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The Latest Breaking News from Guitar World

“The ultimate Gibson acoustic to date”: Gibson spares no expense to celebrate its 100th Monarch SJ-200 – a one-of-one Brazilian rosewood build that costs $99,999

Gibson’s Custom Shop pushes its artistry to the limit to set “a new benchmark in craftsmanship”

Guitar World

“It evokes a cool old Jazz Bass that's picked up some useful mods over its life”: Squier Classic Vibe Active ‘70s Jazz Bass review

Is it a '70s-inspired Jazz Bass? Is it a modernised active bass? Yes to both...

Guitar World

“We did a trade, but he owed some money. The guy whose guitar it was had the cops pull me off stage to get it back”: Phil Demmel’s new Jackson Polka Dot signature King V pays homage to his first Randy Rhoads Jackson model – and the guitar god himself

The Rhoads-honoring model serves as a full-circle moment for Demmel, who acquired his first Jackson – also a Randy Rhoads V – under some sketchy circumstances

Guitar World

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“I’d just hit the bass really hard and overdrive it with my hand. There’s no need to have any finesse if you’re a bass player”: Nikki Sixx recalls his decadent early days with Mötley Crüe

The legendary glam-metal bassist looks back on the crazy times he enjoyed with one of the most notorious bands ever

Guitar World

“Jeff Ament said, ‘Could you imagine tuning the guitar to all Es? Wouldn't that be crazy? That'd be dumb’”: Kim Thayil on the time Chris Cornell tuned all his guitar strings to E – and the Soundgarden song that came from it

Thayil and Cornell's penchant for alternate tunings is no secret, and Soundgarden’s repertoire continuously pushed the envelope of what tunings are even possible

Guitar World

"Back then, I was pretty much a nobody, so Gibson sold it to me at cost!" Slash's 5 most iconic guitars, in his own words

Slash talks through his most significant guitars in his own words – plus we tell you how to nail his iconic tone at home at various price points

Guitar World

“I’ve kind of just dealt with it. At first, I had to have an epidural every three months just to live”: Burning Witches and former Iron Maidens guitarist Courtney Cox reveals she has been touring with multiple herniated discs in her back for years

In a candid interview, Cox described the struggles of touring with a serious lower back injury that she incurred in a nasty car accident

Guitar World

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“The pick hand is thetimekeeper, and I’ve spent a lot of time working on exercises designed to bolster my strumming competence”: Rhythm guitar master Cory Wong shares his secrets to perfect pick-hand timing

Cory Wong's strumming boot camp will sharpen those rhythm instincts

Guitar World

“I’m thinking, ‘I’m in trouble now…’ And then, Dickey goes, ‘No.’ I go, ‘What do you mean?’ ‘That’s not the good one. Go in the bedroom and grab the good one’”: Tesla’s Frank Hannon on borrowing one of Dickey Betts’ prized Gibson SGs

Betts gave his son-in-law, Frank Hannon, the opportunity to borrow – and keep – the prototype of his “From One Brother to Another” signature SG

Guitar World

“A kid came in, plugged into an amp and started. It was extraordinary. I went out the next day to find records by this character, 'Jimi Hendrix…'”: David Gilmour on the first time he saw Hendrix play – in the company of the Beatles and Rolling Stones

A broke, pre-Pink Floyd Gilmour rocked up to a free jam evening at a music club – and had his entire guitar world rocked

Guitar World

“He’s written some of the heaviest, greatest rock riffs of all time. That’s served me tremendously”: How Harrison Whitford balances inspiration from Aerosmith guitarist dad Brad, boss Phoebe Bridgers and his devotion to alternate tunings

Determined to find his own sound and voice, the guitarist’s latest project Attention Bird Utopia fuses what he’s learned about being inside powerful songs, writing in alternate tunings and remembering to listen

Guitar World

“I was starstruck when I first met Ozzy. He said he had ‘a good feeling’ about me. He just encouraged me to play with my heart”: Gus G on growing up on Black Sabbath, playing with Ozzy Osbourne – and why Tony Iommi’s style was the hardest to master

Gus G reflects on a life-changing moment when he joined the likes of Randy Rhoads, Jake E. Lee and Zakk Wylde as one of the few to be chosen by Ozzy as his shredder-in-chief

Guitar World

“Push the boundaries of modern guitar design”: Rick Graham’s second Charvel signature is an ode to his reconnection with the guitar – and it’s got a killer relic’d pink finish

Graham has reflected a rollercoaster few years into his reprised Superstrat

Guitar World

“I want the guitar to play fast, to wear close to the body, and communicate a degree of aggression”: Sterling by Music Man and Tosin Abasi bring the futuristic Kaizen to a new low price point – slashing nearly $3k off the original

Three years after the boundary-pushing build was first unveiled, the long-awaited Sterling spin-off has arrived

Guitar World

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Guitar World

“There’s so much tasty guitar playing that’s also pretty achievable for a lot of people as well. I think it should be in everyone’s repertoire”: Mike Dawes on the one John Mayer hit that every guitarist should learn

Dawes recalls his John Mayer cover of Slow Dancing in a Burning Room that went mega viral – and what he'd tell Mayer if he had the chance to meet him

Guitar World

“Everyone in the pedal market is concerned. I think it's going to take a big chunk of the market”: Brian Wampler of Wampler Pedals on why digital modeling could be Napster for traditional pedal makers

The man behind Wampler Pedals discusses the impact of digital modelers and amp profiling technology on the traditional pedal market – and addresses how tariffs are affecting his business

Guitar World

“It was a bit of a disaster. I plugged my guitar in, and it was instant feedback”: John McLaughlin remembers his nightmare jam session with Jimi Hendrix – when he was forced to play acoustic

He found himself in the right place at the right time to jam with one of the world’s greatest guitarists – but his gear let him down

Guitar World

"I've tested loads of pedals for reviews, and it’s not often I come across one that feels this inspiring": Hotone NC-200 Verbera reverb pedal review

Combining algorithmic and IR convolution reverbs to create lush soundscapes, this may be the most impressive reverb pedal of the year

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Guitar World

“If you bring in some cheese, I might trade you one of the guitars on the wall”: Spinal Tap’s Nigel Tufnel has been running a cheese shop where guitars can be used as currency

Cheddar for Charvels? Gouda for Gibsons? Tufnel has introduced a rather interesting bartering system...

Guitar World

“I didn't want to put it down. I've missed it ever since!” Jake E. Lee played Kirk Hammett’s legendary Greeny Les Paul backstage at Ozzy Osbourne’s final show – but he almost wishes he hadn’t

Lee was able to enjoy some downtime with the iconic Les Paul before taking to the stage with a mysterious purple Charvel

Guitar World

“John Mayer ruined me with getting new guitars and vintage stuff. He’s always experimenting, so I had to expand my own rig”: Isaiah Sharkey is one of guitar’s most versatile talents. He lets us in on how he works with Mayer, D’Angelo and Miles Davis

Rigs big and small feature in a career that’s seen Isaiah Sharkey become a master of jazz, R&B, gospel, blues – and he hopes his new Ibanez signatures mean session players will only need to carry two guitars

Guitar World

“Our definition of what makes a ‘good’ guitar tone has changed dramatically in the past 10 years”: Does ‘bad’ guitar tone even exist anymore?

Guitarists are lusting after the sound of Portastudios and solid-state practice amps – tones that used to be derided in guitar circles. What changed?

Guitar World

“I sat on the bed while he sat on the floor. He jumped up after I finished the solo and gave me a hug. He cried out, ‘I love you, Bradley’”: Brad Gillis remembers the moment he got the Ozzy Osbourne gig

The Night Ranger guitarist stepped in to help Ozzy complete his tour after the tragic death of Randy Rhoads

Guitar World

“An evolved Fuzz Face with an edge, this is no single-sound pedal”: EarthQuaker Devices Rancho de la Luna Dirt Transmitter Fuzz Driver review

The return of EarthQuaker Devices’ Dirt Transmitter fuzz features a compact format with new desert studio-inspired artwork

Guitar World

“A good guitar solo should sound like an orgasm. I can hear it in Eddie Van Halen’s playing, and Jimi Hendrix. I live for the juicy notes”: Carlos Santana on playing like a soul singer and his visitations from B.B. King, Miles Davis and Stevie Ray Vaughan

Single-cuts are like merlot, solos are like grapefruit… the inimitable, peerless Carlos Santana shares stories from his legendary career and insights from the cosmos

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