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The Latest Breaking News from Mahler

Prom 4: The Hallé/Mark Elder review: a rapturous reception for this great orchestra from Manchester

It made for a fine climax to its conductor’s distinguished tenure

Evening Standard

Mahler: Symphony No3 album review – grandeur and beauty in Vänskä’s sober approach

Conductor completes his Mahler cycle with this unfussy and effective recording

The Guardian - UK

Southbank Sinfonia/Reynolds review – remarkable young orchestra shows that less can be more

Lee Reynolds’ reduced arrangements of Schoenberg and Mahler were convincing and involving

The Guardian - UK

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Hallé/Adès review – an exhilarating and magnificent partnership

The Hallé’s playing was triumphant as Thomas Adès oversaw a challenging programme including a rare Tippett masterpiece and new work from Oliver Leith, while the conductor’s own piece was an immense statement

The Guardian - UK

Mahler: Symphony No 8 album review – Vänskä’s interpretation feels still a work in progress

There’s a lingering sense of unevenness in this recording of Osmo Vänskä’s final concert as the Minnesota Orchestra’s music director

The Guardian - UK

Wigs, kisses and the pope’s jumpsuit: can Maestro reveal the real Bernstein?

Bradley Cooper has audiences in raptures as electrifying conductor Leonard Bernstein in a new authorised biopic. Musicians from the London Symphony Orchestra remember playing for the great man – and rate the man who now plays him

The Guardian - UK

BBCSO/Oramo review – a fresh take on Mahler’s Fifth

Sakari Oramo proved once again what a special Mahlerian he is with this outstanding performance, in a programme that also featured an early Ligeti work and the UK premiere of an underwhelming orchestral piece by Dora Pejačević

The Guardian - UK

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BBC NOW/Bancroft review – anguished, beautiful Mahler and uplifting Schumann

Relocated and reprogrammed because of Raac checks closing the original venue, this season-opener of Mahler – with mezzo Christianne Stotijn – and Schumann did not disappoint

The Guardian - UK

Hallé/Elder review – enthralling vision of Mahler’s ninth

Opening his last season with the Manchester orchestra, Mark Elder’s reading of Mahler’s final completed symphony was full of individual character, drama and splendidly vulgar playing

The Guardian - UK

The week in classical: LSO/ Rattle; Boston Symphony Orchestra/ Nelsons – review

The LSO gave Simon Rattle an unforgettable send-off in Mahler’s Ninth, while the Boston Symphony Orchestra and Andris Nelsons turned on the style with Stravinsky, Ravel and Gershwin

The Guardian - UK

Prom 56: LSO/Rattle review – a packed Albert Hall hung on every note in utter silence

In his last UK concert as the LSO’s music director, Simon Rattle bid farewell with an outstanding and assured performance of Mahler’s final symphony. The BBC Singers’ Poulenc, beginning the Prom, was expert and impassioned

The Guardian - UK

The week in classical: Oslo Philharmonic/Mäkelä; Leif Ove Andsnes and Bertrand Chamayou – review

Usher Hall; The Queen’s Hall, EdinburghKlaus Mäkelä leads skilled versions of Sibelius and Mahler, while Yuja Wang brings warmth and Ravel and Andsnes and Chamayou tackle Schubert and Kurtág

The Guardian - UK

Proms 45 & 46: BBCSO/Oramo; Manchester Collective review – Mahler with martial zeal and shimmering electronic works

Mahler’s Third Symphony is a huge undertaking, impressively played by the BBCSO, followed by a rare late-night excursion into contemporary works

The Guardian - UK

Prom 6: BBC Phil/ Wigglesworth/ Hough – fiery precision and brilliance

This stunning Prom featured Stephen Hough balancing bravura with lyricism in Rachmaninov’s First Piano Concerto, the premiere of Grace-Evangeline Mason’s quietly effective Ablaze the Moon and a finely judged reading of Mahler’s First Symphony

The Guardian - UK

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Evening Standard

The BBC Proms fights for its future

Hurt by arts cuts, gender balance criticisms and a post-Brexit lack of musicians from Europe, this year’s event is rife with insecurity. But, says Opera Now’s editor Hattie Butterworth, there is also defiant innovation...

The Guardian - UK

Prégardien/Litwin review – immersed in every word, the great lieder singer is in command

The first of three programmes from Prégardien, with songs by Ives, Schubert, Schumann and Mahler linked with settings from Hanns Eisler, consummately sung and played

The Guardian - UK

Budapest Festival Orchestra/Fischer review – heart-rending and remarkable Mahler

The searing dissonances and lyricism of Mahler’s Ninth, the composer’s poignant confrontation with mortality, are drawn out with remarkable clarity

The Guardian - UK

Mahler: Das Lied von der Erde review – Gerhaher and Beczała give late masterpiece new life

Heard in a less usual male-voice pairing and with a piano reduction of the full orchestral score, there are more gains than losses to be found here

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The Guardian - UK

The week in classical: Symphony of Sorrowful Songs; RPO/Petrenko; LPO/Mäkelä – review

Chart-topping Górecki becomes exquisite spectacle at ENO; Mahler’s Third is worth the wait; plus, the Finnish flourish of Klaus Mäkelä

The Guardian - UK

LPO/Gardner review – Brett Dean provides tantalising prelude to cool Mahler

World premiere of this extract from Dean’s ‘planned opera’ was full of vivid colour and ear-catching textures. The Mahler that followed was stylish and unsentimental

The Guardian - UK

Hallé/Wigglesworth review – British composer debuts an outstanding Magnificat

Ryan Wigglesworth composes a finessed Monteverdi Magnificat with the elegant, expansive assistance of wife and soprano Sophie Bevan and a virtuosic choir

The Guardian - UK

The week in classical: Siemens Hallé international conductors competition; LSO/ Hannigan; Turandot – review

A trio of young conductors vie for a job with the Hallé; Barbara Hannigan takes Mahler at his word; and Antonio Pappano makes a thriller of Puccini’s final opera

The Guardian - UK

Stemme/Svensson review – a battle-scarred voice and an ungiving pianist

The great soprano was as expressively generous as ever but Nina Stemme was ill-served by her duo partner Magnus Svensson in this recital that featured Mahler and Wagner at its centre

Bangkok Post

Classic Blanchett

Tár is set in the contemporary world of Western classical music and centres on Lydia Tár, one of the world's most prolific composer-conductors and first ever female music director of a major German orchestra. While the film has the look and feel of a biopic, Lydia Tár is a fictional…

Los Angeles Times

Commentary: Oscar nominee ‘Tár’ brought conducting into the spotlight. That’s not good for classical music

Director Todd Field has gone through great pains, including on a podcast for the Los Angeles Times, to explain his great effort to get the world of classical music right in “Tár.”

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