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The Latest Breaking News from Guitar World

“To surprise me, they put my name on the headstock in gold lettering – but they spelled it wrong”: The Cars’ Elliot Easton on the Flying V that Tim Shaw built him – a “gorgeous” guitar (even if Gibson slipped up on his name)

Easton’s 1982 Gibson Custom Shop left-handed Flying V was a much-loved guitar, but when someone offered "stupid money" for it he couldn’t turn it down. Still, it looked cool on the cover of GW

Guitar World

“Men love to come along to our shows and say, ‘They’re miming!’ but the sounds we make are all live”: Why Nova Twins love the challenge of playing everything live with pedals

The alt-rock stars have been on the receiving end of sexism and miming accusations – but what they produce live is the real deal

Guitar World

“It’s all about the patterns that smoothly and musically ‘walk’ you from onechord to the next”: Sue Foley shows you how to nail blues turnarounds

Turnarounds come around within the last four bars of a 12-bar blues progression and getting them right puts the cherry on top of the sundae

Guitar World

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“When you strip it down tothe essentials, I believe it mostly comes down to the wood and the strings”: Why do some guitars sustain better than others? It’s complicated

With some help from Banker Guitars’ Matt Hughes and SonoTone Strings’ PK Pandy, we unpack the mysteries of sustain – and why it differs from resonance and volume

Guitar World

“Learning to play with a pick was like dancing with two left feet. I had to entirely relearn the bass”: Having played in the Pixies, Zwan, and A Perfect Circle, Paz Lenchantin knows a thing or two about the bass guitar and its role in rock

Former Pixies bassist Paz Lenchantin still has a few tricks up her sleeve, including a debut solo album

Guitar World

“The thing is, Jake doesn't appreciate how spectacularly special that is”: When Chris Turpin started playing with Jake Kiszka, the Greta Van Fleet guitarist's live rig surprised him

Turpin's new Mirador bandmate doesn’t like relying on pedals for his sound

Guitar World

“He handed me that famous pink Strat. That riff is the first thing I played – it had that riff in it. I’m lucky to be the guy it came out for”: Mark Morton on his all-star solo album feat. Grace Bowers, Tyler Bryant and a perfect solo from Jason Isbell

The Lamb of God guitarist reveals how he enlisted some of Southern rock’s finest for Without the Pain

Guitar World

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“We went to Waffle House and I saw a sugar packet. Those songs went from being the third Bob Mould solo album to being by a band called Sugar”: Bob Mould on Hüsker Dü's rise and fall, and what changed when he swapped his Ibanez Rocket Roll for a Strat

In a rare interview, the Hüsker Dü and Sugar mastermind walks us through his entire career, right on up to his brand-new “give the people what they want” record, Here We Go Crazy

Guitar World

“Originally retailed for around $250, they can now fetch up to 2,500 times that”: 1959 Gibson 'Burst Les Pauls sell for a king's ransom, and have been played and cherished by everyone from Jimmy Page to Billy Gibbons – but what exactly makes them special?

Widely considered to be the Holy Grail for guitar enthusiasts and collectors, 'Bursts feature on many of the most important rock albums ever made. So what exactly went into the secret sauce?

Guitar World

“I said, ‘What about Keith Richards?’ I was just joking... He came with about 600 guitars in a semi-truck. And a butler”: How Tom Waits began a decades-long creative partnership with the Rolling Stones legend

Though their string of collaborations sprung from an offhand joke made to record executives, the singer/songwriter best known for his singular, gravelly, time-weathered vocals clicked immediately with the wizened rhythm guitar master who's lived a thousand lives

Guitar World

“His voice was staggering, but the bass playing had to be on a par with someone like Jack Bruce. And Phil wasn’t there yet”: How Phil Lynott narrowly missed the chance to form a supergroup alongside Deep Purple guitarist Ritchie Blackmore

The name Baby Face would end up being used as a song title on Thin Lizzy’s next album

Guitar World

“That’s one of the things that made us sound so heavy”: Led Zeppelin’s Immigrant Song, Kashmir, and The Song Remains the Same are wildly different classic rock staples, but one key element ties them all together, says John Paul Jones

Zeppelin’s power lay in their timing, the low-end giant explains, but there was more in the method to the band's madness

Guitar World

“Create wide-ranging, piano-style chord voicings that aren’t available in regular tuning”: Loved by Joni Mitchell and Keith Richards alike, essential to slide players, here’s how you can explore chords in open D

These 5 shapes showcase the range of acoustic sounds and textures this open tuning grants access to

Guitar World

“It seems the age of touchscreen guitar amps is advancing faster than I ever imagined”: All the new guitar gear that caught my eye this week – including the return of my favorite Fender offset

The guitar amp of the future, more passengers on the PRS party train, and Squier’s newest Classic Vibe collection – all that and more headline this week’s gear round-up

Guitar World

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"Classic Vibe value, Telecaster style, and Bigsby wobble, what's not to like?": Squier Classic Vibe Custom Telecaster SH with Bigsby Review

With a 'bang for your buck' reputation, Squier introduces a classic vibe Telecaster with a twist - a Bigsby Licensed trem.

Guitar World

“I can tell you how to become a virtuoso very easily”: Steve Vai on how anybody can become an elite guitar player

Vai – who had a gruelling practice routine growing up– has shed some light on what it takes to become a virtuoso

Guitar World

"A simple move up the neck can open up new voicings, textures, and moods you would never get from standard open chords": 5 creative ways to use a capo

A capo can offer your playing so much more than a key change. Here are my favorite creative ways to use a capo

Guitar World

“Paul Reed Smith sent me two amazing guitars because I lost all but one of my PRSs. That’s been one of the upsides”: Larry LaLonde lost his home in the LA wildfires, but Primus' new drummer, and two new PRSs, are keeping him focused

As a player who always wanted to be weird, LaLonde is in the right band. Recent adventures include saving the guitar Alex Lifeson gave him from a wildfire, dealing with 7,000 drummer applications, and raiding a Guitar Center when Primus' gear got stuck in snow

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Guitar World

“This thing is like a time capsule. It feels like home in my hands again”: Sum 41’s Deryck Whibley has been reunited with his beloved Iggy Pop Tele – after it spent 20 years on display

The guitar was on display at the Hard Rock Cafe in Florida for two decades, having featured in some pinnacle career moments

Guitar World

The guitar amp of the future? The Lava Studio has a built-in touchscreen tablet – and offers modeling, recording and learning platforms in one compact combo

The Studio offers a looper, multi-track DAW recording, interactive guitar lessons, jam tracks, and plenty more

Guitar World

“He told me that after he was gone, he just wanted to be remembered for bringing country music into metal”: Brent Hinds, 1974-2025 – the guitar world pays tribute

The former Mastodon guitarist died aged 51 following a fatal motorcycle accident, and his peers have now come out to honor his life and legacy

Guitar World

“The first thing that springs to mind is the value for money when compared with their Gibson forebears”: Epiphone Pre-War SJ-200 Rosewood Reissue, 1960 Hummingbird Reissue and 1963 Dove Reissue review

Following on from the superb Epiphone Inspired By Gibson Custom instruments that wowed us, we look at have three from asextet of new historic reissues. Expectations are high...

Guitar World

“John Entwistle and I were at the Rainbow talking about all the guitars we had. We looked at each other and said, ‘You know… we’re idiots’”: Jeff ‘Skunk’ Baxter says he’s going to hell for owning too many guitars – and some of the best ones are dirt cheap

The ever-active session legend on his love for cheap guitars, Roland gear, and modding his pickups

Guitar World

“I started out on a Baby Taylor, but I coveted Martins because that’s what all my favorite guitar players had”: Molly Tuttle on her new kick-ass band, her jaw-dropping custom Martin – and why she’s taking her sound beyond bluegrass

With a diverse new album full of amazing playing, there are changes afoot for the Grammy Award-winning acoustic-guitar virtuoso as she takesafew steps away fromher bluegrass roots

Guitar World

“I see other players with one of them on their ’boards and say, ‘You get that off of me?’ They go, ‘Yeah, as a matter of fact, I did’”: Brent Mason on his affordable secret tone weapon – and how it's become a go-to pedal for session guitarists

The $130 stompbox has been a vital tool across 40 years of session work – and other players have started to take note

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