The Latest Breaking News from Joe Perry

With the ability to create seemingly unending deep pockets, Wyse has landed gigs with Ozzy Osbourne, Ace Frehley, Tal Bachman, The Cult, and, most recently, the Hollywood Vampires

As Led Zeppelin prepared for their 2007 reunion show, Jimmy Page sat down with Classic Rock for an extensive interview. And now, for the first time, we're publishing it online in full

The songwriting don was not impressed with the band's original version

Inspired to pick up the guitar by Aerosmith, Poison’s original Strat-wielder answered an ad that read, ‘Theatrical band looking for a guitar player.’ But after the group moved to L.A., things didn’t work out the way he planned

Ronnie Wood, Joe Perry and Dave Grohl all played Dan Armstrongs over the years – here's why it's one of the coolest guitars ever

After five years working with Peter Frampton, Darren Hurst became Joe Perry’s tech. Here he talks the secrets behind the guitar great's sound, and why his favorite Perry guitar isn't a Les Paul or the famous “Burned Strat”...

An all-star cast of guitar greats pay tribute to a great American rock ’n’ roll institution

From chatting with Robinson on social media to opening for Aerosmith in arenas, Bereciartua's star has had a rapid ascent. He discusses his favorite guitars for slide, his six-string chemistry with Rich Robinson, and why playing with the Black Crowes is the greatest honor of his life

In an exclusive career-spanning interview, Whitford reflects on a tumultuous career in one of America’s great rock institutions, his frustrations at being labeled the rhythm player to Perry’s lead, and what stopped Aerosmith from following up their “piss-poor” final album

Midas touch songwriter Desmond Child, who has written mega-hits for Kiss, Bon Jovi, Aerosmith and many more, views Dude (Looks Like a Lady) as a song about acceptance

In this exclusive interview, Perry looks back at every era of the rock institution: how their rapid rise ultimately took its toll, why Van Halen caused him to quit in the ’80s, how he and Steven Tyler reconciled their differences, and why he finds himself playing Strats more than Gibsons