hasn't aged well

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Louder

“Kenneth Anger laid a terrible curse on me. It was written out in blood. I burnt it at a crossroads”: Marianne Faithfull’s wild tales of Keith Richards, John Lennon, Jimi Hendrix, Bob Dylan and more

Singing with Page and Metallica, flirting with Hendrix, getting high with Clapton – the late Marianne Faithfull did it all

Louder

"If you watch the video, you can see Jimmy dribbling onstage, Robert not hitting the notes, and me miming, playing the air." Phil Collins' memories of Led Zeppelin's "dark, sulphurous" reunion for Live Aid are brutal, and spare no-one

The prospect of Led Zeppelin reforming to play Live Aid, the biggest music event of the 1980s, sparked great excitement. But their return to the stage on July 13, 1985 did not work out as anyone had planned

Guitar World

“Bonzo and I were great groovers. People would dance to our music. There aren't many hard rock bands these days that people dance to”: John Paul Jones breaks down his Led Zeppelin bass approach – and what separated his and Jimmy Page's riffs

The all-time bass great discusses his telepathic relationship with John Bonham, early influences, and why Stairway to Heaven's gradual speed-up is part of its magic

Louder

"A ninth album would have been about riffs - interestingly constructed riffs and hypnotic music": Jimmy Page looks back on the tests and turmoil of Led Zeppelin's final albums

The man who led Zeppelin looks back on Presence, In Through The Out Door and Coda

The Independent UK

‘We took them back to the good times: when it started’ – the inside story of Becoming Led Zeppelin

INTERVIEW: Stevie Chick talks to the filmmakers who persuaded the hard rock giants to revisit their early days and open their archives

Louder

"It doesn't wholly demystify them, but it reveals the human brilliance at their heart": Becoming Led Zeppelin strips away the mystique to present the birth of a legend

Rare footage and the voice of John Bonham – Becoming Led Zeppelin is cracks opens the door into an unseen world

The Guardian - UK

Becoming Led Zeppelin review – enjoyable retrospective will be met with a Whole Lotta Love

It’s hard not to head-bang along to the first authorised documentary about the heavy rock legends, but stopping the story in 1969 ignores the band’s more colourful years

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