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“I just sat down at my piano in Scotland, started playing and came up with that song. It's a sad song because it's all about the unattainable”: The story of the ballad that sparked the breakup of The Beatles

Featuring "atrocious" bass-playing by John Lennon

MusicRadar

"We had no idea that what we were doing was groundbreaking or revolutionary": Read our classic interview with Wrecking Crew legend Hal Blaine

"We got the job done, and we made a hell of a lot of money doing it"

MusicRadar

“Thom sat down and played it in three takes, then just burst into tears afterwards”: How Jeff Buckley saved Radiohead’s Fake Plastic Trees

It was the song Thom Yorke just couldn't get right, but a stellar Jeff Buckley gig unlocked the missing ingredient

MusicRadar

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“His studio was a temple to analogue, within which he made a point of always wearing a boiler suit”: 6 of the quirkiest producers who pushed recorded music further than ever before

They might have operated in idiosyncratic ways, but the particular approaches of these producers have left a footprint on the music landscape

MusicRadar

"At first the tension was unbelievable. Johnny was really cold, Dee Dee was OK but Joey was a sweetheart": The story of the Ramones' recording of Baby I Love You

Legendary keys player Barry Goldberg on the sessions that spawned the band's biggest UK hit

MusicRadar

The man Neil Peart called his "six favourite drummers": Wrecking Crew legend Hal Blaine

"We got the job done, and we made a hell of a lot of money doing it"

MusicRadar

"I said, “What’s that?” and they said, “It’s what Quincy Jones and Bruce Swedien use on all the Michael Jackson records": Steve Levine reminisces on 50 years in the industry and where it’s heading next

He’s worked with a list of artists that reads like an A to Z of hitmakers. And now, with a new plugin, you can get your hands on his signature sound

MusicRadar

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“I got the impression that he needed to be quite forceful to get his songs onto Beatles records”: George Harrison orchestrator John Barham reflects on their shared love of Indian music and being conducted by Phil Spector

Barham's arrangements sweetened everything from 1968’s Wonderwall Music to 1973’s Living in the Material World and beyond, and in this rare interview he talks Harrison the songwriter, producer and collaborator

Guitar World

“He only had that little spotlight in every Beatles song – George Martin telling him what he could or couldn’t play. That’s what helped create that later style”: Dhani Harrison on the making of Living in the Material World – and George’s slide style

If All Things Must Pass was Harrison in minor key, Material World is the sound of him turning towards the light. His son, Dhani, tells us about its creation, and its stunning (and essential) reissue

Guitar World

15 Famous Celeb Assassinations That Shook Hollywood

"Gone too soon." The post 15 Famous Celeb Assassinations That Shook Hollywood first appeared on Bored Panda.

Bored Panda

“It made me feel bad that I didn’t put it on the album”: From Pavement to Donna Summer, here are six more B-sides that became huge hits against the odds

Adding to the collection of songs that started out on the flip side of a single, but went on to become playlist staples

MusicRadar

‘One agency called me Thunder Thighs’: Twiggy and Sadie Frost on sexism, self-esteem and the swinging 60s

The actor-models have made a documentary about Twiggy’s life that is as lively and sunny as her personality – but it doesn’t shy away from exploring the misogyny they both endured

The Guardian - UK

“George asked, ‘Is it OK if I do a little slide?’ I had a ’63 Strat, and that’s what he used. He was one of the best slide players ever”: They flew high with the help of the Beatles, and a few hits, then collapsed in a mess of mismanagement and tragedy

Their story is often cited as one of the saddest in rock, but Badfinger were also one of the sharpest guitar pop acts of their era. Here, the late Joey Molland recounts their roller-coaster ride of a career from his perspective

Guitar World

“I just remember her playing with a pick. I didn't care how she played, as long as she played the notes right”: Brian Wilson left his mark on the bass world through studio musicians, especially Carol Kaye, who he requested play his basslines note-for-note

In a rare interview, The Beach Boys’ Brian Wilson reflected on bass playing, studio craft and his 2004 masterpiece, Smile

Guitar World

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The Guardian - US

The Righteous Brothers’ Bill Medley: ‘I’ve had some real downs’

The soul singer is releasing his first album in nearly 20 years and looks back on a career full of major highs and devastating lows

The Guardian - UK

Marianne Faithfull was a towering artist, not just the muse she was painted as

The late singer made her share of bad decisions – but someone this artistically adventurous and unafraid was never going to have an ordinary life

MusicRadar

"I’ve written this tune and I’m going to record it tonight and have it pressed, up and out tomorrow": John Lennon wrote and recorded Instant Karma in one day. Here's how it happened

"It was like all hell breaking loose. Tape machines, tape loops, tape delays, echo chambers, you name it!"

Guitar World

“My job was to add feel and groove to Brian’s written bass parts. I tried to keep it cooking for him”: Carol Kaye on how she made Pet Sounds with the Beach Boys – and why good basslines don't come from scales

Kaye, the first lady of the electric bass, played her P-Bass through a Fender Super Reverb 4x10 combo on the iconic record

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Guitar World

“From the first chord, we both thought, ‘Wow’ – I quit my band and moved to Denmark”: How husband-and-wife duo the Courettes became one of the most exciting bands in the garage-rock underground

Guitarist Flavi Couri details the retro gear and inspirations behind the Courettes’ garage-rock expansionism – a sound that references Motown, Phil Spector and ’60s power-pop

Louder

“I said, Don’t f**k with me, Phillip! You can’t pull that s**t on me, you a**hole. This is me, Cher, okay?” That time producer Phil Spector pulled a gun on Cher, and Cher was in absolutely no mood for his nonsense

A Public Service Announcement for anyone who needs to hear it: Do not, under any circumstances, attempt to f**k with Cher, ever

MusicRadar

“I’m not a great lyricist or songwriter or producer. It's when you put all these things together — that makes me”: The 5 George Harrison post-Beatles songs you need to hear

Freed from the creative confines of The Beatles, George Harrison set out to realise his true creative potential. Here are five of his finest works…

Guitar World

“Eric, I know I can bring out something great in you”: In 1971, John Lennon wrote to Eric Clapton asking him to help form a new band – now that letter is going up for auction

Lennon sought out Slowhand as he set about establishing a new band, pitching to Clapton they could “make the kind of sound that could bring back the balls in rock 'n' roll”

Louder

"You could make the kind of sound that could bring back the balls in rock ‘n’ roll": John Lennon's eight-page letter to Eric Clapton asking to start a band with him is headed to auction

After their brief collaboration together in 1969 with the Plastic Ono Band, John Lennon had hopes of recruiting Clapton for a "revolutionary" new supergroup, one where wives and girlfriends were "welcome" on the road instead of "frowned upon"

The Guardian - UK

John Lennon letter inviting Eric Clapton to join supergroup to be auctioned

1971 letter proposes group including Klaus Voormann and Phil Spector to ‘bring back the balls in rock’n’roll’

BANG Premier

John Lennon's 1971 draft letter to Eric Clapton expected to fetch at least €100,000 at auction

John Lennon's draft letter to Eric Clapton asking him to join his new band is set to go under the hammer.

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