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Total commitment carries Bernstein’s uneven suburban double bill; ignore the added subtext and savour ENO’s musically outstanding Turn of the Screw; and Rachmaninov as you’ve never heard him…

A Magdalene laundry in 1960s Ireland is the setting for ENO’s semi-staged production, which conveys quiet anger and deep sadness

Jonathan Miller’s 2009 staging opens English National Opera’s season with Nadine Benjamin an affecting Mimì and conductor Clelia Cafiero, making an impressive UK debut

New data shows that "housing supply skeptics" can be persuaded by evidence showing that allowing more construction reduces prices. But not clear this is a good road map for addressing the problem of public ignorance in the real world.

Nestled deep in the Sussex countryside, Glyndebourne has been attracting opera fans for almost a century. This year, its flagship summer festival coincides with a celebration of the company’s 90th anniversary. This is no small feat, given the harsh economic climate and challenges UK opera companies face to keep the…

An ex-ENO artistic head and the co-director who staged War Horse working on a contemporary opera about drug addiction crisis

Last month, the world’s first grand opera in Arabic was shown in London. Here the Australian composer explains how he took a modern approach to the work

Editorial: Featuring awe-inspiring aerial antics, Welsh National Opera’s Death In Venice shows how innovative the art form can still be

A last-minute cast substitution added a remarkable gender twist to Bartók’s opera about marital disintegration

The anarchy and invention of Simon McBurney’s Mozart production triumphs as ENO plays on; Puccini gets a rough ride at English Touring Opera. Plus, the pros and cons of Radio 3’s new schedule

A day in the life of the father of communism is full of laughs in Scottish Opera’s new production of Jonathan Dove’s buoyant farce. Elsewhere, notable house debuts at ENO, a Bruckner double bill and Rachmaninov to remember