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The Latest Breaking News from Steve Lillywhite

“I liked Bad Company and Free. Those bands, like David Bowie and Roxy Music, were all pop. But their albums had deeper cuts. That’s what I hoped we could pull off”: Billy Duffy on the making of The Cult’s 1985 breakout album – and why Rain made him sweat

Led by the stunning She Sells Sanctuary, Love was the sound of a band experimenting at scale, finding the great enabler in producer Steve Brown, and it just so happens to be Duffy's favorite

Guitar World

“New Year’s Day set the template for a more direct sonic vision for U2 - and marked the point at which they shifted their gaze towards political issues around the globe”: The making of an ’80s rock classic

It was a defining moment for Bono and the boys

MusicRadar

“Steve Lillywhite deserves credit for forcing our hand on that one”: Bono on the huge U2 hit that they saved from the scrapheap

U2’s frontman says their producer forced the band to record it live, and he's glad he did

Louder

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read the most diverse news in one place.

A beginner's guide to the Dave Matthews Band in 10 songs

Fresh from their induction into the Rock And Roll Hall Of Fame, we look at the Dave Matthews Band's finest moments

Louder

“I was keen to get a new audience. It took me until album number three before I found an identity”: The adventure of Peter Gabriel’s first four solo records

Car, Scratch, Melt and Security log the incredible distance he covered between leaving Genesis and creating So

Louder

“Keyboards started coming up a lot more, and so there was a little more of a fight for space with the guitar”: Alex Lifeson looks back on the difficult creation of Rush’s 1984 classic, Grace Under Pressure

Recorded during a brutal winter, Grace Under Pressure did not come easy, but all things considered, Lifeson can look back on it as a triumph. Rush had moved on, and that was the goal...

Guitar World

“Keyboards were the new thing. There was this attitude: ‘They sound big and they sound cool’”: how Rush swapped guitars and kimonos for synths and mullets in the 1980s

A deep dive into Rush’s divisive 80s period, when side-long epics were out and synths came in

Louder

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"Half of the people I knew wanted to pat me on the back, and the rest to punch me in the face": Bruce Watson looks back on Big Country's second album Steeltown

Big Country's Steeltown album was recorded during the 1984 miner's strike as guitarist Bruce Watson's father stood on the picket line: the album reflected those dark times

Louder

The story of Fairytale Of New York: “I sat down, opened the sherry, got the peanuts out and pretended it was Christmas…"

At this time when the music world is mourning the loss of Shane MacGowan, MusicRadar looks back on one of his most enduring and beloved achievements

MusicRadar

“I’m not interested in my own angst. I like a good story. Violence. A bit of sex, a bit of drinking, a bit of drugs, y’knoworramean?” A tribute to Shane MacGowan, the genius lyricist who thought the music was more important than the words

As the music of the 80s became more polished, synthesised and over-produced, The Pogues took it back to its rudiments. And at the heart of it was Shane MacGowan and his lyrics: funny, romantic, full of characters and stories

Louder

‘She never pandered to fashion’: why Kirsty MacColl’s vivid pop career was no fairytale

Deemed ‘difficult’ in the 80s music industry, the Pogues’ vocal foil never quite found the audience she deserved. As a box set is released, collaborators gather to recall her wistful, witty songwriting

The Guardian - UK

Keir Starmer’s days as a heartthrob barrister before politics revealed

Sir Keir’s ‘brawny bod’ drew comment on the Your Barrister Boyfriend blog a decade ago

Evening Standard

“For me, a power chord is laziness”: Rolling Stones, U2 and XTC producer Steve Lillywhite explains why certain uses of power chords are “not art”

They're used in many of music's most famous songs and form the bedrock of numerous styles, but super-producer Lillywhite isn't overly keen on power chords – here's why

Guitar World

Who is the greatest of all time: The Beatles or Queen? Producer Steve Lillywhite has an interesting take

"I would never say anyone is better than The Beatles, but…"

MusicRadar

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MusicRadar

Producer Steve Lillywhite: "For me, a powerchord is laziness", explains why The Edge only used them for one U2 song

A pet hate for the iconic XTC, Rolling Stones, Peter Gabriel, Killers, Dave Matthews Band and Simple Minds producer – "You can get that power from something else"

Axios

Exclusive excerpt from Bono's new memoir: The story behind "Sunday Bloody Sunday"

Each of the 40 chapters is named after a U2 song. Bono did the illustrations.

The Independent UK

Music producer Steve Lillywhite remembers Darius as ‘talented’ with ‘big heart’

Darius Campbell Danesh first found fame on ITV show Popstars in 2001.

People

Darius Campbell Danesh

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