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The Latest Breaking News from The Guide

The Guide #99: The only singer I wish I had seen at this summer’s festivals? Hozier

In this week’s newsletter: His secret Glastonbury set gave me Fomo – now the underrated Irishman is back with an album that made me cry … twice

The Guardian - UK

The Guide #95: One-day festivals, week-long Wembley residences – have we reached peak big gig?

In this week’s newsletter: Wherever you look there’s a pricey new event – but the majority of the industry isn’t in such rude health

The Guardian - UK

The Guide #93: From TV and film to podcasts and music – the year’s best culture so far

In this week’s newsletter: It’s already been a spectacular year of audio-visual entertainment. This week, we’ve rounded up all the best releases of 2023 to date

The Guardian - UK

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The Guide #91: Ben Schwartz is bringing his improv show to the UK – and he wants your stories

In this week’s newsletter: The Parks and Rec star and voice of Sonic tells us about taking the audience-powered Ben Schwartz & Friends to London

The Guardian - UK

The Guide #89: We asked artists to help you find your next favourite band

In a new Guide feature, we hand the mic to musicians and let them pick the new, exciting music you should be listening to – from exuberant alt-pop to a vocoder-helmeted virtuoso

The Guardian - UK

The Guide #86: Jury Duty is the best TV comedy you’re not watching

In this week’s newsletter: Ask anyone if they’ve seen Amazon’s fake trial mockumentary where everyone is acting except for one poor juror, and you’ll unfairly be met with blank stares

The Guardian - UK

The Guide #84: Why movies made by artificial intelligence won’t be the future of film

In this week’s newsletter: Surely we go to the cinema to be jolted and discomfited by someone else’s ideas – not to see ourselves in easy meetcute rom-coms with Marilyn Monroe

The Guardian - UK

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The Guide #83: How retro horror came back back from the dead

In this week’s newsletter: Old school series like Scream and Evil Dead are ripping up the rulebook – and the genre has never felt more alive

The Guardian - UK

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