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The Latest Breaking News from John Patton Ford

Yes, I Will Be Sat for the Glen Powell Killing His Family for Money Movie

Give him his money!

The Mary Sue

Glen Powell’s A24 flick gets a new name (and an exciting release date)

We're so seated.

The Mary Sue

5 unmissable crime movies on Netflix with over 90% on Rotten Tomatoes

Looking for a stunningly good crime film to stream? Check out one of these five pulsatingly excellent flicks on Netflix.

TechRadar

From analysis to the latest developments in health,
read the most diverse news in one place.

Indie film is at a crossroads. And Sundance is full of ‘canaries in the coal mine’

When the Sundance Film Festival last came to Park City, it was the Before Times. Before COVID-19 drastically altered billions of lives, yes. But also before the carefully cultivated entertainment industry ecosystem of which the festival is a part was wildly upended.

Los Angeles Times

Paul Schrader hilariously mixes up Emily in Paris with Aubrey Plaza’s Emily the Criminal

Schrader eventually ‘sobered up enough to realise they were two different films’

The Independent UK

Richard Roeper’s best movies of 2022

Some of the most enjoyable viewing time this year was spent with a horse rancher, a fledgling director, a symphony conductor and The Grabber.

Chicago Sun-Times

Producers Aubrey Plaza, Tyler Davidson talk about new thriller 'Emily the Criminal'

At first, Aubrey Plaza is a little defensive when it's suggested that "Emily the Criminal" seems like a bit of a departure for her.

Tribune News Service

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‘Emily the Criminal’ review: In a tough, lean LA crime story, Aubrey Plaza charges it all the way

There is no less specific, more generic phrase in film criticism than “documentary realism.” It assumes all nonfiction filmmakers work in the same style, toward the same intentions, while suggesting realism means, what, exactly? “Gritty” instead of “stylish?” Hand-held camerawork instead of fixed?

Chicago Tribune

Emily the Criminal review – Aubrey Plaza charges taut thriller

A gig worker turns to credit card fraud in a tense debut feature with an electrifying central performance

People

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