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The Latest Breaking News from LSO

Hip-hop band Cypress Hill makes 1996 Simpsons joke come true

London Symphony Orchestra to play Black Sunday album at Royal Albert Hall decades after featuring on TV show

The Guardian - UK

LSO/Adès review – Adès’s violin concerto beguiles in Mutter’s silvery sound

The UK premiere of the composer’s concerto written for Anne-Sophie Mutter was placed alongside two of Stravinsky’s ballet scores in this musically rich and vivid concert

The Guardian - UK

LSO/Antonio Pappano at the Barbican review: the incoming director conjured the richest sounds from the players

If orchestras were football teams, the LSO would certainly be in the running for the Premier League title

Evening Standard

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LSO/Pappano/Balsom review – elephant honks kick off Wynton Marsalis’s trumpet showcase

Soloist Alison Balsom delivered Marsalis’s playful new trumpet concerto with poise, expertise and wit – right down to the animal calls

The Guardian - UK

‘Misguided wokeism’ puts people off opera, says top London conductor

LSO’s Antonio Pappano says many in UK are ‘embarrassed’ by art form and suspicious of cultural achievements

The Guardian - UK

British music, birthdays and building work: LSO announce first season under Pappano

Boulez’s 100th and Rattle’s 70th are among the highlights of the LSO’s new season with chief conductor Antonio Pappano in which British music is a strong thread. The orchestra also announced an £8m redevelopment of LSO St Lukes

The Guardian - UK

“It’s a dream come true, a collaboration only The Simpsons could have predicted”: Cypress Hill are making a 1996 Simpsons joke a reality by booking a show with the London Symphony Orchestra

Sometimes, real life can be stranger than fiction

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Cypress Hill To Perform With London Symphony Orchestra In 2024

Cypress Hill and the London Symphony Orchestra will perform together at the Royal Albert Hall, fulfilling a long-awaited prediction from The Simpsons.

Top News

The week in classical: LSO/ Rattle; The Rake’s Progress; The Flying Dutchman; Elena Urioste and Tom Poster – review

Dread runs through John Adams’s pulsating new ‘short symphony’; Stravinsky’s Rake has plenty of company at ETO; Bryn Terfel returns as the mythical Dutchman; and two lockdown favourites bring the house down

The Guardian - UK

LSO/Rattle review – Adams’ Frenzy debuts but Roy Harris’s Third is the real discovery

In an all-American programme, works by composers from Gershwin to an Adams world premiere were superbly presented by Rattle and LSO, with Harris’s 1939 symphony a revelation

The Guardian - UK

The week in classical: Marx in London!; The Barber of Seville; LSO/ Stutzmann; RPO/ Petrenko – review

A day in the life of the father of communism is full of laughs in Scottish Opera’s new production of Jonathan Dove’s buoyant farce. Elsewhere, notable house debuts at ENO, a Bruckner double bill and Rachmaninov to remember

The Guardian - UK

LSO/Stutzmann review – her monumental Bruckner is also light on its feet

Singer-turned-conductor Nathalie Stutzmann presented Bruckner’s unfinished Ninth with his Te Deum, making an eloquent and majestic statement

The Guardian - UK

Elijah review – LSO and Pappano make it big, bold and beautiful

Antonio Pappano conducted the London Symphony Orchestra, Chorus and an excellent lineup of soloists in this superbly detailed and rousing performance

The Guardian - UK

The week in classical: Elektra; Jenůfa; Scottish Ensemble with Jasdeep Singh Degun – review

In the hands of two great conductors, high drama and outstanding playing converge in Strauss’s unyielding tragedy and Janáček’s dark masterpiece

The Guardian - UK

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The Guardian - UK

Jenůfa review – muscle and lyricism as Rattle leads superb cast through Janáček’s formidable opera

With the power of the LSO on stage alongside them, this concert performance found Agneta Eichenholz magnetic in the title role and tenor Aleš Briscein a particular standout

Evening Standard

LSO/Noseda/Trpčeski at Barbican Hall review: a dazzling rendition of Prokofiev's forgetten work

Rarely does this concerto get the outing it deserves, but Noseda coaxes magic from the music

The Guardian - UK

LSO/Ward review – soaring and accomplished, Faust resisted flashy indulgence

In Bartók and Chausson, violinist Isabelle Faust was elegant and expressive, and conductor Duncan Ward brought orchestral colour and focus to orchestral showpieces by Debussy and Janáček

The Guardian - UK

Wigs, kisses and the pope’s jumpsuit: can Maestro reveal the real Bernstein?

Bradley Cooper has audiences in raptures as electrifying conductor Leonard Bernstein in a new authorised biopic. Musicians from the London Symphony Orchestra remember playing for the great man – and rate the man who now plays him

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The Guardian - UK

The week in classical: Cumnock Tryst; LSO: A Dance to the Music of Time

James MacMillan’s inspiring four-day festival brings together top-class professionals and local performers, and Antonio Pappano gives the Barbican a tantalising taster

The Guardian - UK

LSO/Pappano review – Kopatchinskaja dazzles and ravishes in Say’s Violin Concerto

Fazil Say’s theatrical ‘1001 Nights in the Harem’ was terrific fun, played with exhilarating precision by the LSO and soloist Patricia Kopatchinskaja. Rachmaninov of drama and power ended a concert full of colour

Evening Standard

LSO/Pappano at the Barbican review: the Covent Garden maestro steps into Simon Rattle’s shoes

This marked Sir Antonio Papano’s first concert as chief conductor designate of the London Symphony Orchestra

The Guardian - UK

LSO/Hannigan review – season opens with haunting Vivier and superb Strauss

The London Symphony Orchestra’s associate artist Barbara Hannigan conducted a programme that mixed mainstream repertoire by Haydn and Strauss with less familiar music from the second half of the 20th century.

The Guardian - UK

‘The music conjures emotions to reflect the mystery of outer space’: Inon Zur on the musical universe of Starfield

The composer was involved at the earliest stages of development of the space-exploration game, providing concept music that inspired its themes. It’s no wonder his soundtrack evokes its very essence

Evening Standard

LSO/ Hannigan at the Barbican review: the virtuoso orchestra flourished under this mesmerising conductor

Barbara Hannigan is a supremely mobile conductor, at times almost dancing, her hands shaping the music like a sculptor

The Guardian - UK

The week in classical: LSO/ Rattle; Boston Symphony Orchestra/ Nelsons – review

The LSO gave Simon Rattle an unforgettable send-off in Mahler’s Ninth, while the Boston Symphony Orchestra and Andris Nelsons turned on the style with Stravinsky, Ravel and Gershwin

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