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The Latest Breaking News from Marc Brenner

Romans, a novel at Almeida Theatre: 'hugely ambitious portrait of masculinity'

4/5 An epic tale of three brothers in Alice Birch’s critique of manhood

Evening Standard

Dracula at the Lyric Hammersmith review: Umi Myers is magnetic in this clever feminist take on the classic

4/5 There are plenty of scary moments in this reworking that asks whether vampires or the patriarchy are the real monsters

Evening Standard

Dracula rises again: Umi Myers on a new show with its teeth on the pulse

A new production of Dracula at the Lyric Hammersmith tells the classic horror through a female perspective and aims to cleverly explore contemporary fears while scaring the old school pants off you

Evening Standard

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The Merry Wives of Windsor at Shakespeare’s Globe: rare London revival is a treat

4/5 Led by George Fouracres at Falstaff this is full of zest

Evening Standard

Ignore the haters, Rachel Zegler is an absolute smash in Jamie Lloyd's Evita at London Palladium

5/5 The balcony scene is a bravura piece of social commentary from Jamie Lloyd, while Fabian Aloise’s muscular choreography is charged with sexual allure

Evening Standard

Stereophonic at Duke of York’s: 'a fine-grained, audacious work'

4/5 The Broadway hit about a Seventies band trying to record their new album, hits the West End in (flared) style

Evening Standard

Fiddler on the Roof at the Barbican: 'This is a must-see'

5/5 The Broadway classic revival transfers from Regent’s Park Open Air Theatre to the Barbican, and manages to retain all of its magic

Evening Standard

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‘Fiddler on the Roof is in my DNA’: how the West End revival dances on the edge of tradition

INTERVIEW: After winning five-star reviews and 13 Olivier nominations, Jordan Fein’s earthy take on the 1964 musical is transferring to the Barbican ahead of a UK tour. Alice Saville speaks with the director and the cast about transplanting their Jewish shtetl

The Independent UK

The Crucible at Shakespeare’s Globe: 'classic study of hysteria and herd behaviour'

3/5 The Globe take on Arthur Miller’s endlessly relevant play with broad strokes

Evening Standard

Here We Are at the National Theatre, Lyttelton review: should this have been staged at all?

2/5 Stephen Sondheim’s posthumous musical has no songs, only a stellar cast save it from being completely unenjoyable

Evening Standard

Shanghai Dolls at the Kiln Theatre review: undeniably impressive

3/5 Two women across six decades of upheaval are covered in this astonishing true story of Mao Zedong’s revolution

Evening Standard

Gareth Southgate's kind revolution has a bittersweet ending in Dear England at the National

4/5 This is a team effort, which captures the communal joy and heartache of sport, and now boasts a proper ending

Evening Standard

'My teeth pinged out': Gwilym Lee on playing Gareth Southgate in Dear England

Bohemian Rhapsody and SAS Rogue Heroes star Gwilym Lee talks to us about becoming Gareth Southgate as Dear England hits the National Theatre

Evening Standard

The Seagull at the Barbican review: is Cate Blanchett's performance the year's best?

5/5 Blanchett delivers an highly skillful performance in director Thomas Ostermeier’s meta production of the Chekhov class

Evening Standard

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Evening Standard

Killed with one blow: the true story behind Punch at the Young Vic

James Graham’s Punch has arrived at the Young Vic having already made waves for its depiction of young male violence and restorative justice

Evening Standard

Alterations at the National Theatre review: 'a finely tailored play'

4/5 This rediscovered gem from the Black Plays Archive comes alive from the very start

The Independent UK

Tom Hiddleston is on winning bum-wiggling form in Much Ado About Nothing

4/5 Hiddleston and Marvel co-star Hayley Atwell quip their way through this calculatedly naff Shakespeare revamp featuring Noughties pop ballads

Evening Standard

Tom Hiddleston and Hayley Atwell have potent chemistry in this rave-tastic Shakespeare production

5/5 Jamie Lloyd’s Much Ado About Nothing proves stunt casting works when the stars have this much rizz

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Evening Standard

Festen at The Royal Opera review: gripping adaptation of a taboo-breaking film masterpiece

4/5 This adaptation of Thomas Vinterberg’s film is a skillful and gripping rendering of a taboo-busting story

Evening Standard

Cate Blanchett and Emma Corrin pictured in rehearsals for London play

Photos from the rehearsals also show Tom Burke playing Blanchett’s lover Trigorin, and Sex Education star Tanya Reynolds in the role of Masha.

Evening Standard

Inside No. 9 Stage/Fright at Wyndham’s Theatre: part smart reinvention and part lazy cash-in

3/5 Steve Pemberton and Reece Shearsmith’s dark anthology TV series his the stage with mixed results

Evening Standard

Cymbeline at Sam Wanamaker Playhouse review: a bold and vivid version of a Shakespeare deep cut

4/5 This production of this late Shakespeare romance blends comedy, horror and absurdity to vivid effect

Evening Standard

Cat On a Hot Tin Roof at the Almeida review: Daisy Edgar-Jones is a force of nature in this striking revival

4/5 Director Rebecca Frecknall’s vivid interpretation makes a hazily-remembered classic feel new and strange

Evening Standard

The Importance of Being Earnest at the National Theatre review: Ncuti Gatwa stars in a fizzing production

4/5 Expect Bridgerton-style colourblind casting and sexual fluidity in this radical reinvention of a 19th-century classic

Evening Standard

All’s Well That Ends Well at The Globe review: brisk, brutal and delightfully succinct

3/5 It’s not one for the ages, but this is a welcome chance to enjoy Shakespeare’s early ‘problem’ play

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