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The Latest Breaking News from Steve Howe

“A lot of the music I’ve made has had the goal of achieving something similar to Yes”: Steve Howe was the middle ground between Moby and his punk-hating guitar teacher

Electronica, ambient and rock artist still listens to Close To The Edge once a month

Louder

“Here was fresh music, well-presented in high quality, and I didn’t have to sit around in a rehearsal room for months deciding on the sandwich order”: The joy and pain of Anderson Bruford Wakeman Howe’s only album

United under Jon Anderson’s vision, four ex Yes members regrouped to make the 1989 record that looked both forward and backward

Louder

“Perpetually overlooked… the right album at the wrong time. It’s fascinating to hear Jon Anderson’s voice sounding rather throaty and, well, dirty”: Yes’ Talk 30th Anniversary edition

An untitled Trevor Rabin instrumental and an incredible 10-minute demo of Endless Dream crown the bonus elements of the 1994 ‘Yes West’ record

Louder

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“Because Dad did his album I thought, ‘Do I really want to put this out there?’” Despite Rick’s legendary work, Oliver Wakeman includes one wife of Henry VIII in his new solo record

Celtic-themed Anam Cara – featuring guests Troy Donockley, Hayley Griffiths and Scott Higham – came about after a nudge from his record label and a question from his son

Louder

“Retains all the charm of the original 1960s classic design in all its vintage glory”: Danelectro has brought back its Big Sitar – with some modern upgrades

The new Danelectro model promises to deliver the quintessential electric sitar sound popularized by the likes of Metallica, Steve Howe and Steve Vai

Guitar World

“We didn’t force a connection, it just happened.” Steve Howe remembers a fledgling Yes supporting Jethro Tull in America in 1971

Supporting an already-established Jethro Tull in America helped Yes in their way to star status

Louder

“The priorities of the first Asia were to make it a success. Yet when we had it, we were so stupid it was unbelievable:” How the supergroup admitted mistakes and worked them out via their patchy Phoenix album

It was the first studio project featuring all four original members since their gradual disintegration in the 80s. And even if it wasn’t their best work, it was an essential element in moving forward

Louder

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“The fans understood I was the price they had to pay to hear the band they loved, so they put up with me. It’s not like you’re joining the Sex Pistols”: Trevor Horn on fronting Yes – and how it later made 90125 possible

Producer recalls making his colleagues feel “embarrassed and amused at the same time” as he begged them not to give up on Owner Of A Lonely Heart

Louder

“When working on material we could ask, ‘What would we have done in the days of Close To The Edge?’ Maybe sometimes we didn’t ask that question enough”: Steve Howe’s favourite Yes songs

Guitarist lists his five of the best – and explains why they’re all from the 70s

Louder

"We get halfway through, just before the solo, and all the power goes off on stage": The night a furious Ray Davies cut a Yes set short before aiming blows and kicks at Rick Wakeman

In late 1971, Yes and The Kinks hooked up for a short run of shows in New York, but brotherly love between the bands was in short supply

Louder

"Leslie said to the audience 'There’s a technical hitch,' and he touched the microphone and the guitar. And that was it": The tragic story of Stone The Crows, Scotland's great lost band

With musical talent to spare and Led Zeppelin’s manager behind them, Stone The Crows should have been a success story. Instead it’s one of tragic death and unfulfilled potential

Louder

"Keith had so much criticism after that 3 album. He was susceptible to that kind of thing." Robert Berry on his work and relationship with Keith Emerson

Three years after the release of The Rules Have Changed, Robert Berry revisited the music he made with Keith Emerson for a brand new recording, Third Impression

Louder

"I still think I’m part of Yes": Jon Anderson teases the possibility of a reunion with former Yes bandmates Steve Howe and Rick Wakeman

Jon Anderson suggests that the door may be open for playing again with some old friends

Louder

“I just knew Trevor Horn as a pop producer. When he turned up with a guitar, I said, ‘Is that a prop, or are you going to use it?’ We just didn’t hit it off”: How Yes’ 90125 became a triumph – despite starting with “the worst jam in history”

After Drama resulted in the band’s complete collapse, a massive revamp seemed the only hope for any kind of future. But that epic challenge resulted in an equally epic album

Louder

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“Even though I go off on a tangent sometimes, I think he appreciates the melodic aspect I bring to the John Hackett Band”: Guitarist Nick Fletcher indulges himself on solo instrumental Quadrivium

Jazz rocker explores modes, plaintive tones and mysticism on his album, featuring old bandmate Dave Bainbridge

Louder

“This is tightrope-walking without a net… it feels a bit like having him play a solo up close and personal, and who – other than certain former members of Yes, perhaps – wouldn’t want that?” Steve Howe’s Motif Volume 2

15 years after the first instalment, the guitarist bares the bones of his writing and proves those bones are strong

MusicRadar

“To play music, you have to understand it. I didn’t understand Topographic Oceans. That’s why I hardly played on it": Rick Wakeman and Yes - firings, hirings, curry, catastrophe and chaos

Best of 2023: When Vangelis nearly joined Yes and other tales from topographic oceans…

Louder

“Forget the luxuriant moustaches and sawn-off mike-stands that would come to define them: if the prog ethos meant avoiding the expected, they were definitely a prog band”: You’ve always known the truth about Queen

Mike Portnoy and Steve Howe provide supporting evidence that Bohemian Rhapsody is only the tip of the band’s boundary-pushing iceberg

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Louder

“We hit play, and the opening chords of Yes’ Rhythm Of Love sounded exactly like the beginning of the first song on my album. I thought we’d stuck in the wrong tape!” Jason Becker loves Trevor Rabin’s work

Former David Lee Roth guitarist and soundtrack composer learned a lot from Steve Howe, but prefers Rabin’s melodic and emotional output in and out of Yes

Louder

"I was torn between Ozzy and Genesis - what the hell do I do?": A story of "the next Black Sabbath", missed opportunities and vanished dreams

Necromandus were earmarked as the next Black Sabbath by Black Sabbath themselves - but their dreams were not fulfilled

Guitar World

"I’ve been using Vigier guitars since 1997. One of their reps had me try them, but I didn’t want to – I’d been playing my own awful, homemade, Swiss cheese guitars!" Failed luthier Ron ‘Bumblefoot’ Thal is busier than ever, but success isn't on his mind

The former Guns N’ Roses man discusses giving up constructing his own instruments, learning how to sing like a bassist while playing like a guitarist for Asia, and the upcoming Art of Anarchy record

Louder

“As hard as it was, and it was hard, nobody wanted to bottle out. We just knew we had a big landscape we could explore”: How Tales From Topographic Oceans became the most arduous project in Yes’ history

Used as a byword for musical over-indulgence, 1973 album fought its creators every step of the way – right down to its master tapes nearly being crushed by a bus

Louder

“The disc of unreleased live material truly captures the excitement of this line-up in full flight”: The Yes Album Super Deluxe Edition

Extended third LP, their first with Steve Howe, illustrates the amazing connection between musicians at the top of their game

Louder

I was pretty much ordered to go and play with Steve Howe, Carl Palmer, Geoff Downes and John Wetton. I was told that if I didn’t, I’d be dropped”: Trevor Rabin’s challenging road to Yes

From a dalliance with NWOBHM and Asia to sudden career jumps across the ocean, he’s always been far more interesting and varied than many realise

Guitar World

“I don’t want the old blues to die – if they do, I’ll be dead, too”: John Lennon, Eric Clapton and Ronnie Wood all followed in his footsteps of Big Bill Broonzy, the blues pioneer with a guitar style that’s impossible to copy

William ‘Big Bill’ Bronzy picked up a guitar in Chicago around 1920, and became the first of the original blues masters to tour Europe. His powerful voice and unique country-blues guitar style would shape the future of the genre in the US and the UK

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