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The Latest Breaking News from Don José

Opera Australia gives us a rocking Carmen for the post-#metoo era

The story of Carmen, in the 19th century opera by French composer George Bizet, is, at its simplest, the story of a developing tension between Carmen, a stereotypically racialised woman attempting to break free from society’s impositions and her already-written fate.

The Conversation

Carmen review - feminist take on opera’s notorious femme fatale has swagger and style

Maximalist design, gorgeous music and grim reality come together in a smart, seductive and spectacular production from Opera Australia

The Guardian - AU

Carmen review – Akhmetshina and Elder make this an outstanding evening

Damiano Michieletto’s staging gets its first revival with Aigul Akhmetshina returning to the title role with panache and conviction

The Guardian - UK

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Carlos Acosta’s Carmen at Sadler's Wells review: fails to take flight

This flawed take on the French ballet lacks any tension, and Carmen’s fate feels dully inevitable from the start

Evening Standard

The week in classical: Carmen; Celebrating 22 Years of Antonio Pappano – review

Glyndebourne hits 90 with Bizet’s sultry crowd-pleaser. Elsewhere, a starry farewell to a much loved maestro, and the fight to save Welsh National Opera

The Guardian - UK

The week in classical: Carmen; National Youth Chamber Choir/ OAE/Jeannin; LSO/ Roth review – from Habanera to doo-wop

Aigul Akhmetshina steals the show in Damiano Michieletto’s uneven new 70s-set Bizet. And in a good week for world premieres, four composers take on Handel while the London Symphony Orchestra channels death metal

The Guardian - UK

Carmen at the Royal Opera review: where was the animal magnetism and dark underbelly of sexual passion?

The castanets, bullring and pelvic thrusting aren’t missed but the tightening and release of dramatic tension very much is

Evening Standard

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Carmen review – Aigul Akhmetshina is electrifying in simmering, naturalistic staging

Conjuring the oppressive Mediterranean heat and the claustrophobia of a fraying close-knit community, Damiano Michieletto’s new production of Bizet’s tragedy is rich with drama and potent

The Guardian - UK

Carmen; California Connections review – sharp moves

Johan Inger’s cool take on Bizet’s tragic heroine is given its UK premiere by English National Ballet, while LA’s Yorke Dance Project celebrates three California dance pioneers

The Guardian - UK

Carmen review – a true-crime thriller with an uneasy heroine

Scottish Opera’s new production makes the most of the work’s reinstated spoken-word sections, but suffers from a lack of charisma in its star

The Guardian - UK

Characters don’t always connect in Lyric’s straightforward and suitably grand ‘Carmen’ revival

Ryan Opera Center grad J’Nai Bridges brings fiery stage presence and a stunning voice to her signature role, but her performance does not completely click.

Chicago Sun-Times

Carmen review – vivid revival finds ENO on fighting form

With Bizet’s opera’s menace and casual cruelty to the fore, cracking performances from soloists and chorus alike ensure that this is a tense and atmospheric production

The Guardian - UK

Elderly villagers become film stars to put Bolivia’s climate plight in focus

Don José and Doña Luisa, both in their 70s, are the true-life love story at the heart of Utama, which shows how drought is depopulating the highlands

The Guardian - US

Carmen at the Arcola Theatre review: Bizet for the TikTok generation hits the right notes at Grimeborn

Updated to a present day supermarket and sung in English, this production of Bizet’s masterpiece has witty and canny updates

Evening Standard

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The Guardian - UK

Carmen review – a triumph over adversity as cover singers save the day

Mathilde López’s modern-day Carmen captures the insouciance of the character despite the absence of much of the original cast

The Guardian - UK

Carmen review – devil-woman clichés dispensed with as heroine radiates joy not lust

Kezia Bienek is a charismatic Carmen at the mercy of Don José’s obsessive control in Cecilia Stinton’s cogent and pacey new production

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