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The Latest Breaking News from Redferns

“They’re the best synth band in the '80s not to have a hit”: 6 under-appreciated synth-pop acts from the 1980s that deserve your attention

Forget your OMDs, your Depeche Modes, Human Leagues, Pet Shop Boys and A-has, because these not-so-popular bleep combos are well worth tracking down instead

MusicRadar

“I was always uneasy about the fact that it was a bright, perky pop song about a nuclear holocaust, but it was insanely catchy”: How OMD recorded one of the best anti-war songs ever made

And it’s pretty much the only song about a nuclear bomb you can get away with playing at a wedding

MusicRadar

“I absolutely hate synthesizers. They're really bad - horrible. I can take their existence from a live point of view now, but if they didn't exist, I'd be delighted”: The surprising music theory that underpinned a Talk Talk classic

Mark Hollis’ masterpiece became an anthem of self-determination, but it was far from an overnight success

MusicRadar

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read the most diverse news in one place.

“He played guitar like an orchestrator, arranging in real time around his own voice”: Jeff Buckley is an underrated guitar genius – and deserves a place in the Rock and Roll Hall of Fame

One of the world’s foremost session and rhythm players, Ella Feingold, explains what most people get wrong about Buckley as a guitarist and musician

Guitar World

“The synths only let you play one note at a time, which was great as we couldn’t play chords anyway”: How Depeche Mode launched their career with one of the most important synth-pop records ever released

One of the band's biggest tunes marked the end of their first chapter, but became a springboard that would propel both them and its writer to legendary status

MusicRadar

"The whole thing was such a shock...everything was shaking and we were crying for two weeks." The inspiring, sad and triumphant story of the 'girl next door' opera singer who'd become a heavy metal icon

Tarja Turunen didn't just kick the door down for women in metal in the 90s: she made opera cool as hell

Metal Hammer

“This whole song came from a mistake”: The fateful circumstances that led to Coldplay’s biggest ever song

Coldplay’s first stab at a euphoric crowd-pleaser was a clear indication that a stadium-filling future awaited

MusicRadar

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“Ken, our producer, said ‘Look up there lads, look at the stars’. He literally said ‘Look at the stars’”: The fast-paced making of Coldplay’s first global hit

Coldplay’s first stab at a euphoric crowd-pleaser was a clear indication that a stadium-filling future awaited

MusicRadar

“I turned to him and said, ‘Where did you come up with that amazing bass line?’ He turned to me and said, ‘Oh, you like that?’ Like he didn't know”: The influential Chic classic that spawned one of the most recognisable basslines of all time

We pull apart this legendary funk classic and highlight the ingredients that would leave a stamp on the future of music

MusicRadar

"We often felt like the strange duck on the festival bill because there was a woman in the band." How two modern metal icons united for a collaboration over a decade in the making

Metal fans couldn't believe their eyes when these two amazing singers appeared on the same song

Metal Hammer

"It was a time of turmoil. Writers had it in for us: 'Oh my God, haven’t you died yet? Don’t you know, grunge is here!'" The story behind the underrated Iron Maiden classic that helped keep them alive in the 90s

Iron Maiden looked in real trouble after Bruce Dickinson left. They regrouped, brought in a new singer and produced some of their darkest material

Metal Hammer

"We had taken some mushrooms. We saw ghosts and all manner of things." Hallucinogenics, Tim Burton and The Battle Of Hastings: the story of the song that turned a British black metal band into household names

How one of Britain's most infamous metal bands wrote their major breakthrough hit

Metal Hammer

"They talk about that album in the same way I talk about Ziggy Stardust...and it was the first time a Slipknot member had unmasked!" How a metal icon embraced horror and glam rock to make one of the most surprising side projects ever

When it was revealed that one of Slipknot's most beloved members had a new project on the go, no one could have predicted how it'd end up sounding

Metal Hammer

“I found it more rewarding playing bass than playing rhythm. I've always been into Northern Soul and funk grooves and it was like, ‘This is it’”: Anchoring Primal Scream and the Stone Roses, Mani proudly defied trends, and re-defined rock bass in the 90s

In this 2000 interview, the late Gary “Mani” Mounfield discusses “trouser flapper” amps, groove, the making of Roses classics, and the problems of playing with a drum machine

Guitar World

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The Conversation

How the ‘one singular vision’ of Brian Eno’s Another Green World changed music

Now a suite of bespoke apartments, the 17th century chapel at 8 Basing Street, Notting Hill in London once housed a recording studio.

The Conversation

How AC/DC’s 1975 debut shocked Australian culture

In February 1975, a gang of scruffy Sydney rockers released their first two albums: High Voltage and TNT. A year later, songs from both records were repackaged into AC/DC’s first international album, also titled High Voltage.

Guitar World

“It’s the guitar pedal equivalent of the Ark of the Covenant”: 50 years ago, Electro-Harmonix set the template for the future of guitar stores – then it disappeared without a trace. This is the story of the Hall of Science

Mike Matthews, Josh Scott and key EHX staff reflect on the firm’s boldest idea, which came at the height of its late-’70s powers – and went way beyond pedals

Louder

“It was those first two lines. I felt like it was speaking to my life. I knew I could deliver that song with conviction”: One day Sebastian Bach was playing to Jon Bon Jovi’s parents. The next he was singing one of hair metal’s greatest anthems

The story of Skid Row’s classic hair metal anthem Youth Gone Wild

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MusicRadar

“We just wanted someone to pay attention. We didn’t care why”: How Interpol sparked a fire in 2000s indie with the thrilling mania of Obstacle 1

Interpol’s blistering breakthrough soon became a pulse-pounding indie staple

MusicRadar

“Porcaro makes the whole process look effortless and easy. We can bet that this didn't happen by accident, or overnight!”: Exploring the genius of Jeff Porcaro's Rosanna Shuffle

Having a groove named after you is possibly the highest accolade a drummer could ask for, so join us as we dissect the Porcaro Shuffle

MusicRadar

“His influence is referenced by many contemporary drummers and he has no doubt spawned his fair share of copyists”: 6 of the most inspirational drummers of all time

Welcome to MusicRadar’s Drums Week! To kick things off, we’re spotlighting some of the most consequential sticksmen of all time

Guitar World

“I get fingers pointed at me. I get told, ‘You’re the guy who tried to kill Randy Rhoads.’ I laugh it off. He needed to be with better people. How could our split ever be friendly?” Kelly Garni founded Quiet Riot – but it ended with shots fired

They went to school together, started Quiet Riot together and then had a drunken fight involving a gun that ended Garni’s musical career. 25 years later, he came back to the bass

Louder

The 10 best grunge album openers: a definitive list that is irrefutably correct so you're not allowed to argue with it

A list in which we sacrifice some of our favourite opening tracks in the name of journalistic integrity... but seriously, no Serve The Servants?

MusicRadar

“It was the first kind of rock monster that we'd created”: How an explosive 2001 switch-up revealed just how ferocious Muse could get

The juggernaut of a riff proved Muse’s mettle, setting the stall for a stadium-filling future

MusicRadar

“Our decision to use some electronic instruments is not some kind of lifestyle choice. You use the instrument to help you get across a certain thing”: How Radiohead’s most controversial shift proves that music-makers shouldn’t be restricted by genre

The success of one of Radiohead’s most celebrated albums illustrates how creators should never feel limited by the conventions - or the instruments - of their chosen genre

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