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The Latest Breaking News from Marc Brenner

Vanya review – Andrew Scott excels in one-man Chekhov

The actor gives thrillingly virtuoso performances as multiple characters in an entertaining reimagining but he cannot penetrate any one part deeply enough for tragedy to be felt

The Guardian - UK

Mlima’s Tale review – haunted by the elephant who would not forget

Ira Mandela Siobhan plays a pachyderm in Lynn Nottage’s indictment of the ivory trade, leaving traces on those who murdered him and sold his tusks

The Guardian - UK

The Real & Imagined History of the Elephant Man review – vigorous call for inclusivity

With excellent performances, Tom Wright’s play about the man who became a Victorian freakshow attraction is an at times uneasy mix of circus and polemic

The Guardian - UK

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Macbeth review – a strenuously fresh reading with one-liners by Stewart Lee

Benefitting from a Scottish cast and a rewritten Porter’s speech by Lee, Wils Wilson’s production gets at the demonic drive of people desperate for power but hopeless in office

The Guardian - UK

The week in theatre: A Mirror; Next to Normal – review

Sam Holcroft’s unsettling new play about censorship features a menacing performance from Jonny Lee Miller, while a musical drama exploring bipolar disorder is edgily transfixing

The Guardian - UK

A Mirror review – Pirandellian wedding drama throws a bouquet of unrealities

Sam Holcroft’s drama delights in the theatrical trickery of dual identities and false realities to throw a final surprise punch

The Guardian - UK

Next to Normal review – fizzing musical about mental illness

The performances are superb in this tale of a family dealing with bipolar disorder but the storyline is thin

The Guardian - UK

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London Theatre Week 2023 is extended: our pick of the top 10 shows to book from A Strange Loop to The Effect

With cheap tickets on offer these are our recommendations of shows to check out

Evening Standard

Playwright Sam Holcroft: ‘It felt like everyone else got a rulebook that I didn’t’

Her latest play, A Mirror, mixes her keen eye for human behaviour and her experiences in North Korea, but there’s another influence that the writer has never spoken about – her autism diagnosis

The Guardian - UK

The Effect review – Lucy Prebble’s intense and intoxicating encounter

A love affair between two participants in a drug trial is staged by Jamie Lloyd with a stellar cast including Paapa Essiedu and Taylor Russell

The Guardian - UK

The Wizard of Oz review – over the rainbow and into an arcade game

This adaptation has a luminous performance from Georgina Onuorah as Dorothy and some great ideas but throws too much at the audience

The Guardian - UK

Romeo and Juliet review – Rebecca Frecknall’s dance to the death

This innovative, fast-paced production of Shakespeare’s tragedy, starring Toheeb Jimoh and Isis Hainsworth, has a beguiling intensity

The Guardian - UK

Dear England: ‘Footballers are like the modern Gladiator; stadiums are our Colosseums’

James Graham’s latest play unearths the Shakespearean dramas within the great game, and finds an unlikely hero in Gareth Southgate

Evening Standard

Giant review – medical ethics and 18th-century freakshows create a compelling new opera

Sarah Angliss and Ross Sutherland’s taut tale of an 18th-century ‘giant’ and the doctor who wants his body for research is vividly realised in this Aldeburgh festival opener, with tenor Karim Sulayman towering in the lead role

The Guardian - UK

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The Guardian - UK

‘There will be sex!’ Inside A Strange Loop – the queer, Black Broadway megasmash now hitting Britain

The Pulitzer prize-winning musical shows the world what it’s like ‘to travel in a fat, Black queer body’. Writer Michael R Jackson, a former Lion King usher who based it on his life, relives his astounding success

The Guardian - UK

‘I want it to feel quite feral’: Rebecca Frecknall on staging Romeo and Juliet

From Cabaret to Streetcar, the West End’s hottest director Rebecca Frecknall has a reputation for finding leads who put bums on seats. ‘I just go on my gut,’ she says

The Guardian - UK

‘There’s something Shakespearean about Gareth Southgate’: the epic play about England’s hero

He came back from a disastrous penalty to reignite the English men’s football team – and inspire a country in the grip of gloom. Writer James Graham reveals how he turned the ‘quiet guy doing The Impossible Job’ into gripping drama

The Guardian - UK

Once on This Island review – stirring Little Mermaid musical in colonial Haiti

A young woman offers her life to save an unworthy aristocrat in a passionately sung fable of Caribbean history

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The Guardian - UK

The week in theatre: Retrograde; The Secret Life of Bees; Dixon and Daughters – review

Kiln; Almeida; Dorfman, LondonIn his quickfire new McCarthy-era play, For Black Boys… creator Ryan Calais Cameron speaks his mind; a civil rights musical buzzes with potential; and Deborah Bruce’s domestic abuse drama is full of surprises

The Guardian - UK

Retrograde review – toxicity meets integrity in exceptional Sidney Poitier drama

Ryan Calais Cameron’s terrific three-hander dramatises a meeting in 1955 Hollywood, mapping the dilemmas that actors of colour still face

The Guardian - UK

Arminio review – confident staging returns Handel rarity to its starting point

This lesser-known darkly compelling work is given a smart production that fizzes with contemporary relevance and puts female voices to the fore

The Guardian - UK

The Secret Life of Bees review – blazing songs light up civil rights drama

A young white woman and her Black housekeeper flee across the American south amid the historic struggle, buoyed by astonishingly powerful music

Manchester Evening News

Production of My Fair Lady at Palace Theatre halted due to technical issues

The hit musical had to be stopped due to a technical issue on stage

The Guardian - UK

Julius Caesar review – timeless account of the flimsiness of power

Atri Banerjee’s RSC production stresses the remarkable universality of the play’s examination of leaders and the led

Evening Standard

Streetcar director Rebecca Frecknall: ‘I thought Paul Mescal was too young for Stanley but Brando was only 27’

Since her breakthrough show in 2018, Frecknall has gone from being virtually unknown to one of theatre’s most in-demand directors

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