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The Latest Breaking News from King Crimson

“He took the lighter fluid, squirted it on the guitar and set it on fire. That might be the first relic’d guitar – and you can thank Seymour Duncan for that”: That time Adrian Belew DIY aged his Strat with a screwdriver, spray paint and motor oil

Belew bought a brown sunburst Strat to take on tour with Frank Zappa – but it wasn't deemed fit for purpose until going through a drastic cosmetic overhaul

Guitar World

"Hellfire is something that has way more impact with a much wider scope." Are black midi really the 'natural heirs' to King Crimson?

Young London modern prog rock trio black midi set out their stall with third album Hellfire

Louder

“There’s a virtuosic methodology you might associate with King Crimson, even if the results are very different”: Why Portishead’s Dummy qualifies as a prog album

Many progressive musicians would recognise and admire the attention to detail in the band’s 1994 debut

Louder

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Things are hotting up in the Worcestershire kitchen of Toyah Willcox and Robert Fripp

Robert Fripp and Toyah's Sunday Lunch returns with a blast through the Stooges' Search And Destroy

Louder

“They stuck me in contraptions to make sure he wouldn’t get decapitated”: Comic artist Mark Buckingham on being Peter Gabriel’s stunt double for Sledgehammer

Fables, Hellblazer and Miracleman creative’s prog journey includes ELO, Stackridge, IQ, Magenta, all the King Crimson he can buy… and The Wombles

Louder

"All of the prog-related material goes to Gungfly. Gungfly is changing."How Rikard Sjöblom resurrected Gungfly with On Her Journey Round The Sun

Beardfish may have departed this mortal coil as a band, but their former frontman is setting forth on a new musical voyage with his rebranded, ever-evolving Rikard Sjöblom’s Gungfly, heading straight for the heart of the solar system.

Louder

Order your exclusive The Tangent bundle featuring a unique front cover, art print and signed lyric sheet

There are only 150 worldwide, so get yours while you can!

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The story of King Crimson's Red is on the cover of the new issue of Prog, on sale now!

Plus BEAT, Anthony Phillips, Hawkwind, The Tangent, SIx By Six, Whom Gods Destroy, Trifecta and loads more...

Louder

“My discipline is doing what needs to be done, whether you like it or not… Robert decides what to do and Fripp has to go and do it”: How to survive over 50 years of King Crimson, by the only person who’s been there

Serious leader of a prog behemoth, hugely influential guitarist, half of the Toyah & Robert party band… who is the real Robert Fripp? He offers some tantalising hints

Louder

“David Bowie and Brian Eno used to laugh at me, saying: ‘You’re not supposed to be able to play that!’” Adrian Belew on Frank Zappa’s lessons, Robert Fripp’s synth guitar, and what’s coming up with Steve Vai

Still amazed that he managed to gather Vai, Tony Levin and Danny Carey into new band Beat, Belew reflects on his light-speed journey from 1977 to 1982, and how he plans to reactivate King Crimson’s ‘80s albums on stage

Guitar World

“They’d been to university, they had bank accounts; two of them were teachers; they had a car; they’d got a bank loan to buy a PA!”: Phil Manzanera always knew Roxy Music were going to make it

Guitarist who failed his first audition recalls making 1972 debut album for just £5,000

Louder

“We were both big ELP fans, and I’m sure if you look at our record collections back then you’d have seen Yes, Greenslade, King Crimson…” How electronic music duo Underworld grew up with a world of prog

No one would call dance outfit Underworld a prog band. But they grew up influenced by the whole genre, it appears

Louder

“Robert had a plan laid out that we would do three records in three years”: Adrian Belew on how King Crimson made an underrated prog classic in “this industrial musical junkyard we created”

Adrian Belew reveals what went on behind the scenes during the making of the band’s dual-personality 10th album, Three of a Perfect Pair – the final studio release from the Fripp/Belew/Levin/Bruford crew

Guitar World

“The producer was able to see through me to be like, ‘You don’t sound like you believe any of this.’ I love that psychology”: District 97’s Leslie Hunt took singing lessons before she tracked Stay For The Ending

Chicago outfit’s prog and pop balancing act benefitted from listening to their fans – and Bill Bruford

Louder

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“I’m 16 and they were my heroes… They started to laugh because I was also playing the echo parts. I didn’t know they were a special effect”: Obsessive attention to detail was always Eddie Jobson’s superpower

From a backstage performance for Curved Air to being dragged onstage by Frank Zappa and out-complicating King Crimson, the UK violinist has managed to ignore distractions from making music

Guitar World

“His style is so specific and refined. It's not something I could just jump into”: Steve Vai explains the hardest part of replicating Robert Fripp’s playing style

Vai will be touring King Crimson’s ‘80s material with Beat in the fall, and he’s spoken about his preparations – which includes working with Roland on three purpose-built guitars

Guitar World

“The guitar is still a very healthy ingredient in pop music. You get Ed Sheeran, and even Taylor Swift is playing a guitar”: Steve Vai answers the question ‘Is guitar music dead?’

Steve Vai offers his take on whether the guitar is still a relevant instrument in contemporary music

Guitar World

“Jimi Hendrix came down to see us – he came up to me and said, ‘Shake my left hand, man, it’s closer to my heart’”: King Crimson’s Robert Fripp on the time he met Jimi Hendrix

Robert Fripp recalls Jimi Hendrix calling King Crimson “the best band in the world”

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Guitar World

“We started thinking, ‘Well, who could possibly be in the band?’ The only person I could think of was Steve”: Adrian Belew on how he and Steve Vai are forming a new guitar partnership ahead of a King Crimson supergroup tour

'Beat' will tour the band's ’80s material later this year, and the group's guitar duo is working on a partnership that can do the Belew/Fripp double act justice

Louder

“We didn’t go ‘That’s your job’ – we’d say ‘Why don’t you have a go?’ I can remember playing solos on Stylophone… In some places it was like 'the Martians have landed!‘” How Family made Bandstand, and where it took them

With a pre-King Crimson John Wetton on bass and a clutch of idiosyncratic songs with busy arrangements, the 1972 release cemented Roger Chapman and co’s position as one of the most influential bands of the era

Louder

Listen to Jakko Jakszyk and Mel Collins' new version of I Talk To The Wind

An all-star reimaging of King Crimson's debut album, Reimagining The Court Of The Crimson King, to be released in April

Louder

"I call Bill Bruford and blurt out 'how would you like to be in a rock band again?' Bill says, 'And do what? Sit around a luggage carousel all day?' But he gave us his blessing." Adrian Belew opens up on the formation of Beat

Adrian Belew has formed Beat with Tony Levin, Danny Carey and Steve Vai to perform King Crimson's 80s reportoire

Guitar World

“Robert Fripp is one of our historical geniuses… I will be putting my best foot forward to respect this great music”: Steve Vai, Adrian Belew, Tony Levin and Danny Carey reveal full details of new King Crimson supergroup tour

The Fripp-approved band – which will revisit and reinterpret tracks from Crimson's Discipline, Beat, and Three of a Perfect Pair albums – will hit virtually every corner of the US and Canada this fall

Louder

“We were really screwing with the system, removing applause from live tracks to sound like studio tracks – the exact opposite of what people do today”: How King Crimson made stealth live album Starless And Bible Black

King Crimson’s 1974 ”excruciating, teeth-pullingly difficult” album Starless And Bible Black sowed the seeds of their looming breakup

Guitar World

From King Crimson to A-list hired gun with Talking Heads, Frank Zappa and David Bowie, Adrian Belew created his own language on the guitar – here are his 10 greatest guitar moments

With King Crimson, Talking Heads, as a solo artist, it didn't matter: Adrian Belew manipulated the guitar like no-one else, bending sound into new shapes

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