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The Latest Breaking News from Patrick Vaill

11 questions I have about the Hawkins Tiger Troupe production of ‘Oklahoma!’ on ‘Stranger Things’

The parents of all of the Netflix series' main characters used to be in drama club together... and I have thoughts!

The Mary Sue

Stranger Things star Patrick Vaill praises London's 'daring' theatre audiences

The actor was speaking ahead of the West End premiere of the stage show

Evening Standard

From the Upside Down, it's Patrick Vaill on Stranger Things - The First Shadow: The Standard Theatre Podcast

Also: reviews of The House of Bernarda Alba at the National Theatre and the Orange Tree's She Stoops to Conquer

Evening Standard

From analysis to the latest developments in health,
read the most diverse news in one place.

‘God, I really need a pint after that’: actors on the toll of dying on stage night after night

What’s it like to expire every evening, often in devastating, drawn-out scenes? Nathan Lane, Josette Simon and more talk about how playing death messes with their minds – and describe the ‘de-role’ rituals that bring them back

The Guardian - UK

Oklahoma! at the Wyndham’s Theatre review: remains a rip-snorting, foot-stamping triumph

This reimagining of Rodgers and Hammerstein’s 1943 musical is utterly thrilling

Evening Standard

Oklahoma! review – an invigorating take on Rodgers and Hammerstein’s classic

This modern, sexy and unsettling show injects thrills into a familiar musical, making it feel newly minted

The Guardian - UK

Daniel Fish on his dark new Oklahoma!: ‘We’re trying to deal with violence, injustice, and community’

The New York theatre director and actors Arthur Darvill, Anoushka Lucas and Patrick Vaill talk to Sarah Crompton about turning the Rodgers and Hammerstein classic into the most challenging version ever, and finding the truth of it in this moment for the London stage

The Independent UK

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Oh what a gun-totin’ morning: raw Oklahoma! swaps folksiness for firearms

Daniel Fish’s restaging of the Rodgers and Hammerstein classic is no Kansas City cornbread caper. The director explains why he ratcheted up the racial tension and gun violence

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