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The Latest Breaking News from Marc Brenner

‘I want it to feel quite feral’: Rebecca Frecknall on staging Romeo and Juliet

From Cabaret to Streetcar, the West End’s hottest director Rebecca Frecknall has a reputation for finding leads who put bums on seats. ‘I just go on my gut,’ she says

The Guardian - UK

‘There’s something Shakespearean about Gareth Southgate’: the epic play about England’s hero

He came back from a disastrous penalty to reignite the English men’s football team – and inspire a country in the grip of gloom. Writer James Graham reveals how he turned the ‘quiet guy doing The Impossible Job’ into gripping drama

The Guardian - UK

Once on This Island review – stirring Little Mermaid musical in colonial Haiti

A young woman offers her life to save an unworthy aristocrat in a passionately sung fable of Caribbean history

The Guardian - UK

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The week in theatre: Retrograde; The Secret Life of Bees; Dixon and Daughters – review

Kiln; Almeida; Dorfman, LondonIn his quickfire new McCarthy-era play, For Black Boys… creator Ryan Calais Cameron speaks his mind; a civil rights musical buzzes with potential; and Deborah Bruce’s domestic abuse drama is full of surprises

The Guardian - UK

Retrograde review – toxicity meets integrity in exceptional Sidney Poitier drama

Ryan Calais Cameron’s terrific three-hander dramatises a meeting in 1955 Hollywood, mapping the dilemmas that actors of colour still face

The Guardian - UK

Arminio review – confident staging returns Handel rarity to its starting point

This lesser-known darkly compelling work is given a smart production that fizzes with contemporary relevance and puts female voices to the fore

The Guardian - UK

The Secret Life of Bees review – blazing songs light up civil rights drama

A young white woman and her Black housekeeper flee across the American south amid the historic struggle, buoyed by astonishingly powerful music

The Guardian - UK

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Production of My Fair Lady at Palace Theatre halted due to technical issues

The hit musical had to be stopped due to a technical issue on stage

Manchester Evening News

Julius Caesar review – timeless account of the flimsiness of power

Atri Banerjee’s RSC production stresses the remarkable universality of the play’s examination of leaders and the led

The Guardian - UK

Streetcar director Rebecca Frecknall: ‘I thought Paul Mescal was too young for Stanley but Brando was only 27’

Since her breakthrough show in 2018, Frecknall has gone from being virtually unknown to one of theatre’s most in-demand directors

Evening Standard

Patsy Ferran on pairing up with Paul Mescal in Streetcar: ‘The nerves just skyrocketed’

The actor had just a week to rehearse for A Streetcar Named Desire. Fortunately, her turn as tragic belle Blanche DuBois has audiences enchanted

The Guardian - UK

Further Than the Furthest Thing review – slow-burn study of seclusion and secrecy

Set on a volcanic island, this play goes through dormant spells but its themes of colonial conquest are enriched by dazzling design and atmosphere

The Guardian - UK

The week in theatre: Top Girls; The Great British Bake Off Musical; Sleepova; Oklahoma! – review

A revival of Caryl Churchill’s female power play has yet to settle; Paul and Prue become song-and-dance naturals; a fab four get ready for bed; and who can say no to this Rodgers and Hammerstein reinvention

The Guardian - UK

Top Girls review – Caryl Churchill’s classic with a Toxteth twist

The drama of women trying to get ahead in Thatcher’s Britain is played with kitsch period detail that can distract from its still-relevant story

The Guardian - UK

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The Guardian - UK

The week in theatre: Women, Beware the Devil; Romeo and Julie; Shirley Valentine – review

Director Rupert Goold and co have a field day with Lulu Raczka’s elusive new Jacobean folk horror; star-crossed Cardiff teenagers snare hearts and minds; and Sheridan Smith makes Willy Russell’s midlife monologue her own

The Guardian - UK

Women, Beware the Devil review – bizarre comedy horror is like Bridgerton on acid

Lulu Raczka’s new play, directed by Rupert Goold, is beautifully designed but the plot – and the point – is puzzling. Maybe the joke’s on us?

The Guardian - UK

‘Is it antisemitic? Yes’: how Jewish actors and directors tackle The Merchant of Venice

Tracy-Ann Oberman’s Shylock, who has been relocated to 1930s Britain, is inspired by her tough great grandma – while Henry Goodman felt shame after losing himself in Shakespeare’s most notorious character

The Guardian - UK

Romeo and Julie review – a sweet spin on Shakespeare

Gary Owen’s tale of star-crossed, working-class lovers in modern Cardiff offers existential questions and awkward encounters

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Evening Standard

When is London Theatre Week 2023? How to get tickets

What is it, when is it, how to get cheap theatre tickets, and what shows are on offer?

The Guardian - UK

Babygrows are such sweet sorrow: Romeo and Juliet get a gritty romcom reboot

Romeo, an out-of-work single dad, falls for Julie, a top student who dreams of being an astrophysicist. We go behind the scenes at a Shakespeare update that swaps fair Verona for Splott in Cardiff

Evening Standard

Our pick of the 50 best plays of the 21st century

The last two decades have been full of extraordinary theatre – it’s a thrilling indication of what’s ahead of us when doors reopen

The Independent UK

A Streetcar Named Desire starring Paul Mescal announces West End transfer after actor’s Oscar nomination

‘It’s my favourite play and it’s wonderful to be able to share it with a wider audience,’ Mescal said

The Guardian - UK

The week in theatre: A Streetcar Named Desire; Watch on the Rhine

Rebecca Frecknall’s headlong take on Tennessee Williams captivates. And Lillian Hellman’s 1941 call to arms resonates anew

The Guardian - UK

A Streetcar Named Desire review – Paul Mescal brings a fierce and dangerous energy

One of the year’s most hyped shows delivers with powerful performances from the Normal People star, Patsy Ferran and Anjana Vasan

Evening Standard

A Streetcar Named Desire at the Almeida review: Paul Mescal is horribly good and Patsy Ferran is astonishing

With this revival Frecknall proves herself again to be a director of great vision and invention

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