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The Latest Breaking News from Aigul Akhmetshina

Samson et Dalila review – their two voices combine as if made to measure

As the central couple, SeokJong Baek and Aigul Akhmetshina are dramatically persuasive and expressive in this revival of Richard Jones’s staging that works hard to make Saint-Saëns’ often dramatically inert opera zing

The Guardian - UK

LPO/Gardner/Akhmetshina review – Tippett’s rose lake sounds glorious

Star mezzo Aigul Akhmetshina shone in Ravel’s Shéhérazade, part of a vivid London Philharmonic programme of music evoking fairytales and far horizons

The Guardian - UK

Carmen review – Akhmetshina and Elder make this an outstanding evening

Damiano Michieletto’s staging gets its first revival with Aigul Akhmetshina returning to the title role with panache and conviction

The Guardian - UK

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Aigul Akhmetshina: Aigul album review – mezzo from Bashkortostan is an insouciant star

Her debut solo recording perfectly showcases the glowing expansiveness, swagger and breathtaking poise of Akhmetshina’s arresting voice

The Guardian - UK

Antonio Pappano Gala review – farewell concert celebrates the best thing that has happened to the Royal Opera

Singers including Jonas Kaufmann joined newer vocal stars such as Aigul Akhmetshina to honour the much loved music director on an evening that ended with the royal seal of approval

The Guardian - UK

The week in classical: Carmen; National Youth Chamber Choir/ OAE/Jeannin; LSO/ Roth review – from Habanera to doo-wop

Aigul Akhmetshina steals the show in Damiano Michieletto’s uneven new 70s-set Bizet. And in a good week for world premieres, four composers take on Handel while the London Symphony Orchestra channels death metal

The Guardian - UK

Carmen at the Royal Opera review: where was the animal magnetism and dark underbelly of sexual passion?

The castanets, bullring and pelvic thrusting aren’t missed but the tightening and release of dramatic tension very much is

Evening Standard

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Carmen review – Aigul Akhmetshina is electrifying in simmering, naturalistic staging

Conjuring the oppressive Mediterranean heat and the claustrophobia of a fraying close-knit community, Damiano Michieletto’s new production of Bizet’s tragedy is rich with drama and potent

The Guardian - UK

Rising Star Aigul Akhmetshina Takes on Carmen at the Met

Witness the extraordinary journey of Aigul Akhmetshina, the ordinary girl from Russia's heartland, as she takes on the role of Carmen at the Met Opera.

Top News

Young Russian mezzo bids for breakout stardom in Met's new 'Carmen'

Aigul Akhmetshina says she’s a fighter — and she’s had to be to make it to the Metropolitan Opera, where she leads a new production of Bizet’s “Carmen” opening on New Year’s Eve

The Independent UK

The week in classical: 74th Aldeburgh Festival; Werther – review

From thundering Thorvaldsdóttir to late-night Bach, it’s a standout year for Britten’s music festival, while at the ROH Jonas Kaufmann made a subdued Werther

The Guardian - UK

Werther review – Kaufmann heads strong cast in stylishly sung and fabulously played revival

This revival of Benoît Jacquot’s 2004 staging of Massenet’s tragedy sees Antonio Pappano and his orchestra on top form. Kaufmann was not at full strength but Aigul Akhmetshina’s Charlotte shone

The Guardian - UK

Werther at the Royal Opera House review: superstar Jonas Kaufmann is eclipsed

The German tenor reverted to little more than a half-voice croon for much of the show

Evening Standard

The week in classical: Strand international piano series; The Barber of Seville; Konstantin Krimmel & Ammiel Bushakevitz – review

Murray McLachlan kicks off a new piano series in style; the Royal Opera’s latest Rossini revival delights. Plus, a lunchtime recital to stop you in your tracks

The Guardian - UK

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The Guardian - UK

The Barber of Seville review – Payare’s perky Rossini makes this revival fizz

With rising newcomers such as Aigul Akhmetshina and veterans such as Bryn Terfel, this is an irresistible performance conducted with verve by Rafael Payare, in his ROH debut

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