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The Latest Breaking News from Guitar World

“I met this guy who worked at Peavey. He offered me some stuff, and I was broke…” The blue-collar amp that Tyler Bates used on all his albums with Marilyn Manson

Since the prolific player was gifted the amp, he’s never looked back

Guitar World

“Purebred music-making machines”: EVH updates the Wolfgang Special line with baked maple necks and ’boards, and colors to dazzle

The Wolfgang Special Baked Maple comes in Floyd Rose and TOM configurations, while staying true to Eddie Van Halen’s shred-ready recipe

Guitar World

“It started showing signs of the color changing… PRS brought it back to life”: This guitarist’s “baby” completely lost its finish – so PRS stepped in

The Hollow-Body II’s Blue Fade finish quite literally lived up to its name, but PRS went the extra mile when hearing about the instrument’s plight

Guitar World

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“I did 40 tours with it, and never had a problem. It’s my favorite guitar on the planet”: The underrated metal guitar that Nervosa’s Prika Amaral swears by

The pointed axe solves her biggest issues with Flying Vs, and it’s been her trusted globetrotting companion for years

Guitar World

“A lot of Oasis-related gear has come up for sale... but there can’t be that many pre-CBS Strats that were owned by Noel”: Up close and personal with a '63 Strat and '70s Höfner Violin Bass with Oasis and Ocean Colour Scene connections

This 1963 Fender Stratocaster and 70s Höfner 500/1 violin bass guitar recently wentunder the hammer – and, as it turns out, these were Britrock unicorns for collectors

Guitar World

“I was a teenager, so it was just fun. Pretty soon I was getting millions of views – it was crazy”: Laura Cox was a teen guitar sensation. Now she’s throwing the blues-rock rulebook out the window – and finding herself in the process

From the smallest screen in our pockets to the stage and studio, can anyone stop the French garage-blues prodigy from taking her rock sound to the to the masses?

Guitar World

Federal court rules in favor of Dean Guitars in Dimebag Darrell Estate’s protracted legal dispute

Dimebag's estate sued Dean Guitars owner Armadillo Distribution Enterprises in 2021 over breach of contract and trademark disputes

Guitar World

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“In the middle there's this mesh we call ‘the ancient form of weaving.’ Sometimes we cross accidentally!” Ronnie Wood explains his guitar dynamic with Keith Richards at launch for surprise new Rolling Stones album

The album's laundry list of star guest spots were top priority for the launch event Q&A, but arguably more interesting were the nuts-and-bolts insights into how the Stones have musically kept on, well, rolling, for well over 60 years

Guitar World

“This city didn't just embrace the Telecaster, it helped define it”: Fender’s Telecaster 75th anniversary show might be the greatest assemblage of Tele talent ever

Held at Nashville's Ryman Auditorium, the Tele Town concert was highlighted by perhaps the most electrifying Telecaster jam of all time – featuring, to name a few participants, Jack White, Brad Paisley, Tommy Emmanuel, and John Osborne

Guitar World

“First impressions are dominated by the incredible color – holy smokes, it’s absolutely stunning in person”: Fender 75th Anniversary American Ultra II Telecaster

The Telecaster has a big birthday this year, commemorated by this golden wonder

Guitar World

“When I played, it was almost like I made every note count even more. It was rejuvenating”: Why Jared James Nichols has switched to Marshall amps after playing Blackstar for 15 years

The decision ends a long relationship with Blackstar, with whom he released a series of signature amps

Guitar World

“Without the added bends, this riff would sound a little stale and boring”: Spiritbox's Mike Stringer shows you how syncopated bends can add extra spice to your metal playing

Your 21st-century metal workshop is in session, as Stringer shows you how to play Spiritbox's Holy Roller

Guitar World

“I was like, ‘God, what do I do? If I sit behind the drums, it makes me sad. If I listen to music, it makes me sad’”: Dave Grohl on life in the aftermath of Kurt Cobain's death – and how his switch to guitar and songwriting marked a new chapter

Fresh from the release of Foo Fighters' 12th album, Grohl has looked back on the origins of the multi-decade project that stemmed from intense grief

Guitar World

“A momentous union of two storied and unstoppable forces”: DragonForce announce Alissa White-Gluz as their new vocalist in shock move

Herman Li says she’s taking them to new levels, but what does that mean for the ex-Arch Enemy singer’s new solo band, Blue Medusa?

Guitar World

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Guitar World

“Of all the mini practice amps I’ve tried, this is easily my favorite”: Blackstar Beam Mini review

The world of mini practice amps just got serious, with Blackstar's new Beam Mini boasting impressive tones in compact form with some surprising twists

Guitar World

“I don’t want to hear someone improvise and stretch out and be completely extemporaneous”: St. Vincent has named her pick for the best guitar solo of all time – and says it should always be played note-for-note

Annie Clark has named a Steely Dan solo as her favorite – and explained why it's “sacrosanct”

Guitar World

“This never stops taking my breath away”: Joe Walsh becomes the latest guitarist to take a Yamaha Revstar to the stage as the Eagles hit New Orleans

Adored by Matteo Mancuso and Chris Buck, the fast-rising guitar has now found itself at the heart of one of America’s biggest bands

Guitar World

“What started as a joke turned into a track that Steve knew had magic in it”: Eric Clapton recorded a song with Steve Cropper before the session legend’s passing – and it will be part of his final body of work

The six-string veteran passed away aged 84 last year, but it turns out he sparred with another guitar legend in the studio before he left us

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Guitar World

“We were high with it, and after just a few takes, we had one of our best ever songs – something that felt like pop music and beyond”: The making of the Smiths’ 1986 classic The Queen Is Dead

It was a square peg amid the shred scene and almost sank Johnny Marr, but the Smiths’ majestic third album ended up as the jewel in their crown

Guitar World

“I like classical, gospel, Bruno Mars, the Killers and the Weeknd. And I always go back to David Gilmour! If it doesn’t suck, I probably listen to it”: Why P-Funk legend Michael Hampton is keeping an open mind in search of his solo sound

The P-Funk veteran takes us inside his latest life stage, a much more mellow place than the frenzied funk days of his past

Guitar World

"Who thought we’d look to the kings of gritty bass for silky neo-soul tones?" Neural DSP Darkglass Ultimate review

Neural revisits its origins with an expanded suite of Darkglass emulations that have the power to become your go-to bass plugin

Guitar World

“I couldn’t believe it. When I was 15, I would skip school, take the bus into the city, and see the Grateful Dead at the Fillmore East”: Al Di Meola becomes the latest guitarist to play Jerry Garcia's “Tiger” on stage

Since going under the hammer for $11.56 million at the Jim Irsay auction, “Tiger” has also appeared on stage with Derek Trucks

Guitar World

“The guitar players barely holding onto control as they go into the corners at top speed are my favorite players”: How the Dirty Nil’s sound runs on vintage Marshall power and a healthy serving of the Rat pedal

Weaned on the Stooges, Luke Bentham developed a taste early on for any player who could “peel paint” from the walls. Here, he walks through the high-volume approach behind the Dirty Nil's latest, which originally provoked a cease-and-desist from the Holy See...

Guitar World

“A solo that felt more like a moving cry of the soul than a musical spotlight”: Rolling Stone has revealed its Greatest Guitar Solos of All Time – and its number one pick corrects a previous injustice

The latest guitar roundup from Rolling Stone will raise some eyebrows, but it’s got a few things right, too…

Guitar World

“I was a kid with very little experience and a huge amount to prove. Critics had written us off before it came out – no-one took me seriously”: The making of Suede’s 1996 Britpop classic Coming Up

Guitarist Richard Oakes arrived in the band as Bernard Butler's replacement – a relative rookie. Suede were supposedly cooked. And yet in songs like Trash and Beautiful Ones, they had something special indeed

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