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The Latest Breaking News from Manuel Harlan

Mary Page Marlowe at the Old Vic: 'Susan Sarandon makes impactful London stage debut'

4/5 This story about a woman seen at different stages of her life features a strong cast led by the Thelma and Louise star

Evening Standard

Sing Street at the Lyric Hammersmith: 'the level of musicianship is incredible'

4/5 This adaptation of the film set in Dublin in the 80s is an exuberant coming-of-age musical with a talented young ensemble

Evening Standard

Till the Stars Come Down at the Haymarket: uproariously fun and profoundly moving

4/5 Bijan Sheibani’s production of Beth Steel’s play has lost none of its power as it returns to the West End

Evening Standard

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Noughts & Crosses at Regent’s Park Open Air Theatre: depressingly relevant

3/5 This adaptation of Malorie Blackman’s novel feels timely and necessary, although the tone can be patronising

Evening Standard

First look images: Radiohead's Thom Yorke transforms Hamlet into electrifying rock theatre

Rehearsal photos reveal cast performing radical 'Hail to the Thief' choreography for Shakespeare reimagining

Evening Standard

Olivier Awards: Adrien Brody, Ben Whishaw, Mark Strong and Imelda Staunton among nominees

Annual British theatre awards will take place in April

The Independent UK

Oedipus at the Old Vic review: Bewildering chaos with Rami Malek strangely mannered

3/5 Rami Malek seems like he’s on a different planet is this bewildering but oddly compelling production

Evening Standard

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The week in theatre: Dr Strangelove; Barcelona; Quiet Songs – review

In a week of underused talent, Steve Coogan, Armando Iannucci and Sean Foley merely recreate Kubrick’s satire; Lily Collins totters through a bland night in Spain; and Ruth Negga graces a trance-like hour

The Guardian - UK

A Tupperware of Ashes review: Muddled Alzheimer’s play is well-acted, but a tough slog

Tanika Gupta’s play follows a mother whose mind is disintegrating as her children rally around

The Independent UK

Fangirls review: A joyful celebration of the euphoria and misery of being a teenage girl

Combining the acid wit of ‘Six’, the rebel streak of ‘Matilda‘ and the gooey heart of ‘Everybody’s Talking About Jamie’, Yve Blake’s new musical will inspire outsized feelings and ardent devotion

The Independent UK

Hello, Dolly! review: Good old-fashioned razzmatazz gleams brighter than ever

Imelda Staunton brings heart and substance to this lavish feast, as Dominic Cooke’s revival of the 1964 show lights up the London Palladium

The Independent UK

The Constituent review: James Corden proves himself as a truly great actor in flawed political play

‘Motherland’ star Anna Maxwell Martin and James Corden have to battle with starchy direction and a clunky script in Joe Penhall’s new play about the threats facing MPs

The Independent UK

Tina Turner one year on from her death: 'She made her fans feel seen, sung to and talked to by someone real'

On the first anniversary of Tina Turner’s death, we talk to two people who knew the icon from working with her on Tina: the Tina Turner Musical

Evening Standard

The week in theatre: An Enemy of the People; King Lear; Double Feature – review

Matt Smith heads a rousing adaptation of Ibsen for a bruised world; Danny Sapani and co lean into the storm in Yaël Farber’s liberating Lear. Plus, Hollywood power play the hard way

The Guardian - UK

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The Guardian - UK

An Enemy of the People review – Matt Smith’s groovy firebrand swings from rebel to conspiracist

Rock’n’roll reimagining of Ibsen’s timeless corruption drama brings the audience into direct Question Time-style dialogue with Smith’s idealist revolutionary

The Guardian - UK

Double Feature review – Hitchcock and Hedren meet the Witchfinder General

John Logan’s play combines the stories behind two films made in the 1960s but each needs more space to truly hit home

Evening Standard

London Theatre Week: our pick of the best West End shows to book from £15

Log on and land some amazing deals on some of London’s top shows

The Guardian - UK

Just For One Day review – Live Aid musical has soaring voices and pancake-flat characters

Jukebox show celebrating sweary Bob Geldof’s 1985 mega-fundraiser piles homily on cliche in a production in thrall to white saviour stereotypes

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The Guardian - UK

The Boy at the Back of the Class review – a refugee’s lessons in humanity

Onjali Raùf’s morality tale for children, adapted by Nick Ahad, fluidly harnesses schoolkid energy, though important details are often reported rather than enacted

The Guardian - UK

Till the Stars Come Down review – your invitation to the wedding of the year

Beth Steel’s new drama is dazzlingly performed and full of pain, joy and laughter in a deft production by Bijan Sheibani

Evening Standard

Going going gone! From Frozen to Backstairs Billy, the shows now closing in the West End

Frozen shocked theatreland this month by announcing its September 2024 closure. These are the other shows not to miss before it's too late

The Guardian - UK

‘That’s impossible!’ Why UK theatre’s gone mad for magic and wild special effects

Need to make an elephant vanish, an aeroplane take off or a wizard fly? As magic grips the stage, illusionist supremos reveal how they turn the likes of Stranger Things into eye-popping spectaculars

The Guardian - UK

The Frogs review – Spymonkey’s search for ancient comedy and catharsis

The Aristophanes play is interwoven with the theatre company’s personal quest in a ramshackle show that loses its way

The Independent UK

Stranger Things: The First Shadow review – Netflix explodes into the West End with thrills galore

Humungous projections, a big musical score, an onslaught of foam, dry ice and flares: this big-budget stage play from the ‘Stranger Things’ universe spares no bombastic effect to bring new audiences flocking to the West End

The Guardian - UK

Stranger Things: The First Shadow review – breathtaking theatre

This origin story has all the dark mystery of the Duffer Brothers’ Netflix series and delivers one coup de theatre after another

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