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The Latest Breaking News from Guitar World

“They stole our name, which means Jon Bon Jovi and Richie Sambora were listening to our records. But the main reason people know us is Gary Moore, and that doesn’t bother me at all”: The tale of the original Irish Skid Row

Bassist Brush Shiels looks back on his lifelong friendship with Moore, why he won’t sue the American hair metal band, and how Peter Green was responsible for their first album sounding so bad

Guitar World

“Brann told me I’d be the first person he’d call if anything ever came up. That’s what he did”: How prog fusion ace Nick Johnston ended up replacing Brent Hinds in Mastodon on tour – after a casual coffee hang

Johnston has replaced Hinds on the band’s current tour

Guitar World

“Tom Morello probably sold more units than every other early adopter combined”: How the DigiTech WH-1 Whammy pedal changed the game for guitar effects

Used by Radiohead, Dimebag Darrell, Tom Morello and countless others, the Whammy was the game-changing pitch-shifter guitar was waiting for

Guitar World

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“Makes you forget the fact that one of these will cost you a fifth of what you’d pay for something with the Murphy Lab moniker”: Epiphone Inspired By Gibson Custom 1962 ES-335 Reissue review

Ted McCarty’s finest creation gets the Epiphone ‘Inspired By’ treatment. Featuring Gibson USA Custombuckers, real rosewood fingerboard and top-notch hardware, expectations are high

Guitar World

“One of my biggest musical influences is the king of blues power. He also played in an unorthodox tuning, which is still a mystery”: Jared James Nichols on how Albert King's electric fingerpicking changed the game for blues guitar

Albert King played upside down, in a weird tuning, and influenced SRV and Hendrix alike, and he did it without a pick. So it's no surprise Nichols is a huge fan – he breaks down King's magic

Guitar World

“I’m waiting for the right player. I don’t want to break the chain of great guitarists coming through”: Scott Gorham on the future of Thin Lizzy – and how the late John Sykes gave them some thunder when they needed it most

Gorham remembers John Sykes, the player who stepped in and stepped up, breathing new life into Thin Lizzy with the super hard rock sound of his Les Paul Custom

Guitar World

An ultra-rare 1951 guitar that became a stepping stone to Gibson’s Golden Era and a Goldtop Les Paul that “stops you in your tracks” – Gibson’s new Certified Vintage drop has landed

The Gibson CF-100E was ahead of its time, and one of the early models of the firm’s lauded Ted McCarty era

Guitar World

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“Film and TV music will often leave a dissonant chord hanging unresolved to underline the tension”: Learn 5 altered chords that can create or dissolve harmonic tension

Jimmy Page often employed dissonant chords with Led Zep and you can, too. You don't even need to know the name of the chord to use them

Guitar World

“I'm either wishing I had this back in the White Stripes or I am glad I didn't”: Jack White unveils a brand new custom guitar made by Eddie Van Halen's go-to master builder – and it’s “half bass, half guitar”

The off-kilter guitar – christened the ‘Ugly Stick’ – has been in the works for 30 plus years

Guitar World

“From your bedroom to Madison Square Garden without missing a beat”: Jimmy Page announces the Sundragon Nymph – packing his stadium-filling tones into a small footprint, low-wattage combo

The brand new amp can switch from 1-watt to ¼-watt and incorporates a direct post-speaker line output – a first for Sundragon

Guitar World

“It all came to a screeching halt and forever destroyed the band’s life”: Dave Navarro and the rest of Jane’s Addiction sue Perry Farrell for $10 million following last September's on-stage altercation

Farrell filed his own 30-page complaint against his former bandmates – citing a years-long campaign of bullying and harassment

Guitar World

“Much more versatile than a vintage-style Tele”: Fender Player II Modified Telecaster SH review

For decades, players such as Keith Richards have been swapping out their Tele's neck single-coil for a humbucker – now Fender has unveiled its most high-spec take on the format yet

Guitar World

“‘Blues approved’ licks that work well both as embellishments to rhythm parts or as phrases within a solo”: Sue Foley shows you to breathe new life into your 12-bar blues

Foley returns with four ways you can freshen up those blues licks and assert your personality upon the material

Guitar World

“I have a rule: I never argue with a woman holding a knife. So I’m like, ‘All right, Bonnie, I’ll bite...’” How a blues legend ended up engraving her name into Joe Bonamassa’s favorite 1955 Fender Strat

It has been his number one road Strat for years, but until the iconic singer put her Dremmel to the back of its body, it didn’t have a name

Guitar World

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Guitar World

“When he told the doctor he was going to perform, the doctor said, ‘You’re out of your mind’”: Richie Sambora recovering from “gruesome” injury after playing through the pain

The incident has left the guitarist facing an “arduous, slow, and painful” healing process

Guitar World

“Chet had such facility and knowledge, and yet what he wanted to do was play two chords all morning long. He’d say to me, ‘You’re pretty good, but you’re no Mark Knopfler’”: Mark Knopfler looks back on his jams with fellow fingerstyle legend Chet Atkins

The pair traded licks after the release of Brothers in Arms, and went on to release an album together

Guitar World

“I walk in and see on the board: ‘Beck, Satriani, Lukather, Slash.’ I thought it was a send-up”: Spinal Tap once surprised Nigel Tufnel with an all-star guitar solo tribute – but he wasn't thrilled about it

Explaining (well, bickering about, really) the star-studded Break Like the Wind, David St. Hubbins maintained that the collaboration was merely intended as a friendly gesture from admirers, and that Tufnel misunderstood it

Guitar World

“Whenever we weren’t playing, Neil would call up and say, ‘Are you guys playing a gig next weekend? Can we borrow the amplifier?’” When Randy Bachman and Neil Young used to share guitar amps

Bachman’s combo amp caught Young’s eye, and he would take every chance he could to get his hands on it

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Guitar World

“We would play these guitars that were supposedly the most expensive, the most rare, like, ‘There's nothing special about it’”: Joe Satriani on why he’s become disillusioned by vintage guitars

After spending “hours” playing vintage axes, Satch now relies on modern builds – here’s why

Guitar World

“I don’t think LSD had a real big impact on the songwriting or guitar playing… it was just that we saw brighter colors and got high!” Roger McGuinn on The Byrds’ influential guitar style, and why they didn’t follow The Kinks and The Who into distortion

The banjo-inspired Rickenbacker guitar icon recalls how Miles Davis got them signed and weighs up the merits of David Crosby and Clarence White

Guitar World

“I take these supplements to stay razor-sharp, night after night”: Yngwie Malmsteen launches signature protein powder as he expands his empire of gear to make you shred better

The neo-classical shred machine also launched multivitamin gummies last year

Guitar World

“One of the rarest and most coveted vintage amplifiers ever”: Mesa/Boogie’s hallowed Mark IIC++ was used by Metallica to shape the sound of 1980s metal – and now it’s been given a production release for the first time ever

Kirk Hammett and James Hetfield's Crunch Berries amp, which was only ever made as an unofficial mod exclusive only to artists, gets its first-ever wide release

Guitar World

“I imagine myself painting a picture. Before I only had 24 colors to use – now I have an infinite amount on my palette”: Meet Ben Lechuga, the Steve Vai-championed Chilean virtuoso who has gone fretless – and why he’s never going back

Lechuga won a Steve Vai scholarship in 2011 and now plays with David Maxim Micic and teaches for Ernie Ball Music Man, and going fretless, he says, has made totally rethink his playing

Guitar World

“Yes, Eric can certainly shred! But more important than his speed is his accuracy. Accuracy will always win the day over speed”: Joe Bonamassa shows you how to connect lead phrases like Eric Johnson

Eric Johnson's playing is inspiring but bamboozling. How does he sound so fluid? Well, Joe Bonamassa has some thoughts (and four examples) on how we can nail Johnson's style

Guitar World

“It’s like a Jazzmaster on steroids, but you still have that Strat essence”: Fender’s limited-edition Ariel Posen signature is a conceptual hybrid that blends two of the slide master’s favorite guitars together

The Jazzmaster/Stratocaster mash-up debuts custom pickups designed by Tim Shaw and a spec sheet that blurs the boundaries between the two classic Fender designs

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