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The Latest Breaking News from Ableton

“He stopped what he was doing, went to the fridge, gave the guy a beer and continued, completely in the zone – I've no idea how we did what we did but it became magic”: The rowdy live sets and field recordings behind Monolake's dub techno classic Hongkong

A classic work of Berlin techno that helped inspire the creation of Ableton Live

MusicRadar

6 ways to bring your tracks to life with Ableton Live’s revamped Auto Filter

Let’s explore some sound design tricks and tips using the highlight of Live 12.2 update

MusicRadar

8 things you can do with Ableton Live's updated Auto Filter device

Given a major overhaul in Live 12.2, Auto Filter features a variety of creative filter types, new modulation options and real-time visualization

MusicRadar

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This app lets you bring a music studio with you wherever you go – and I can't believe how well it works

As a music producer, I’ve been looking for a way to start ideas and build out arrangements on the go for years, and I think I’ve found the answer with Bandlab for Android and iOS.

TechRadar

"I’ve been a Live user for around 20 years, and it’s probably the effect I turn to most regularly": Ableton Live 12.2 gives this "incredibly versatile" device a much-needed refresh - and rectifies Push 3’s most notable missing feature

Live 12.2 will be released on June 11, bringing updates to Meld, Roar, new Max devices and more

MusicRadar

“It creates a tone that you can't find in Guitar Center”: Disiniblud on the self-built instruments, obscure Eurorack modules and marathon Ableton sessions behind their wildly imaginative self-titled debut

Guitars merge seamlessly with modular sketches on Rachika Nayar and Nina Keith's beautifully realised debut. Danny Turner finds out more about their "wordless" collaboration

MusicRadar

“Ableton allows me more room for playful experimentation - it’s more creatively fulfilling than Logic”: Maria Somerville on the DAWs, uilleann pipes and vintage Korg drum machines behind new album Luster

Danny Turner speaks to Maria Somerville about how collaboration and a longing for home shaped the dreamlike atmospheres of her sophomore full-length

MusicRadar

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If you're an Ableton Live user, SoundFlow could save you hours of time by replacing complex workflows with the touch of a button

Control your DAW via Stream Deck or smartphone with SoundFlow's new Ableton Live integration

MusicRadar

"There's too much new gear!": The 12 best instruments, effects and innovations you need to know about from Superbooth 2025

New synths, drum machines, effects and oddities from the Berlin synth expo

MusicRadar

Ableton drops 1.5 update for Move, adding sample slicing, improved MIDI I/O and a new Auto-Filter device

Superbooth 25: The standalone Live companion gets its biggest overhaul since launch – join the public beta now

MusicRadar

With its latest free update, Ableton has finally turned Note into the app I always wanted it to be

Offline MIDI editing makes Ableton’s iPhone and iPad app more of a must-have iOS companion for Live users

MusicRadar

Technically capable, but struggle to make your tunes sound musical? 5 simple music theory hacks to make your tracks stand out

Level up your music-making with these simple but effective tricks that can be easily used by those with zero knowledge of music theory

MusicRadar

Forever 89 releases Topos, a topographical effects plugin that (quite literally) puts saturation on the map - and there's a free version

The offbeat software studio launched by former Ableton and Teenage Engineering developers releases an amp and speaker-simulating saturation tool

MusicRadar

"Ableton is great for making tracks, Pro Tools is great for mixing. For me, Logic is great when you do both": Emma-Jean Thackray on the making of new album Weirdo

Born out of grief, Thackray’s new album Weirdo is her most heartfelt concept yet. Here, she delves into the record’s creation and how the process of putting it together helped her reclaim her sense of self

MusicRadar

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MusicRadar

Ableton Live 12.2 overhauls the device I use on pretty much every track – and rectifies Push 3’s most notable missing feature

Live 12.2 lands in public Beta, also bringing updates to Meld, Roar, new Max devices and more

MusicRadar

You can now sample via USB-C using your Ableton Move

Move's 1.3.0 firmware update also lets you send out polyphonic expression through the instrument's MIDI out port

MusicRadar

“This is a hideous name drop, but…”: Jon Hopkins reveals what he learned from Brian Eno about music production

“As much as possible, don't get bogged down in the tiny minutiae,” he says

MusicRadar

"The soulful rough edges are what set your tracks apart from algorithmically-generated TikTok bops": 7 ways to make electronic music sound more human

Breathe life and personality into your beats with these 7 tips for humanising your electronic music

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MusicRadar

Music technology gear of the year 2024: The 10 best new synths, samplers and drum machines

We count down our favourite music tech hardware from the past 12 months

MusicRadar

“Was not good”: Timbaland just made a beat on Rhythm Roulette and the internet hates it

“This was by far the worst episode ever," is one of the kinder comments

MusicRadar

“People who can’t play an instrument depend on loops from Ableton or Logic. I will never take a bassline from any digital domain in my life! That'll never happen”: Beyoncé producer Raphael Saadiq says that he likes to make music “the authentic way”

He also recalls his time touring with Prince: “It was like seeing Jimi Hendrix at the height of his career”

MusicRadar

"No, we do not intend to add four more instrument tracks to Move": Ableton responds to critics of Move's limited track count

In a video shared this week, Ableton answered questions on Move from the community

MusicRadar

"It's loud, in-your-face, and has more punch than a kangaroo at boxing practice": What is OTT compression - and how do you use it?

This influential Ableton Live preset made its way into thousands of tracks, spawned a copycat plugin, and inspired a new - and unapologetically excessive - style of compression. But why does it sound so good?

MusicRadar

“Every show is designed for the space, so every show is different”: Max Cooper explains the workings of his unique 3D/AV live shows

The UK producer explains how he combines Ableton Live, VJ tools and MIDI controllers to create an immersive live experience

MusicRadar

“If you master just 10% of its power, you'll be able to create pro tracks in no time”: New to DAWs? Start here

A DAW allows anyone to make music regardless of their abilities

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