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The Latest Breaking News from Asmik Grigorian

Salome at the Barbican review: a gripping performance from a dream cast

5/5 Soprano Asmik Grigorian astounds in the title role, with the London Symphony Orchestra conducted by Antonio Pappano

Evening Standard

Salome review – a frankly astonishing concert performance

Asmik Grigorian heads one of the finest casts you could hope to hear, and every flicker of detail and colour in Strauss’s score hits home, as Antonio Pappano’s first season with the LSO climaxes in remarkable style

The Guardian - UK

Peter Sellars' staging of Prokofiev’s `The Gambler' is Salzburg Festival's latest offbeat success

Offbeat operas have been some of the Salzburg Festival’s best in recent years, the latest a colorful, outlandish and entertaining staging of Sergei Prokofiev’s “The Gambler” by director Peter Sellars

The Independent UK

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Madama Butterfly review – Grigorian inhabits the part to a degree one does not often experience

Asmik Grigorian is the standout attraction in this revival of Moshe Leiser and Patrice Caurier’s 2003 uncluttered production

The Guardian - UK

Laws of Solitude review – Asmik Grigorian’s Strauss is less than compelling

The usually thrilling stage performer is more subdued in this curiously titled album with piano and orchestral versions of Strauss’s Four Last Songs

The Guardian - UK

The week in classical: Rusalka; The Rhinegold

Royal Opera’s new staging of Dvořák’s watery Rusalka finds fresh resonsances, while the ENO’s updated Ring cycle is really starting to shine

The Guardian - UK

Rusalka at the Royal Opera review: a superb cast with no weak links

Ann Yee and Natalie Abrahami’s new production reframes the story as being about the despoliation of nature

Evening Standard

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Dissonance: Rachmaninov Songs review – fierce expressionism dripping with drama

Soprano Asmik Grigorian and pianist Lukas Geniušas bring a full-throated intensity to these 19 searing Rachmaninov romances

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