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The Latest Breaking News from Guitar World

“I not only learned the set, I learned a whole new style of guitar playing”: John McCurry had only been playing guitar for five years when he joined Cyndi Lauper’s band – and featured on one of her biggest records

McCurry got the nod despite being self-taught and unable to read music – and his Cyndi success story is an inspiration to all

Guitar World

“He was a huge fan. He could identify, ‘No, that’s not ’78 because Jerry’s playing through this pedal’”: John Mayer was a Grateful Dead fanatic – before he landed the Dead & Company gig

Don Was has revealed how he helped connect the dots between John Mayer and Bob Weir

Guitar World

“It’s the Kinks meets AC/DC. I had to play around with the riff because I didn’t want it to sound like You Really Got Me – you don’t wanna get sued”: Jim Babjak revisits 5 classic Smithereens riffs – and reveals the gear and stories behind them

New Jersey's finest have had their share of killer riffs. Here Babjak walks us through the catalog, talks trials by click-track, and reveals how A Girl Like You nearly ended up at the movies

Guitar World

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“It all started with Ozzy. He and Sharon were the first ones to believe that I could make them a great rock album”: How super-producer Andrew Watt pivoted from Justin Bieber and Shawn Mendes to The Rolling Stones, Ozzy Osbourne and Iggy Pop

Watt started his production career in the pop sphere, before the Prince of Darkness handpicked him to produce his record

Guitar World

“They looked at me like they had seen a ghost. They were like, ‘We’ve got to make this for people’”: Brad Paisley’s new signature Telecaster is based on a vintage gem so rare Fender couldn’t believe he had one

The ‘Lost’ Telecaster features an obscure paisley finish that revives a long-forgotten treatment from the late ’60s

Guitar World

"If you want an instrument that’s versatile enough to cover the guitar-playing styles of EVH and nail Nile Rodgers’ classic funk tones, then look no further": Fender Player II Modified Stratocaster HSS Floyd Rose review

Fender looks to put its stamp on the super-Strat with this gassed-up take on its classic double-cutaway

Guitar World

“I talk a lot about ‘the serious musician,’ and that's our opportunity to create the next generation of serious musicians”: Guitar Center CEO Gabe Dalporto lays out one of the store's next biggest priorities for 2025 – and it isn’t selling gear

Dalporto has already discussed his desire to improve the quality of gear that Guitar Center stocks – but he's also got his eye on avenue for growth

Guitar World

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“Bass players aren't supposed to have ideas. If you're a bass player in a rock band, you are by definition a moron”: He was Zappa’s bassist and remains a low-end enigma – but Scott Thunes has never held back on his opinions

Scott Thunes blazed a unique trail with Frank Zappa – but maintains solo bass is a complete no-no

Guitar World

“Already a versatile instrument, the addition of the series circuit makes it even more of a multi-role guitar”: Fender Player II Modified Telecaster review

Fender's latest Tele puts a decidedly modern twist on an all-time classic. I get hands-on to find out if it's worth the upgrade or not

Guitar World

“This guitar offers a one-of-a kind connection to the legacy of Joel, Ellie and the enduring spirit of survival”: Taylor capitalizes on The Last Of Us hype with a custom replica of the acoustic played by Pedro Pascal and Bella Ramsey on the hit HBO series

If this the apocalypse is all high-end Taylor acoustics with V-Class bracing, maybe it won't be so bad after all

Guitar World

“I was playing a gig at CBGB’s Canteen, and Cyndi showed up. She heckled me throughout the show”: Knox Chandler has played with Cyndi Lauper, and been a part of Depeche Mode, Psychedelic Furs, and Siouxsie & the Banshees – now he's going solo

With a wealth of session and gear experience – including a decade-long creative partnership with Cyndi Lauper that got off to a bad start – Chandler’s completed his “streets to streams” debut album, The Sound

Guitar World

“I liked Bad Company and Free. Those bands, like David Bowie and Roxy Music, were all pop. But their albums had deeper cuts. That’s what I hoped we could pull off”: Billy Duffy on the making of The Cult’s 1985 breakout album – and why Rain made him sweat

Led by the stunning She Sells Sanctuary, Love was the sound of a band experimenting at scale, finding the great enabler in producer Steve Brown, and it just so happens to be Duffy's favorite

Guitar World

“Playing the blues isn’t about scales… it’s pattern music. You need to learn the right patterns”: Sue Foley is a master at turning scales into solos – here are her 6 essential licks that all blues fans should know

Sue Foley's inaugural GW column kicks off with a bang! Blues you can use, people. This part one of a two-parter introduces essential walk-up licks to build your soloing vocabulary

Guitar World

“The dragon that came up was spitting real fire at me while I was doing the solo. I could feel the heat”: Yngwie Malmsteen filmed the music video for one of his most iconic tracks on the Conan The Barbarian set

“The director told me to throw my guitar. I think I took the dragon’s ear off,” Malmsteen remembers of the none-more-metal music video shoot

Guitar World

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Guitar World

“The surgeon said I actually died on the operating table”: Thin Lizzy’s Scott Gorham recovering after suffering near-fatal health scare last year

The guitar hero developed sepsis following a kidney operation and is now taking some time out to recuperate. But he's itching to get his “buns” back out on tour

Guitar World

“I saw Jimmy Page using a violin bow on his guitar, and it clicked. What if I could do this on an acoustic guitar?”: Plectrums, move over – this inventor created a mini bow tailor-made for acoustics

The Pickaso Guitar Bow is the latest guitar accessory promising to expand sonic soundscapes by turning your acoustic into a violin

Guitar World

“Horsemeat sounds a lot like a good amp": PRS redefines transparent overdrives with its Horsemeat pedal – packing three essential, performance-ready functions in one

Designed and assembled in the U.S.A., this overdrive pedal is part of Paul Reed Smith's debut pedal offerings – and promises to enhance your tone without coloring it

Guitar World

“It’s like playing a concert for millions of people all at once, without ever stepping on stage”: A guitarist’s guide to sync licensing

Your guitar belongs on TV, and the way into one of the fastest-growing sectors of the music business may already be in your sights. Emmy-winning composer Mike Meiers breaks it down.

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Guitar World

“Being a great guitar player is always coming up with the right part for the right song, or the right solo”: The Fleshtones’ Keith Streng explains what he learned from a misspent youth at CBGB’s –and the merits of pointless practice

Streng’s rhythmic garage riffs keep the punk-era legends vital after five non-stop decades

Guitar World

“My hand got totally trashed. I looked down and could see the bone of my pointer finger. I lost the ability to bend it”: An accident defined Chris Poland’s playing, but it didn’t stop him handling the high demands of Megadeth’s debut

Chris Poland offers an eye-witness account of a seminal moment in metal history, when Dave Mustaine channeled his fury through his Marshall and debuted with a thrash classic

Guitar World

“There are more guitars than usual”: Tony Iommi lends his hellfire riffwork for his most obscure collaboration yet – a new single with the pop icon whose biopic starred a CGI monkey

The heavy metal legend has dragged the UK popstar’s fresh rock-influenced sound to intriguing new depths

Guitar World

“I don’t have the words right now to express the loss of such a special man”: Jim Irsay, billionaire philanthropist and owner of the world’s greatest guitar collection, dies aged 65

The Indianapolis Colts owner had assembled a revered and hugely valuable guitar haul that included David Gilmour’s Black Strat, Bob Dylan’s Newport Folk Festival Strat, and Kurt Cobain’s Smells Like Teen Spirit Mustang

Guitar World

“The Höfner is so light, it encouraged me to play with a light touch and be more adventurous with it. I’d play it more like a guitar”: Why Paul McCartney’s violin bass was essential in creating his most playful bassline on Sgt. Pepper’s

The Beatles took Lovely Rita into Studio Two of Abbey Road on February 23rd, 1967 – McCartney’s faithful Höfner came along for the ride

Guitar World

"An astounding number of features and a lot of bang for your buck, but is it too good to be true?": Mooer GS1000 multi-effects and amp profiling pedal review

Mooer presents their MSNRS 2.0 amp capturing tech, allowing users to "emulate their favourite gear" at an affordable price point, with a ton of other features to boot

Guitar World

“Only Happy When It Rains has a solo and lot of that is backward guitar. We had to figure out how to play it –and flipped the two-inch tape reels over. I struggle playing that every night!” Garbage’s Duke Erikson and Steve Marker don't like to look back

The pair discuss experimenting without overthinking, how they know when a song is going to work, when to delete a clever guitar part, and why it’s still hard to play one of their biggest hits

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