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The Latest Breaking News from ENO

The week in classical: The Dead City; Black Angels; Re:sound – review

ENO give a thoughtful account of Korngold’s uneven study of loss; Manchester Collective revel in an eerie George Crumb masterpiece; and Streetwise Opera tell a five-star tale of three cities

The Guardian - UK

Ukrainian Eurovision winner ‘likely to collaborate with opera stars’

The boss of English National Opera was speaking at the launch of EuroFestival in Liverpool.

The Independent UK

Most chorus members would quit if ENO leaves London, survey suggests

Exclusive: ‘Baffling’ levelling up plan to move company to another city may lead to staff exodus, says Equity

The Guardian - UK

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The Dead City at the London Coliseum review: ENO’s lyrical ode to grief is almost unbearably poignant

Korngold’s virtuoso score has all the jewel-like glitter of Strauss’s Salome with a lyrical flow to match Puccini

Evening Standard

The Dead City review – study of grief, guilt and obsession unsettles and enraptures

Annilese Miskimmon’s new production of Korngold’s hallucinatory 1920 work sacrifices some of its disturbing power but musically it is magnificently alert to the mood-shifts and beauty of its sound-world

The Guardian - UK

Akhnaten at the ENO review: hallucinatory revival of Philip Glass opera is blistering and bold

Akhnaten is an eccentric kind of performance art, simultaneously gaudy and glamorous, mysterious and nonsensical

Evening Standard

‘I fear we are losing a whole generation of talent’: ENO head hits back at the ‘leave London’ ultimatum

As she stages a new production of The Dead City, Korngold’s wild opera banned by the Nazis, English National Opera’s artistic director Annilese Miskimmon talks about the company’s strong present and uncertain future

The Guardian - UK

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The week in classical: Rusalka; The Rhinegold

Royal Opera’s new staging of Dvořák’s watery Rusalka finds fresh resonsances, while the ENO’s updated Ring cycle is really starting to shine

The Guardian - UK

OPINION - Rishi needs to summon his Jedi skills or face electoral oblivion

Rishi Sunak is a huge Star Wars fan and it’s been said that he looks to the films for inspiration, both personally and politically. The power of The Force in Star Wars can be seen as a metaphor for faith that resonates and inspires from within. Our Prime Minister does…

Evening Standard

If we defund opera saying it is for toffs, then only the toffs will go. Where’s the sense in that?

It is painful to see our top companies starved of funds and strangled by politics, while our best artists head abroad, says the Guardian’s chief culture writer, Charlotte Higgins

The Guardian - UK

The Rhinegold review – witty and insightful, Jones’s production delivers an emphatic win for ENO

The Rhine shimmers, the gold dazzles and the gods posture – Richard Jones has by and large gone back to Wagnerian basics for his assured and cogent staging. In the pit, Martyn Brabbins and ENO’s orchestra add lustre

The Guardian - UK

Kit Hesketh-Harvey obituary

Writer, broadcaster and half of the renowned cabaret act Kit and the Widow

The Guardian - UK

Carmen review – vivid revival finds ENO on fighting form

With Bizet’s opera’s menace and casual cruelty to the fore, cracking performances from soloists and chorus alike ensure that this is a tense and atmospheric production

The Guardian - UK

Met uncertain about producing Richard Jones' Ring Cycle

The Met Opera will not start a new production of Wagner’s Ring Cycle in 2025 and is not sure whether it will move ahead with plans to present a staging of the tetralogy by director Richard Jones

The Independent UK

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The Guardian - UK

English National Opera to receive £11.46m from Arts Council England

Investment will sustain its work in London for another year after ENO was removed from ACE’s national portfolio

The Independent UK

English National Opera to receive £11m Lottery funding after grant cut

But it said it is ‘concerned’ the one-year funding still leaves a ‘huge amount of uncertainty’ for the future.

The Independent UK

Nadine Dorries hits out at Arts Council England over cuts to opera funding

The former culture secretary said the arms-length body was trying to reverse levelling up.

The Guardian - UK

ENO needs London home, opera star says amid rumours of a rethink on funding cut

Sir John Tomlinson wades into row over cut to English National Opera’s grant as signs indicate Arts Council may review decision

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The Guardian - UK

Gloriana review – superb singing and smart staging illuminate Britten’s coronation opera

English National Opera’s one-off performance of Britten’s uneven opera was very fine in every respect, with Christine Rice an exceptional Elizabeth I

The Guardian - UK

The arts Christmas gift guide 2022: Dolly Parton dog wigs, Strictly tea towels, Bauhaus teapots and much more

From 007 socks to the Dark Side of the Spoon cookbook, from David Shrigley’s foot to AC/DC Monopoly, here are 40 perfect present ideas for culture-lovers everywhere

The Guardian - UK

The week in classical: It’s a Wonderful Life; A Child of Our Time; IMS Prussia Cove – review

ENO’s warm-hearted production of Jake Heggie’s operatic take on the classic Frank Capra film is full of poignant ironies

The Guardian - UK

A fight at the opera: could forcing ENO up north work out?

The ultimatum to English National Opera was attacked as ‘cultural vandalism’, but raised some hopes nearer Manchester

The Guardian - UK

It’s a Wonderful Life review – operatic adaptation is on the side of the angels

Jake Heggie’s take on the heartwarming Christmas classic has a glittering, melodic score with a gift of a role for soprano Danielle de Niese as goofy guardian angel Clara

The Guardian - UK

Grand plans to level up have produced results – great art venues levelled to the ground

Under Arts Council England, the ‘win-win’ agenda has proved a losing one for some of the UK’s valued cultural organisations

The Guardian - UK

When Burnley was the UK’s cultural capital

Letter: In the 1940s, the Old Vic and Sadler’s Wells ballet and opera companies took refuge in the north, writes Austen Lynch

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