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The Latest Breaking News from ElectroHarmonix

“We are building a system to stimulate and retrieve energy to Earth”: Electro-Harmonix wants to harness the magnetosphere’s energy to solve the AI power crisis

Brand founder Mike Matthews has teamed up with a former Bell Labs scientist to shape his plans

Guitar World

“The ABRAMS100 packs a whallop and it’s perfect for pedals!”: Electro-Harmonix presents 100-watts of serious solid-state power in a compact guitar amp head weighing just 2.5lbs

An amp you can throw into a backpack, the ABRAMS100 is a single-channel head with digital spring reverb, 3-band EQ, Bright switch and effects loop and it has ample clean headroom

MusicRadar

“A really musical effect, perfectly implemented in a tiny footprint”: Electro-Harmonix Pico Swello review

Electro-Harmonix takes one of the best-loved features of its POG2 and puts it into a standalone pedal

Guitar World

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“Dipping our toe into the cosmic pool of glitchy synth pedals with this one”: EHX expands its Pico series with the Atomic Cluster Spectral Decomposer – a mini-pedal that sounds so wrong its right

The Atomic Cluster might be teeny tiny but it's packing transformative energy for your guitar tone, with celestial synth sounds that soundscapists and adventurous players will love

MusicRadar

“It’s the guitar pedal equivalent of the Ark of the Covenant”: 50 years ago, Electro-Harmonix set the template for the future of guitar stores – then it disappeared without a trace. This is the story of the Hall of Science

Mike Matthews, Josh Scott and key EHX staff reflect on the firm’s boldest idea, which came at the height of its late-’70s powers – and went way beyond pedals

Guitar World

“Takes the splendidly saturated sound of the original and opens up a world of fuzz tones”: Electro-Harmonix adds switchable clipping, bias and Fat switch to a bona-fide classic of fuzz with the Bender Royale

The Bender Royale allows players to choose LED or germanium clipping, and has expanded EQ controls to help you dial in a wicked fuzz tone

MusicRadar

“From the simplest reverb to complex shifting ambiences, there’s something here for everyone”: Electro-Harmonix Oceans Abyss review

Electro-Harmonix releases its most ambitious reverb pedal to date – and it goes way beyond ’verb to offer myriad sound-sculpting opportunities

Guitar World

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“At times it can really feel like more of a multi-effects pedal rather than just a straight reverb pedal”: Electro-Harmonix Oceans Abyss review

EHX brings us a reverb pedal with sliders, a screen, and all the potential to be a Strymon-killer

MusicRadar

“The Oceans Abyss expands on Electro-Harmonix’s highly acclaimed reverb technology to deliver a truly immersive effects workstation”: EHX’s unveils Oceans Abyss – a stereo reverb powerhouse promising a “completely unique soundscape building experience”

It's not just any reverb pedal, it's an "Advanced Reverb Laboratory", and it allows you to run two stereo reverbs at once, pan them across the stereo field, add effects and get creative

MusicRadar

“Dive deeper into the depths of ambience”: Electro-Harmonix launches the Oceans Abyss – taking on the likes of Strymon and Meris with an immersive ambient reverb

With two independently programmable reverb engines, 10 voices, and a bevy of effects, the Oceans Abyss is throwing its hat in the ring for 2025’s best one-stop ambience machine

Guitar World

“Jimi was staying at a hotel in Times Square. He had his hair set in pink curlers and we would just talk band drama”: Electro-Harmonix founder Mike Matthews on befriending Hendrix, booking Chuck Berry and the birth of pedal culture

The EHX pioneer is one of the guitar world's most colorful characters. He tells us what happened when Hendrix bought one of the first Big Muffs, how the Rolling Stones got him started in the pedal biz, and why the "overdesigned" POG3 is an unlikely triumph

Guitar World

“Hendrix said, ‘Mike, I gotta quit. I want to form my own band.’” I said, ‘Then you’ve got to sing’”: Why Jimi Hendrix might never have started his solo career if it weren’t for Electro-Harmonix founder Mike Matthews

The pedal guru tells Guitar World he convinced Jimi to go solo, and claims he saw Hendrix recording with a Big Muff

Guitar World

“I have been in the process of trying to sell the company. It’s a difficult time”: Trump’s tariffs could be about to decimate the gear industry

Think that US-imposed Mexican and Chinese tariffs don’t affect you? Here's why your next gear purchase just got a whole lot more expensive

MusicRadar

“I’ll have to scratch my chin to think about it. Can I still make a profit?” Electro-Harmonix founder Mike Matthews reveals legendary pedal firm’s struggles in the face of Trump’s tariffs

EHX is the latest gear company to speak out after the impacts of Trump's new tariffs begin to be felt across the guitar world

Guitar World

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MusicRadar

“A frankly ludicrous pedal that stakes itself as the ultimate octave funhouse”: Electro-Harmonix POG 3 review

EHX’s incredibly fun reincarnation of the POG aims to let you get weird with your tones, but does it justify that gigantic asking price?

Guitar World

“Sonic wizardry at its finest”: Electro-Harmonix POG3 review

Updated and enhanced, this latest version of the POG takes its pitch-shifting and tone-shaping possibilities to the limit

Guitar World

“One of our best-selling pedals for over a decade with an updated feature set”: Electro-Harmonix responds to sky-rocketing looper competition with the Pico 360+ – can this mini looper take the crown?

Downsized reimagining of EHX’s best-selling 360 Looper channels the original’s magic, adds unlimited overdubs, and bottles it all in an ultra-tiny chassis

MusicRadar

“Packed with musical features to keep you jamming without missing a beat!”: Electro-Harmonix’s Pico 360+ is tiny $137 looper with 360 seconds of recording time and unlimited overdubs

A pedalboard space saver that's packed with features, the latest in EHX's Pico Series has 11 memory slots, overdub control and adjustable fade-out

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Guitar World

“Massive tones that obliterate like Godzilla bouncing the bullet train to oblivion… it’s completely unlike any other fuzz and/or octave effect out there”: Electro-Harmonix Lizard King Octave Distortion review

Voiced for bass but awesome on guitar, this pedalboard Godzilla might just take the crown as this year's must-have octave fuzz

MusicRadar

“This is a huge update to music’s best octave pedal”: EHX unveils the POG3 – now with 6 voices, 100 presets, individual pan controls, MIDI and more, say hello to the ultimate polyphonic octave generator

The POG3 expands upon Electro-Harmonix's polyphonic classic with stacks of new features, lightning-fast tracking as standard, and it might just be EHX's most ambitious pedal yet

Guitar World

“The most powerful polyphonic octave generator ever”: Electro-Harmonix unveils the POG3, the latest generation of the trailblazing octave pedal beloved by Joe Satriani and Jack White

With an all-new chassis, features cribbed from EHX's greatest hits, and a $645 price tag, does this premium pedal mark a new era for the storied New York FX co?

Guitar World

“A gnarly octave fuzz tone that interacts with your dynamics, optimized for bass”: Is octave fuzz the pedal your bass ’board is missing? Electro-Harmonix sure thinks so

The Lizard Queen has become the Lizard King, offering a dynamic, blendable octave fuzz pedal designed specifically for bass players

MusicRadar

"There are no safety nets in The White Stripes. It’s obviously harder for me to work with a 1964 plastic guitar compared with a brand-new one right off the factory line": Jack White talks gear and garage rock hipsters in this 2007 classic interview

In this in-depth chat from 2007, White talks about the recording of the White Stripes' Icky Thump, hails Nashville for keeping it real and explains why music is not fun

MusicRadar

Electro-Harmonix Pico Pog review

Smaller than ever but just as mighty, the highly acclaimed octave pedal is reborn

Guitar World

There’s no beating the Boss: Reverb reveals its best-selling guitar pedals of 2023

From an orange classic to Josh Scott’s fake-it-til-they-make-it hit, here are the stompboxes that shifted over the last year

1 2

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