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The Latest Breaking News from Marc Brenner

Patsy Ferran and Anjana Vasan: the Evening Standard Theatre Awards Best Actresses on their winning sister act

The pair were gobsmacked when they were both named as joint winners

Evening Standard

Two Strangers (Carry a Cake Across New York) review – charming romcom is a treat

Two-hander musical matches its wide-eyed hero and sardonic heroine with just the right mix of sugar and sour

The Guardian - UK

I Should Be So Lucky, The Musical review – missing the Hit Factory

Show built around Stock Aitken Waterman’s songs flies so long as the pop classics are playing

The Guardian - UK

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To Have and to Hold review – fond family comedy from the writer of One Man, Two Guvnors

Richard Bean’s new play touches on ageing and alienation, care and family love, but focuses on making us laugh

The Guardian - UK

The week in theatre: Choir Boy; Portia Coughlan; The Flea – review

Moonlight writer Tarell Alvin McCraney’s elite school drama hits all the right notes; Marina Carr’s intense Irish play finds its ideal director. Plus, notes on an 1889 scandal…

The Guardian - UK

Meetings review – cooking with postcolonialism in Mustapha Matura’s sparky drama

In a chic kitchen a Trinidadian couple discuss their high-end lives, but their cook, whose recipes the audience can scent, draws them back to deeper roots

The Guardian - UK

The week in theatre: Death of England: Closing Time; Sunset Boulevard – review

The fourth in Clint Dyer and Roy Williams’s state-of-the-nation play series is precise, fierce and moving, while Nicole Scherzinger hammers home the drama as Norma Desmond

The Guardian - UK

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Sunset Boulevard review – Nicole Scherzinger dazzles in Jamie Lloyd’s radical rework

Lloyd brings hipster edginess, style and unpredictability to this revival of the Andrew Lloyd Webber musical – though it’s more surface-level than penetrating closeup

The Guardian - UK

The week in theatre: Boys from the Blackstuff; Vanya; Mlima’s Tale – review

Alan Bleasdale’s 80s TV classic about jobless workers hits home in James Graham’s adaptation; Andrew Scott is not alone in his one-man Chekhov; and Lynn Nottage adds imagination to a tale of ivory smuggling

The Guardian - UK

Vanya review – Andrew Scott excels in one-man Chekhov

The actor gives thrillingly virtuoso performances as multiple characters in an entertaining reimagining but he cannot penetrate any one part deeply enough for tragedy to be felt

The Guardian - UK

Mlima’s Tale review – haunted by the elephant who would not forget

Ira Mandela Siobhan plays a pachyderm in Lynn Nottage’s indictment of the ivory trade, leaving traces on those who murdered him and sold his tusks

The Guardian - UK

The Real & Imagined History of the Elephant Man review – vigorous call for inclusivity

With excellent performances, Tom Wright’s play about the man who became a Victorian freakshow attraction is an at times uneasy mix of circus and polemic

The Guardian - UK

Macbeth review – a strenuously fresh reading with one-liners by Stewart Lee

Benefitting from a Scottish cast and a rewritten Porter’s speech by Lee, Wils Wilson’s production gets at the demonic drive of people desperate for power but hopeless in office

The Guardian - UK

The week in theatre: A Mirror; Next to Normal – review

Sam Holcroft’s unsettling new play about censorship features a menacing performance from Jonny Lee Miller, while a musical drama exploring bipolar disorder is edgily transfixing

The Guardian - UK

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The Guardian - UK

A Mirror review – Pirandellian wedding drama throws a bouquet of unrealities

Sam Holcroft’s drama delights in the theatrical trickery of dual identities and false realities to throw a final surprise punch

The Guardian - UK

Next to Normal review – fizzing musical about mental illness

The performances are superb in this tale of a family dealing with bipolar disorder but the storyline is thin

Evening Standard

London Theatre Week 2023 is extended: our pick of the top 10 shows to book from A Strange Loop to The Effect

With cheap tickets on offer these are our recommendations of shows to check out

The Guardian - UK

Playwright Sam Holcroft: ‘It felt like everyone else got a rulebook that I didn’t’

Her latest play, A Mirror, mixes her keen eye for human behaviour and her experiences in North Korea, but there’s another influence that the writer has never spoken about – her autism diagnosis

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The Guardian - UK

The Effect review – Lucy Prebble’s intense and intoxicating encounter

A love affair between two participants in a drug trial is staged by Jamie Lloyd with a stellar cast including Paapa Essiedu and Taylor Russell

The Guardian - UK

The Wizard of Oz review – over the rainbow and into an arcade game

This adaptation has a luminous performance from Georgina Onuorah as Dorothy and some great ideas but throws too much at the audience

The Guardian - UK

Romeo and Juliet review – Rebecca Frecknall’s dance to the death

This innovative, fast-paced production of Shakespeare’s tragedy, starring Toheeb Jimoh and Isis Hainsworth, has a beguiling intensity

Evening Standard

Dear England: ‘Footballers are like the modern Gladiator; stadiums are our Colosseums’

James Graham’s latest play unearths the Shakespearean dramas within the great game, and finds an unlikely hero in Gareth Southgate

The Guardian - UK

Giant review – medical ethics and 18th-century freakshows create a compelling new opera

Sarah Angliss and Ross Sutherland’s taut tale of an 18th-century ‘giant’ and the doctor who wants his body for research is vividly realised in this Aldeburgh festival opener, with tenor Karim Sulayman towering in the lead role

The Guardian - UK

‘There will be sex!’ Inside A Strange Loop – the queer, Black Broadway megasmash now hitting Britain

The Pulitzer prize-winning musical shows the world what it’s like ‘to travel in a fat, Black queer body’. Writer Michael R Jackson, a former Lion King usher who based it on his life, relives his astounding success

The Guardian - UK

‘I want it to feel quite feral’: Rebecca Frecknall on staging Romeo and Juliet

From Cabaret to Streetcar, the West End’s hottest director Rebecca Frecknall has a reputation for finding leads who put bums on seats. ‘I just go on my gut,’ she says

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