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The Latest Breaking News from Shakespeare

Edinburgh festival 2025: 20 theatre shows to see this summer

Peter Pan has a pop fantasy, Faustus is in Africa, Brian Cox leads a banking satire and Billy Connolly meets the late Alasdair Gray. Elsewhere, the joy of pickling, a landmark jazz album and Elton John’s libel case take centre stage

The Guardian - UK

Top London private school shakes up English curriculum with drag queen memoir and non-binary writers

Staff at Alleyn’s School in Dulwich say the authors were introduced as part of a ‘genuine diversification’ of the curriculum

Evening Standard

Funny, weird … sexy? How to find your perfect wedding poem

Small, huge, camp, Star Trek-themed … weddings have changed beyond recognition, but we’re still reading out the same old Shakespeare sonnets. What to read at a modern ceremony? Plus, leading poets pick their favourites

The Guardian - UK

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Ngũgi wa Thiong’o and the African literary revolution

The passing of celebrated Kenyan writer and scholar Ngũgĩ wa Thiong’o on 28 May 2025 marks the end of a remarkable period in African literary history – the fabulous decades in the second half of the 20th century when African writers came to command the world stage.

The Conversation

Jim Royle’s take on Tracey Emin ‘masterpiece’

The Guardian - UK

Juliet and Romeo strains to be meaningful but never earns its emotional crescendos

The new musical film Juliet and Romeo arrives on screen with lavish visuals, saccharine pop songs and a reworked Shakespearean plot that tries to dazzle. With its vivid colour palette and dreamy masquerade aesthetic, this is Verona as filtered through a Eurovision lens: glittering, melodramatic and frequently overwrought.

The Conversation

Juliet & Romeo review – Rebel Wilson and Jason Isaacs cameo in syrupy Shakespeare musical

With bare-faced cheek, this bardless take replaces all the original language with olden-days-effect prose – adding singing, dancing and a pointlessly starry cast

The Guardian - UK

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Minding our language on the use of Americanisms

Letters: Readers share their views on the evolution of the English language, in response to an article by Elisabeth Ribbans on the use of ‘gotten’

The Guardian - UK

My cultural awakening: a shock at a Shakespeare production made me quit the bank for theatre

Seeing the RSC’s breathtaking 1978 production of The Taming of the Shrew showed how a working-class boy like me could get into theatre

The Guardian - UK

32 Unhinged Analogies That Explain Complex Medical Problems With Ridiculous Clarity

If only Shakespeare could read these.

Bored Panda

‘Lord’s Prayer better recognised than national anthem, Churchill or Shakespeare’

The Our Father also appeared better known that Star Wars and the famous Liverpool football anthem.

Evening Standard

Silents Synced: ‘Nosferatu’ to be set to Radiohead’s ‘Kid A’ and ‘Amnesiac’ for new cinema release

A new initiative in the UK is pairing iconic silent films with era-defining records. The first sees 1922’s classic 'Nosferatu' paired with two Radiohead albums – and it’s only the beginning.

Euronews

A Midsummer Night’s Dream at Bridge Theatre review: I can't remember enjoying a Dream more

5/5 This acrobatic, erotic, playfully queered version of Shakespeare’s comedy is even better than it was in 2019

Evening Standard

The Almeida theatre has a coup in Dominic Cooke: this gifted director is also a proven talent spotter

Moving easily between daring new work from the likes of Jez Butterworth to lucid fresh takes on the canon and heartful musicals, Cooke is an optimal new leader

The Guardian - UK

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Reason

Helen Lewis: The Dark Side of Genius

In The Genius Myth, the journalist delivers a sharp, funny takedown of our obsession with "brilliant" men, showing that behind every so-called genius is a crowd and a big PR machine.

The Guardian - UK

Adrian Lester and Alfred Enoch lead Royal Shakespeare Company’s ‘global’ new season

Joint artistic directors Daniel Evans and Tamara Harvey say 2025/26 programme is celebration of ‘a 21st-century RSC’

Reason

"AI and the Death of Literary Criticism"

A very interesting piece by Prof. Thomas Balazs in Quillette. An excerpt: When ChatGPT can analyse Hamlet as well as any grad… The post "AI and the Death of Literary Criticism" appeared first on Reason.com.

The Guardian - UK

‘Please don’t fart, this is art’ – Stephen Sondheim’s musical The Frogs review

A droll Dionysos, an ab-obsessed himbo and a waddling ballet for goggle-clad frogs can’t outshine Sondheim’s songs in this rarely seen version of the ancient Greek satire

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The Guardian - UK

Violent and lewd! Not Grand Theft Auto, Shakespeare’s Macbeth

If Shakespeare were around today, he’d be making open-world shooters with the same depth and diversion as his plays

Evening Standard

Sir Ian McKellen to open 'joyful' Shakespeare play with all trans and non-binary cast

The 86-year-old acting legend, who is a longtime LGBTQ+ advocate, will introduce the performance from the new company, Trans What You Will

Evening Standard

The Frogs at Southwark Playhouse review: bursting with unfulfilled promise

3/5 Stephen Sondheim’s weirdest show gets its moment in the spotlight

Autosport

“Shakespeare on wheels” – F1’s biggest ever partner on why the series captures the imagination

For the first time in its illustrious history, the Formula 1 Monaco Grand Prix has a title sponsor, with TAG Heuer claiming the distinct honour.

The Guardian - UK

‘Shakespeare would be writing for games today’: Cannes’ first video game Lili is a retelling of Macbeth

Translocating the Scottish play to Iran with help from the RSC, iNK Stories’ version focuses on a Lady Macbeth contending with an oppressive surveillance state

The Conversation

Ambition is not a dirty word: female politicians and the ‘Lady Macbeth bias’

When the new parliament convenes after the recent election, it will feature a rarity in Australian politics. Women will lead two significant political parties at the same time: the Liberal Party’s Sussan Ley and the Greens’ Larissa Waters.

The Guardian - UK

‘Theatre puts a finger in the wound’: Willem Dafoe returns to his first love in Venice

He is a transfixing screen presence – but he lives for the raw thrill of the stage. As he takes over the Venice theatre biennale, the star lets us know what to expect: cut-up plays and a Pinocchio unlike any other

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