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The Latest Breaking News from Rebecca Frecknall

From Amsterdam to the West End: the avant-garde hit factory behind The Years and Oedipus

A pair of electrifying London shows bagged four prizes at the Olivier awards. Both were developed by Dutch company ITA, which has an eye for British talent

The Guardian - UK

On my radar: Rebecca Frecknall’s cultural highlights

The theatre director on the best novel she’s read in a long time, Tracey Emin’s latest exhibition, exercising in the dark, and a Middle Eastern vegetarian restaurant

The Guardian - UK

The week in theatre: Cat on a Hot Tin Roof; The Little Foxes; The Invention of Love – review

Daisy Edgar-Jones is on the prowl; Anne-Marie Duff channels Bette Davis; and Simon Russell Beale gleams in the literary afterlife

The Guardian - UK

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Cat On a Hot Tin Roof at the Almeida review: Daisy Edgar-Jones is a force of nature in this striking revival

4/5 Director Rebecca Frecknall’s vivid interpretation makes a hazily-remembered classic feel new and strange

Evening Standard

Cat on a Hot Tin Roof review – Daisy Edgar-Jones is full of angry energy in a stylish family face-off

Rebecca Frecknall’s stark production brings out the rage in Williams’ play through powerful performances, but fails to plumb all its emotional depths

The Guardian - UK

Rupert Goold is an audacious innovator. He will make waves at the Old Vic

Having worked his magic as director of the Almeida theatre, the gifted Goold is bound for greater glories: the National had better watch out

The Guardian - UK

The Old Vic announces Rupert Goold as new artistic director

Goold said he will be joining with ‘excitement and trepidation’

The Independent UK

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Daisy Edgar-Jones on the advice Paul Mescal gave ahead of her return to stage

The actress is starring in a Tennessee Williams play in December

Evening Standard

Daisy Edgar-Jones to star in new production of Cat on a Hot Tin Roof

Rebecca Frecknall will direct Normal People actor in Tennessee Williams classic at Almeida theatre in London, opening in December

The Guardian - UK

Eddie Redmayne’s Emcee performance has caused uproar – but there is more to this Cabaret than meets the eye

Eddie Redmayne’s performance at the 2024 Tony Awards in June has been a hot topic among theatre fans. British director Rebecca Frecknall’s imaginative revival of Cabaret (1966) opened in London in 2021 and on Broadway in April 2024. Broadway critics have not been as overwhelmingly positive as London’s – and…

The Conversation

Julie review – Rebecca Frecknall’s sensational take on Strindberg

The British director of Cabaret and A Streetcar Named Desire makes a gripping debut with the acclaimed Dutch company

The Guardian - UK

The week in theatre: Macbeth; The House of Bernarda Alba – review

Ralph Fiennes and Indira Varma are magnetic murderers in Simon Godwin’s bleakly immersive warehouse production, while Harriet Walter commands the stage in Rebecca Frecknall’s stylish, if underheated Lorca

The Guardian - UK

The House of Bernarda Alba review – Harriet Walter rules as Lorca gets a refurb

Adapted by Alice Birch and directed by Rebecca Frecknall, this is a stylised study in control and daughterly disobedience

The Guardian - UK

The House of Bernarda Alba at the National Theatre review: a study of repression horribly relevant to today

Harriet Walter cleaves through the teeming action like a dreadnought

Evening Standard

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Evening Standard

Patsy Ferran and Anjana Vasan: the Evening Standard Theatre Awards Best Actresses on their winning sister act

The pair were gobsmacked when they were both named as joint winners

The Independent UK

Patsy Ferran on stage stardom, performing with Paul Mescal, and Pygmalion: ‘I only ever watched the first 75 per cent of My Fair Lady’

She stepped in to play Blanche to Paul Mescal’s Stanley at the 11th hour. Now she’s taking on her childhood dream role of Eliza Doolittle. Andrzej Lukowski talks to Patsy Ferran, the most exciting stage actor of her generation

The Guardian - UK

‘Raring to take on this challenge’: musicians Jake Shears and Self Esteem to star in Cabaret

The Scissor Sisters singer will play the Emcee while Self Esteem will make her theatrical debut as Sally Bowles in Rebecca Frecknall’s Olivier-winning musical

The Guardian - UK

The rise of actor Patsy Ferran: ‘I’m a bit of a duck: calm on the surface…’

She cancelled her honeymoon to star in A Streetcar Named Desire with four days’ notice – then won the 2023 Critics’ Circle best actress award. She talks to the Observer’s theatre critic, an early champion, about her next move

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The Guardian - UK

The week in theatre: Romeo and Juliet; When Winston Went to War With the Wireless; Groundhog Day – review

Danger stalks the radiant lovers in Rebecca Frecknall’s tumultuous, twilit Romeo and Juliet; a 1920s battle for the soul of BBC radio couldn’t be more timely; and Groundhog Day, once more with feeling

The Independent UK

The Week on Stage: From Romeo and Juliet to When Winston Went to War with the Wireless

A guide to the week’s theatre

The Guardian - UK

Romeo and Juliet review – Rebecca Frecknall’s dance to the death

This innovative, fast-paced production of Shakespeare’s tragedy, starring Toheeb Jimoh and Isis Hainsworth, has a beguiling intensity

Evening Standard

Romeo and Juliet at the Almeida review: relentless retelling makes us see this familiar story with fresh eyes

Ted Lasso’s Toheeb Jimoh as Romeo and Isis Hainsworth as Juliet suggest the characters share a fascination that goes beyond carnal passion

Evening Standard

Toheeb Jimoh on his Romeo at the Almeida, meeting Thierry Henry and the Ted Lasso effect

‘I’m doing things I didn’t know I could do before’

The Guardian - UK

‘I want it to feel quite feral’: Rebecca Frecknall on staging Romeo and Juliet

From Cabaret to Streetcar, the West End’s hottest director Rebecca Frecknall has a reputation for finding leads who put bums on seats. ‘I just go on my gut,’ she says

The Independent UK

Olivier Awards 2023: Paul Mescal and Jodie Comer scoop top prizes on the night

Both actors took home biggest awards after earning rave reviews in their West End debuts

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