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The Latest Breaking News from PROG

“I’ve got 30 years of albums and awards – but they say, ‘He’s just a one-trick pony making money off the back of Mike Oldfield’”: Robert Reed’s struggle to keep a form of music alive

Magenta, Cyan and Chimpan A mastermind went to the effort and expense of bringing three key Oldfield collaborators into his Sanctuary projects. That proves his commitment to creating something genuine, although many people don’t realise it

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Awesome new proggy sounds from Leprous, Iamthemorning, Jo Quail and more in Prog's brand new Tracks Of The Week

Great new prog sounds from Ring Van Möbius, Our Oceans and more in this week's Tracks Of The Week

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“It’s pretty progressive, but it’s not Rush, is it? It’s not Dream Theater. The virtuosity comes in the details and subtlety”: When TesseracT introduced themselves and explained the djent movement

At a time when online musicianship was still regarded as a bit geeky, the quintet were preparing to launch debut album One and embark on their first US tour – and they had plenty to say about filesharing, stats and haircuts

Metal Hammer

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“Was air-drumming even a thing before Tom Sawyer?”: Neil Peart’s greatest moments with Rush

It wasn’t easy, but we’ve boiled the professor of prog’s most powerful percussive performances down to 10 key tracks

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“Jeff Lynne and Yes are in the music of Radiohead, Sigur Rós and Muse. It’s overlooked in theirs but not in mine. I don’t have the self-validation I’d like”: Steven Wilson is grateful for prog fans’ support, but he wishes others liked him too

Arguing that pop isn’t as all-embracing as it used to be, he examines the nature of being a nerd with an ego, and wonders if the flawed musical gear his dad built him meant he was always going to make prog sounds

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“The way he plays drums without overplaying is extraordinary. He never takes over the music”: Tool’s Danny Carey managed to distract Mick Pointer from Rush

The Marillion and Arena co-founder explains how the American prog metal band astonished him with a track from 1996 album Ænima

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Great new prog you must hear from Arjen Lucassen, IO Earth Amorphis, Auri and more in Prog's brand new Tracks Of The Week

Cool new proggy sounds from Sometime In February, Royal Sorrow, Connor Kaminski and more in this week's Tracks Of The Week

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“The telegram read, ‘You’ve got to come back – your record is in the Top 20.’ I thought, ‘What Top 20?’ We couldn’t understand”: Why Peter Baumann thought Tangerine Dream were weird...

With new solo album Nightfall and a new edition of Phaedra both on sale, the synth maestro says limited ability, cutting-edge gear and raw luck led to success in the 70s, and regrets running out of time to reunite with Edgar Froese

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“I never thought his music would be my bag. But he never plays the same thing twice and your mind is blown”: The Pretenders’ James Walbourne on discovering Richard Thompson (who happens to be his father-in-law)

Walbourne details the folk-prog veteran’s Robert Johnson-like magic, and draws a comparison with Chrissie Hynde

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“There was a very unpleasant atmosphere between all of us. George Martin said he’d do another album… Instead we drove the band off the cliff”: How Stackridge conspired to swerve the success they deserved

The quirky West Country prog group started to get somewhere with 1973’s The Man In The Bowler Hat. Guitarist/vocalist James Warren – later of The Korgis – accepts youth and inexperience caused their implosion at exactly the wrong moment

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“I had a nightmare 15 years ago and I still remember being so frightened… I decided to finally let it guide me in a musical realm”: Jonas Renske steers the new-look Kakatonia towards a different darkness

Nightmares As Extensions Of The Waking State, their first album without Anders Nyström, embraces first takes, shelved ideas and outside influences – and hints at how they might use more electronic elements in the future

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“Even the seemingly straight-ahead rockers feature those clever fills and time changes that make the band so unique": Hydra may not be Toto’s best selling album, but it remains their proggiest

The seasoned American session stars changed tack after the success of their self-titled debut, inserting splashes of musical colour that became part of their unique style

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"Everyone who’s been in Hawkwind is a Hawklord." The current line-up of Hawklords state their case with Time...

Now officially in their third decade, the Hawklords collective continue their purple patch with latest album Time.

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“He opened possibilities for all future post-rock”: How Editors’ Russ Leetch discovered the deep, detailed world-building of Klaus Schulze, via Vangelis and an independent record store

When the British band wanted to create their own dystopia, a passionate shop owner led him to the German electronic composer’s prog masterpieces

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“Someone said, ‘This is what happens when the chess club kids don’t get their heads flushed down the loo enough!’ I liked that”: When Public Service Broadcasting’s geek chic took them all the way to the Moon

By the time they released The Race For Space, J Willgoose Esq and Wrigglesworth – then still a duo – were ready to accept their prog credentials

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Cardiacs announce that their final album, LSD, will be released in September

The late Cardiacs frontman Tim Smith's final album has been completed by his brother Jim, Kavus Torabi, Mike Vennart and more...

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It's in the trees. It's coming! We celebrate 40 years of Kate Bush's Hounds Of Love on the cover of the new issue of Prog, which is on sale now

Prog 162 also features Mike Oldfield, Dave Cousins, Bioscope, Peter Giles, Auri, Nosound, Jump, the new Canterbury sound and loads more...

Metal Hammer

“He does feel a bit like our saviour. It’s good to know he’s kind of protecting us”: How Mike Portnoy helped save Avenged Sevenfold after the The Rev died

Dream Theater man’s stand-in role may have complicated his own position, but the younger band were grateful for his unflappable optimism as they fought to keep going

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“She encourages us to ask big questions: Is there a reason to believe in a god? Are art and death aspects of the same experience? Can we just enjoy sex and stop being hung up about it?” Prog stars choose the 40 greatest Kate Bush songs of all time

Members of Marillion, King Crimson, Nightwish, Big Big Train and others compile a list of a uniqe artist’s most powerful and persuasive creations

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"I formed this band for God’s sake! And I helped Roger a hell of a lot because he wasn’t a musician when we started." The lost Richard Wright interview

On the back of a Classic Rock cover story for Pink Floyd's The Wall back in 2000, keyboard player Richard Wright was determined to have his say. And he did

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“It was loosely based on a character who’d rant at passers-by in the market square. I squidged a Polaroid, added running make-up and a cockade hat. Bish bosh, I had a jester!” How Mark Wilkinson’s artistic genius helped define Marillion’s image

With the Market Square Heroes sleeve acting as a successful audition, his partnership with the neo-prog icons meant he joined them in being free to create whatever art they wanted to

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“Nothing I do is ironic. Irony is the last refuge of the scoundrel”: When Julian Cope immersed himself in the prog-pop world of Syd Barrett, 13th Floor Elevators and Love

After leaving The Teardrop Explodes, he was on a mission – but on seeing him wearing nothing but a turtle shell on the cover of Fried, the world needed some convincing

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“I don’t set out to be the one everyone looks at. But when people are watching me, the others can get on with playing, away from the pressure”: Remembering Kansas’ Robby Steinhardt, one of the most important Americans in prog

He didn’t write many songs and he admitted the way he played on stage was detrimental to his performance. But the violinist and vocalist was the link between the band’s music and their success

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“A leopard doesn’t change its spots. There’s going to be certain levels of diva‑ness. It might be nice if there wasn’t, but there is”: Why Yes decided, after some doubts, to make Heaven & Earth

Their first with Jon Davison, and their last with Chris Squire, the 2014 album saw them continuing to release new music after many of their peers had stopped – but didn’t meet the standards expected of it

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