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The Latest Breaking News from Fender

“He was backstage in the Marquee cleaning off his guitar and said, ‘Look!’ The paint was starting to come away in chips – he was almost crying”: How Rory Gallagher's 1961 Strat got its now-iconic relic’d finish

Gallagher's brother, Dónal, recalls the time Rory noticed that the paint on his beloved guitar was chipping away

Guitar World

The Fender American Ultra II combine made-in-the-US quality with contemporary tech

A deluge of new products from Fender shows the iconic guitar manufacturer still knows how to innovate and entice

Wallpaper

“It’s designed to push boundaries and redefine what a Fender guitar can be”: Fender unveils the American Ultra II, US-made classic models revamped for high-performance feel and tone

The American Ultra II series features all-new pickups, compound radius fingerboards, premium components, fresh finishes and Fender’s “fastest-playing necks” as standard

MusicRadar

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“The sports car versions of all our classic models”: Fender’s new top-of-the-line American Ultra II guitars are more advanced than anything it has produced before – and feature its fastest necks yet

Upgraded pickups, a new neck profile, and a suite of high-end specs make up the all-new American Ultra II family, representing Fender's most cutting-edge guitar designs

Guitar World

“I worked on that crazy Fender Twin and never understood how it made such fabulous noise”: Stevie Ray Vaughan’s Twin Reverb amp, used in the recording of Texas Flood, Bowie sessions and live shows is up for sale... for over $600,000

The 1967 Twin is fitted with distinctive Electro Voice SRO 'coffee can' speakers, and was used by SRV during his Las Colinas rehearsals with David Bowie

Guitar World

This Bluetooth speaker is so cool I’d take it to house parties just to show it off — here’s why

The Fender x Teufel Rockster Go 2 is a compact, portable speaker with a slick retro vibe. With up to 28 hours of playback time and stereo mode with two or more speakers, this could be the best party speaker for sounding cool and looking even cooler.

Tom’s Guide

“I wrote that riff on the Fender six-string bass. I saw Peter Green with Fleetwood Mac pick one up. I thought, ‘I’m gonna get one’”: Joe Perry on how he ditched his Les Pauls and Strats to write an Aerosmith classic

Perry had been eyeing the Fender Bass VI for quite some time – which turned out to be the perfect instrument to write 1976's Back in the Saddle

Guitar World

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Fender Mustang Micro vs Mustang Micro Plus: is it worth upgrading?

We put Fender’s two headphone amps for guitar in a room together to duke it out

Guitar World

“When you follow this path, all roads lead to one man: Alexander Dumble”: Ian Moore on Dumble's inspiring legacy, the “snake oil” around the iconic amp-maker – and his own quest to design the perfect amp

If the perfect tone doesn't exist then why are we still search for it? As Austin powerhouse Ian Moore sees it, "the journey is the destination"

Guitar World

“I was broke and working in a car wash, and saw an ad in the paper for a ’52 Telecaster. I went to the guy’s place – it turned out to be Norm from Norman’s Rare Guitars”: The Band's Jim Weider on how he bagged his career-defining Fender Telecaster

After spending years searching for his dream '52 Telecaster, Weider describes how he finally managed to get his hands on the one that would accompany him throughout his illustrious career

Guitar World

“The only person to get a good sound out of that bass was Berry Oakley. It's got so many pickups!” Berry Oakley set the template for the Allman Brothers Band with a modified ’72 Jazz Bass, known as ‘The Tractor’

Oakley added a Hagstrom Bi-Sonic pickup to his 1972 Jazz Bass, giving him a total of three pickups and five control knobs

Guitar World

“It’s the perfect combination of vintage Fender vibe and modern high-tech performance”: Fender expands its Tone Master lineup with a tweed-covered '59 Bassman – a lightweight, digital-brained 4x10 with mojo to burn

One of the most iconic amps in the Fender lineup gets the Tone Master treatment and you know what that means: old-school tone in a lightweight format, with modern features like power scaling, effects loop and balanced XLR out with cab sims

MusicRadar

“Blazes a trail into new sonic territory”: Fender Japan gives the Cabronita Telecaster a radical mini-humbucker revamp by loading the Gretsch/Fender hybrid with new high-end pickups

The experimental branch of the Big F has given the quirky Tele a tonal overhaul by swapping the hi-fo Fidelitrons for DiMarzio pickups

Guitar World

"Signature models mean just that. You play the same bass I play, and you're probably better at it than I am": Blink-182's Mark Hoppus gives us the lowdown on his brand-new Fender bass and discloses why he has switched to the Neural DSP Quad Cortex

The pop-punk bassist discusses his new signature model, what got him interested in Fender basses, what he believes is his greatest riff and more

MusicRadar

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Guitar World

“There was this thing I was trying to create that didn't exist”: Gretsch and super-producer Jack Antonoff combine the Fender Jazzmaster with an oddball vintage Gretsch to create the Grammy-winner’s “dream” signature guitar

He's produced for the likes of Taylor Swift and Sabrina Carpenter, and fronts the influential indie rock outfit Bleachers. Now, Antonoff has been honored with his first signature guitar

Guitar World

“There’s even a button I can press where it turns into a Leslie”: Richie Kotzen explains why he ditched a regular pedalboard for an all-in-one pedal from the creator of the SansAmp

Once upon a time, Kotzen went into Home Depot and made this bespoke ’board for his effects, but with a little help from Andrew Barta, it is now a very pro all-enclosed unit, and it's pretty much everything he needs

Guitar World

“Early Telecasters tend to get a bit muddy. It's hard to get a really nice, punchy bright front pickup”: Joe Bonamassa fits a budget Squier Tele with his new Seymour Duncan 1950 Broadcaster pickups – and tests it against the vintage Fender original

The new signature pickups are modeled after Joe Bonamassa's Broadcaster – the very rare Tele predecessor, of which only 250 were made

Guitar World

“Ash and mahogany bodies available in never-before-seen colors”: Fender’s Player II range has been expanded with new tonewoods and forgotten finishes unearthed from the archives

Fender relaunched its Player II range earlier this year with the return of rosewood fretboards and new colorways – and now there are some fresh tonewoods on tap

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MusicRadar

“The world’s most authentic amp models, no UA hardware required”: Universal Audio releases its industry standard UAFX amp modelling pedals as plugins

The Dream ’65, Lion ’68 and Ruby ’63 brought golden age Fender, Marshall and Vox tube amp tones to our pedalboards – and are now available to run natively on Mac and Windows

Guitar World

“I remember when Fender started doing this, I was like, ‘Why would anyone purchase something that’s pre-worn?’” Solar continues its relic awakening with “extremely worn and torn” Relik Series

The brand's flagship Relik model features some premium appointments and a finish that looks like it's been put through the meat grinder

Guitar World

“It feels a bit wrong to play it. But I don't think anyone who has a guitar that they love would want it to never be played after their death”: Fontaines D.C. guitarist Carlos O'Connell reacts to playing Rory Gallagher's prized guitars

O'Connell also tries out Gallagher's 1959 Silvertone, 1963 Epiphone Coronet and 1968 Martin D-35 ahead of the much talked-about auction

Guitar World

“I played poker with Freddie King during one of the tours he did with Eric Clapton. I lost half my tour money!” Session legend George Terry on eating Whoppers with Diana Ross and high times as Eric Clapton’s go-to ’70s six-string lieutenant

George Terry looks back on a decade of hits with the Bee Gees, Barbra Streisand, ABBA, and Diana Ross, and his adventures and misadventures with Slowhand

Guitar World

“On my 18th birthday, my brother bought me my first Stratocaster. I thought it was a copy, as I didn’t see the Fender logo. One day, I took the neck off and saw ‘9-58’ inside…” Blackbyrd McKnight on his mysterious Strat and the ’70s jazz-funk explosion

Jazz/funk/fusion veteran DeWayne “Blackbyrd” McKnight recalls his smooth segue from Herbie Hancock sideman to full-on Funkadelic member – plus his ’70s gear and what he learned from Shuggie Otis

Guitar World

“Built to a standard that few can come close to – and for a grand under aFender Custom Shop Strat”: Patrick James Eggle 96 Rob Harris Signature review

When the guitarist for acid jazz/funk band Jamiroquai gets together with top luthier Patrick James Eggle, is it Virtual Insanity or will the results Blow Your Mind?

MusicRadar

“He’s enabled fans to achieve the iconic blink-182 tone they've always dreamed of”: Fender and Mark Hoppus team up for limited edition signature Jaguar Bass

The Blink-182 co-founder’s signature model is a real bespoke build with a Jazz Bass neck, a reverse-mounted Seymour Duncan Quarter Pound P Bass split coil and the choice of 3-Color Sunburst or Sea Foam Green finishes

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