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The Latest Breaking News from Guitarist

“There was never any danger of going ‘full Kurt Russell’ with it, but accidents happen… especially around me!” When Chris Buck played a museum-grade Martin from 1928, a high-profile Hollywood guitar scandal played heavy on his mind

The blues rock ace demoed a five-figure Martin 0-42 in the new issue of Guitarist, and couldn't help but think of that infamous Hateful Eight guitar smash

Guitar World

“I didn’t know what to do. It sounded like an angry wasp”: Brian May recalls the time he played live through Jimi Hendrix’s Marshall – and it didn’t go well

Hendrix might have had the Marshall stack under his spell but the Queen says he struggled to play a chord

MusicRadar

“I plugged into a Marshall stack – and it sounded awful. I could hardly play... Jimi Hendrix came onstage, plugged into the same amp – and it sounded like a cataclysm”: Brian May on the one time he experimented with a Marshall stack

The Vox AC30 amp/Red Special guitar combo is one of the most iconic in rock, but the Queen guitar hero didn't solidify that setup straight away

Guitar World

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“One night after the Albert Hall he said, ‘Put it away and get a proper guitar!’”: Andy Fairweather Low on playing with Eric Clapton and how Slowhand was unimpressed by his oddball Teisco

Low got the Teisco Spectrum V bug after seeing Ry Cooder with one. Eddie Van Halen loved them too. Clapton? Not so much...

MusicRadar

“I have a fingerprint of the way I play – a mix of Carlos Santana, Stevie Ray Vaughan and Gary Moore – but I’m constantly evolving”: Orianthi on why she loves old gear – and recording her new Band of Gypsys-inspired supergroup with Jimi Hendrix’s producer

The former guitarist for Michael Jackson and returning Alice Cooper member has survived the trials and tribulations of the pop industry, emerging with a new energy and soundthat honors hertrue inspirationsand talents

Guitar World

“I plugged into my first Dumble at a PRS gig. I ran right for it. I beat Carlos Santana and David Grissom to it. I’m like, ‘Out of my way!’” Mark Tremonti on how Paul Reed Smith got him hooked on Dumbles

The Alter Bridge guitarist looks back on how he beat his PRS peers to play the amp of his dreams – and never looked back

Guitar World

“I went to Alexander Dumble’s home and plugged into all his amps. He let me play the first one he ever made”: Orianthi’s new signature Orange is inspired by a visit to the most coveted amp maker of them all

Orianthi sought to blend the sound of a Dumble she’ll “never forget” with two other classic amps for her new custom combo

Guitar World

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“It can be whatever pedal you need it to be”: TC Electronic’s Plethora X1 takes the fight to the Line 6 HX One – and it costs over $100 less

The $179 stompbox delivers some of the firm’s most beloved effects algorithms via a simple, easy-to-use interface

Guitar World

“I went to this very posh house in Regent’s Park in London, knocked on the door and this 16-year-old American kid held it up. I said, ‘It’s a red guitar – I’ll have it!’” How Phil Manzanera got his trademark Roxy Music Gibson Firebird

Manzanera’s iconic Firebird has been by his side for much of his career and began life as a custom build from Kalamazoo

Guitar World

“I love driving people crazy. They come and say, ‘How did you do that? I’ve been working for months trying to get that.’ And I say, ‘It’s just a pedal!’” A guide to untapped guitar playing of David Gilmour’s solo albums

From his 1978 debut to the record he deemed his best since Dark Side of the Moon, we present a complete guide to the Pink Floyd icon’s solo material

Guitar World

“I told Ibanez, ‘You make wonderful instruments, but you have nothing original.’ They said, ‘That’s why we’re here’”: How George Benson helped take Ibanez to the next level in the late-’70s

With multiple Ibanez signature guitars under his belt, the Breezin' guitarist shares the story of how his relationship with the Japanese guitar brand came about

Guitar World

“I went in there and I was like, ‘I need a really good fuzz.’ And they had this pedal there”: Myles Kennedy names the “secret sauce” stompbox he thinks every guitar player should own

The Alter Bridge icon used the sub-$200 octave fuzz pedal on his recent solo record

Guitar World

“When you start with a crappy guitar it gives you a level of appreciation because you started with humble beginnings”: Kenny Wayne Shepherd on why starting out with a budget guitar is the best way to go

Shepherd now plays some of the most desirable boutique gear money can buy, but his own personal guitar journey started with a cheap Yamaha

Guitar World

“What we have in common is that we don’t shred for the sake of it. In my case, it’s because I can’t!” Brian May on his unlikely guitar kinsmanship with Steve Cropper and Billy Gibbons

Recruited for the recent Cropper tune Too Much Stress, May says the three masters fit together better than you might think

Guitar World

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Guitar World

“I took the neck off my Strat, put it on a Tele, and ended up with my ‘FrankenTele’”: Steve Morse modded the heck out of his first serious guitar, and it became the blueprint for his signature Ernie Ball Music Man model

Unsatisfied with the limitations of his first proper guitar, Morse took matters into his own hands, a lá Eddie Van Halen

Guitar World

“What a ride…” Guitar Techniques magazine is closing after 30 years of in-depth tuition from some of the world’s greatest guitarists

The last issue of Guitar Techniques goes on sale this week, after 30 years of publishing. Read Editor Jason Sidwell's final editorial letter

Guitar World

“I doubt there’s going to be another Jimi Hendrix, Jimmy Page or Eddie Van Halen”: Joe Perry on why the age of the guitar hero might be over – even though the instrument still has a bright future

Perry is confident there's more to explore on the fretboard and players will continue to push the boundaries of guitar music – but the individual feats of guitarists might not be viewed in quite the same way

Guitar World

“Jimmy Page was in the control room window, waving madly. I was in the middle of the solo, and I thought, ‘Sorry, but I can’t stop.’ I just turned my back”: Martin Barre on the time Jimmy Page nearly cut him off mid-Aqualung solo

“I think it was take two,” the Jethro Tull guitarist recalled, “and if I hadn’t got it in two then it would have been a flute solo”

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Guitar World

“It feels a bit wrong to play it. But I don't think anyone who has a guitar that they love would want it to never be played after their death”: Fontaines D.C. guitarist Carlos O'Connell reacts to playing Rory Gallagher's prized guitars

O'Connell also tries out Gallagher's 1959 Silvertone, 1963 Epiphone Coronet and 1968 Martin D-35 ahead of the much talked-about auction

Creative Bloq

The best magazine covers of all time: Our experts decide

With the help of experts in the field, we pick the most outstanding and effective magazine covers ever published.

MusicRadar

“If you can’t play, you’ll find a pedal and you’ll cheat”: Dave Mustaine says guitarists should learn how to play before stocking up their pedalboards

The Megadeth frontman’s gear-buying advice boils down to one thing only

Guitar World

“Bearing in mind the colossal success of The Police, isn’t it odd that no-one has ever surfaced to say, ‘By the way, I modded that guitar?’” Investigating the mystery mods of Andy Summers’ mongrel Telecaster

Plenty of modded or self-built guitars have powered the careers of big players. But the origins of one heavily used guitar remain a mystery… Guitarist puts grizzled detective Dave Burrluck on the case...

Guitar World

“I saw a kid holding that guitar out for me to sign it. But the train was already moving… I’m thinking, ‘Man, I gotta get the kid’s number to see if I could buy it back’”: Joe Perry on the one guitar he regrets selling

It's not a rare vintage instrument by any means, but for Perry, the sentimental value of the long-gone guitar is priceless

Guitar World

“It must have taken two weeks of tweaking to wrestle that thing to the point where it would stay in tune”: Joe Satriani called on Eddie Van Halen’s techs to figure out how to make his Frankenstein playable

Satch eventually put his own spin on the iconic axe, but it took him a while to wrap his head around a guitar that he initially struggled to keep in tune

Guitar World

“If somebody said there was a valve amp in the room, you wouldn’t contradict that”: Discover BOSS’ Katana Gen 3 range – an upgraded amp family that offers something for every player

The latest evolution of BOSS’ award-winning amp collection gets put to the test in Guitarist’s new Tone Lounge episode

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