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The Latest Breaking News from Guitar World

“The highest quality polyphonic synthesizer ever created in a pedal format”: Meris might have just revolutionized guitar synth pedals with its revamped Enzo X

Lifting the acclaimed interface from its game-changing MercuryX and LVX units – and adding even greater levels of synth-tweaking – Meris has gone all out with its latest creation

Guitar World

“I took everything out of the freezer and sat the guitar in overnight”: When John Mayer was unhappy with his famed Black One Strat, he had a bizarre method for trying to fix it

Mayer worked closely with the Fender Custom Shop to design and build his “main guitar”, but it took a bit of tweaking before it reached its playing potential

Guitar World

“Any time I would see one, no matter what the condition was, I would just buy them”: St. Vincent on the retro entry-level guitar that inspired her Ernie Ball Music Man signature model

St. Vincent's now-iconic signature model was inspired by a '60s offset that was sold at Sears

Guitar World

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“I turned up at George Martin’s office with a diabolically bad demo – but he could see there was something there”: How Jeff Beck’s Blow by Blow triumphed against the odds to change instrumental guitar forever

50 years on, Blow by Blow remains an inspirational force – a turning point for Beck and guitar-led music in general

Guitar World

“He took a bass to Jason Newsted. James kept flipping it back and forth, studying it… Then he asked if we could meet”: How Ken Lawrence came to build some of James Hetfield’s most iconic guitars – including one using wood from Metallica’s former home

The luthier specialized in bass guitars before he met Hetfield via Mesa/Boogie. It would land him his most challenging but rewarding collaboration

Guitar World

“I left it in my car for 30 minutes, went to check on it, and it was already gone. Man, I must have cried for a week”: Andy Timmons on the agony of guitar thefts, his “birth-week” Strat, and his search for the ultimate single coil

The Ibanez signature artist discusses a life in gear, admitting that he doesn’t know what he’s going to do with his Marshall JTM45 but he will get around to using it, and why you've got to try before you buy

Guitar World

“I just remember her playing with a pick. I didn't care how she played, as long as she played the notes right”: Brian Wilson left his mark on the bass world through studio musicians, especially Carol Kaye, who he requested play his basslines note-for-note

In a rare interview, The Beach Boys’ Brian Wilson reflected on bass playing, studio craft and his 2004 masterpiece, Smile

Guitar World

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“This may bethe ultimate Superstrat-Tele hybrid”: Caparison Dellinger-JSM V2 review

Killswitch Engage’s Joel Stroetzel has debuted a signature guitar that presents itself as a miracle of high-performance guitar design – but it ain’t cheap

Guitar World

“George was into some crazy things. He'd tell me the D string annoyed him. The G string, too. ‘Too sweet for rock and roll,’ he'd say”: You’ve heard of AC/DC’s Angus and Malcolm, but a third Young brother was responsible for a ’60s power-pop masterpiece

In George Young, guitarist for the oft-overlooked Australian band the Easybeats, Malcolm and Angus Young had a significant creative role model

Guitar World

“Any bass guitar for under $250 with this sort of pedigree…how can you go wrong?”: Sterling By Music Man Intro Series StingRay Ray2 review

As a budget-friendly version of the US-made original, can this wallet-friendly StingRay really do the business?

Guitar World

“lan spotted that the relationship between high bass and low guitar was really interesting and unusual. My style of playing came from that”: Peter Hook’s ‘lead bass’ approach spawned a catalog of hits with Joy Division and New Order

One of the most influential bassists of the ‘80s, Peter Hook developed a style marked by open-string drones, and a dark, chorus-drenched tone

Guitar World

“Play like you don’t know how to play the guitar”: That time Miles Davis stopped his entire band to give John McLaughlin some unlikely advice

The famously blunt and temperamental jazz icon was determined to realize his boundary-pushing late-'60s creative vision, but nonetheless had great respect for the budding guitar virtuoso

Guitar World

“Such easy-to-use effects haven’t been known to have world class sounds in them… until now”: Tech 21 says it has “cracked the code” for digital guitar gear with Marty Friedman’s new signature SansAmp

The compact pedal offers the guitarist's core go-to tones in a simple-to-use format

Guitar World

“He fell about laughing with glee as he tried them”: Spiritbox’s Mike Stringer has been honored with signature Bare Knuckles – the same pickups from his new Aristides offset

The high-output Halcyon humbuckers promise the power of active pickups with the benefits of passive designs

Guitar World

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Guitar World

Fender Japan unveils the Starmaster – a Jazzmaster/Starcaster hybrid that could be the most divisive Fender offset of them all

The Starmaster is even available in Antigua – one of the most loved/hated finishes in Fender history

Guitar World

“A veritable cornucopia of modulating textures”: Kernom Elipse pedal review

We check out a multi-modulation pedal with a difference

Guitar World

“You wanted me to come on your track and do something in a Spanish style. I thought, ‘I have to show him how I do it on the whole guitar’”: Marcin shows an astounded Will Smith his virtuosic guitar technique

The acoustic guitar phenom has recently collaborated with Smith on his musical comeback

Guitar World

“I probably hauled in 20 guitars. I listened to the record top to bottom, turned to him and said, ‘It doesn’t need anything’”: Jeff “Skunk” Baxter on the one studio session where he lugged a ton of guitar gear – and didn't use any of it

While being a session player can sometimes be a thankless job, Baxter recalls a particularly memorable session with Steely Dan producer Gary Katz

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Guitar World

“For power Stratocaster playing”: The tones of Joe Bonamassa’s obscure “Greenburst” Strat have been brought to the masses with new Seymour Duncan signature pickups

The single-coils feature period-correct wiring, staggered Alnico 5 magnets, and gray bottom flatwork to faithfully recreate the tones of the “star” guitar

Guitar World

“They had to fight to get the bass that high in the mix. I thought it was too much”: How do you anchor a band like Pleasure? If you’re Nate Philips, you do it with a formidable slap technique

Pleasure’s fusion-influenced dance music reached its peak with Glide, the Top 10 R&B single from Future Now

Guitar World

“The time has come that I must close this chapter and begin the next”: The Black Dahlia Murder guitarist Brandon Ellis leaves the band after 9-year stint

Ellis has thanked fans for the “mountains of support” he’s received during his time with the death metal outfit, and teased a new chapter in his career

Guitar World

“Doesn’t just enhance your rig, it redefines it”: Two Notes’ reimagined Reload II seeks to end the reactive load box debate – and quash the competition from Universal Audio and Boss in the process

The Reload II is set to take on the Universal Audio Ox Amp Top Box and Boss Waza Tube Amp Expander Core as it aims to become to go-to recording tool for tube amp players

Guitar World

“I remember it being very uncomfortable. My body would just vibrate with anxious energy listening back”: When their lead guitarist was fired, Wilco’s Jeff Tweedy had to step up to the plate. The result was an iconic record with a “panic attack” solo

Tweedy recalls 2004’s A Ghost is Born as a crash course in taking over lead guitar, as he breaks down his attitude to songwriting, explains why the best artists are experts in failure – and suggests modern players might be too good to be remembered

Guitar World

“Growing up, Kiss was always ‘Dad’s work’… I knew something was up when I moved to New York at 18, and I was seeing his face on billboards all the time”: These rockstar sons all grew up with guitar legends as fathers. Now they’re forging their own careers

What's it like to make music when your dad is a legend in the business? We ask Tommy Prine, Greg Guy, Evan Stanley, Michah Nelson, Duane Betts and Harrison Whitford

Guitar World

“The skill is in choosing which notes to emphasize, or maybe skip entirely, while maintaining the alternate strokes”: Why rhythm is as important as the notes you play in a blues guitar solo

Inspired by Eric Gales, Joe Walsh, Earth, Wind & Fire and Motown, this blues lesson puts the rhythm first

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