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The Latest Breaking News from Richard III

The week in theatre: Romeo & Juliet; Richard III; Passing Strange review – no fault in these stars

Jamie Lloyd’s youthfully intense staging gives us a Juliet for the ages; Michelle Terry’s king rises above the disability row; and the European premiere of a Broadway musical rocks but doesn’t soar

The Guardian - UK

Richard III at Shakespeare's Globe review: Michelle Terry shines but the show is shouty and unfocused

Bizarre pacing choices and gabbled lines undermine the production – but the Globe’s artistic director makes for a compelling king

Evening Standard

Richard III review – a fast-paced study of toxic masculinity with an almost entirely female cast

Michelle Terry portrays the king as a playfully antic sociopath in a lively production full of effective performances

The Guardian - UK

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‘The level of hate was dangerous’: Michelle Terry on the backlash to her casting as Richard III

Artistic director of Shakespeare’s Globe says much of the anger about a non-disabled actor playing the role has been misogynistic

The Guardian - UK

Shardlake star Arthur Hughes: 'It's amazing to see disabled people in strong, cool, sexy roles'

The star of the new Tudor mystery show talks representation, playing villains and why the Globe’s upcoming production of Richard III is a misstep

Evening Standard

‘I know what it’s like to be stared at’: Shardlake star Arthur Hughes on playing CJ Sansom’s disabled Tudor sleuth

He was the first disabled actor to play Richard III at the RSC. As he appears as Shardlake, the star recalls the parts that made him – and explains why this latest character is like the Lone Ranger

The Guardian - UK

‘I wanted people to laugh not at me, but with me’: Tom Shakespeare

The activist, academic and now novelist explains why, when you use a wheelchair, it’s good to be able to see the funny side. By Donna Ferguson

The Guardian - UK

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Richard, My Richard review – like a medieval version of The Crown

Historical novelist Philippa Gregory has fun reframing the notorious Richard III and the women in his life in her first play

The Guardian - UK

Richard, My Richard review – less naked villainy, more realpolitik

In novelist Philippa Gregory’s telling, the much maligned king reveals a more human side amid rather too much exposition

The Guardian - UK

Murderer, manipulator… or not that bad at all? The reframing of Richard III

Five hundred years after his death, the monarch most reviled by Shakespeare is still courting controversy. A new play and documentary aim to change how he is seen

The Guardian - UK

The Duchess of Malfi at the Sam Wanamaker review: a bracing revival that finds humour in the bloody chaos

An atmospheric production that brings out Jacobean playwright John Webster’s savage poetry and bleak world vision

Evening Standard

Steve Coogan and makers of The Lost King sued by academic over his portrayal in the film

The former deputy registrar of the University of Leicester claims the 2022 movie presented him as ‘dismissive, patronising and misogynistic’

The Guardian - UK

Steve Coogan facing libel claim over ‘weasel-like’ portrayal in Richard III film

Richard Taylor, formerly deputy registrar of the University of Leicester, is bringing legal action over a portrayal of him in the film The Lost King.

Evening Standard

Acting, disability and the problem with ‘lived experience’

Letters: Guardian readers respond to the row about a non-disabled actor playing Richard III at Shakespeare’s Globe

The Guardian - UK

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The Guardian - UK

Non-disabled Richard III actor to press on despite calls for recast

Michelle Terry, who is also the Globe’s artistic director, says she will not alter her physicality for role

The Guardian - UK

‘I’m done with pretenders’: disabled actors on reclaiming Richard III

As the Globe faces accusations of ‘cripping up’ with a new production of Shakespeare’s tragedy, disabled theatre-makers explain why the role should not be open to all

The Guardian - UK

Shakespeare’s Globe criticised for casting non-disabled actor as Richard III

Disabled actors respond to the announcement that Michelle Terry, the Globe’s artistic director, will be taking up the role

The Guardian - UK

The best theatre to stream this month: Kings of War, David Tennant’s Hamlet and more

If you can’t get tickets to his Macbeth, Tennant’s acclaimed prince of Denmark is online, along with a spectacular take on three Shakespeare plays by Ivo van Hove

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Zenger

Catalonia’s 3Cat Digital Platform Adds Classic British Comedies

TV3's iconic shows like Blackadder and Mr Bean now available on 3Cat platform

WhatToWatch

Secrets of the Dead: The Princes in the Tower: release date and everything we know

Secrets of the Dead: The Princes in the Tower could rewrite one of the most infamous chapters in English history

Evening Standard

A plague on both their houses? Politicos grapple with 400th anniversary of Shakespeare's First Folio

William Shakespeare’s works are not short of insight on the perils of power and “vaulting ambition”. Some are dramatically relevant to this era of war and ceaseless tension, from Richard III to Julius Caesar and King Lear.

The Independent UK

Steve Coogan says royal family subjugates the working class as he hits out at royalist ‘idiots’

Comic said that the royal family ‘keeps the foot on the throat of working class people’

The Independent UK

White male actors ‘can’t find work’, claims former RSC boss Gregory Doran

Ex-artistic director of the Royal Shakespeare Company says he hopes the ‘pendulum will swing’ and casting in theatre will be more ‘balanced’

The Independent UK

Richard III academic suing over claims he was portrayed as a ‘sexist bully’ in Steve Coogan film The Lost King

Coogan co-wrote and starred in the 2022 film about the uncovering of the royal’s remains

The Independent UK

The Crown has turned the royals into a ‘soap opera’, says Queen Elizabeth biographer Gyles Brandreth

Royal biographer claims Netflix’s hit drama series is ‘as truthful about the present royal family as Shakespeare’s play “Richard III” is about Richard III... but not quite as well written’

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