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The Latest Breaking News from Guitar World

“A Strat with a P-90 at the bridge and a Jazzmaster pickup at the neck is not going to sound like anything else Fender makes”: Ariel Posen on Jeff Beck, amp strategies and how his thirst for fresh tones inspired one of the most unorthodox Strats ever

Posen's new album, Bannatyne, finds the Canadian flipping the script for rock guitar, exploring in full the creative potential of that quite brilliant signature Strat of his

Guitar World

“I was on a summer break from music college. Suddenly, I had a DM asking if I would be interested in a gig with Little Mix”: From Raye to Zara Larsson, how session pro Liv Thompson learned to nail pop’s biggest gigs

Having performed everywhere from SNL to the Grammys, Thompson knows a thing or two about the bass and its role in pop

Guitar World

"Modeling tech has gotten so good I doubt many guitarists would be able to tell the difference": Analog vs. digital rig build challenge - here’s how two very different players would spend $2,500

One player puts his stake in tubes and pedals; the other in IRs and FRFRs. We gave them both $2,500 to build the ultimate mid-tier rig

Guitar World

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“Sometimes you’ve gotta use popsicle sticks and put it on some low-budget scaffolding to get it to work”: Joe Bonamassa on how best to set up P-90s – and what sets them apart from humbuckers

Bonamassa has explained the difference between humbuckers and P-90s, as more big names are drawn towards the “best of both worlds” option

Guitar World

Built to inspire: Yamaha heralds a new era for the Pacifica with long-awaited SC Standard Plus model

Yamaha expands its acclaimed range of Pacifica electrics with the SC Standard Plus – which offers new Reflectone pickups and premium playability

Guitar World

“For King, there was nothing particularly special about the show… It would go on to rank among the best live albums of all time”: The life and times of B.B. King

To celebrate the King of the Blues' centenary, we rewind the reels of a life story that’s equal parts pain and redemption…

Guitar World

“It’s a little bit of an odd duck, but it is cool and I would love to use it for recording. It would be a monster in the studio”: Decoding the mysteries of the 1967 Martin D-35S with the slotted headstock

Martin’s slope-shouldered dread style meets innovative three-piece rosewood backs in this slept-on design from an undervalued period in the acoustic brand's storied history

Guitar World

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“I learned that the hard way at rehearsals”: How Jason Falkner got the Foo Fighters gig filling in for Pat Smear – and the biggest mistake he made in prep

The guitarist was drafted in as emergency cover after Pat Smear's bizarre injury

Guitar World

“I got my first guitar for Christmas at the age of 11. I had a book that said, ‘Tune your low string wherever it sounds good…’”: How Stanley Jordan accidentally stumbled upon the tuning that defined his genius two-hand tapping approach

A basic error would later become his saving grace

Guitar World

“A small yet mighty gig bag hero”: Mesa/Boogie launches powerhouse preamp/DI with all the tone-shaping capabilities of its high-end Subway line

A blockbuster sequel to the original, the Subway+ Bass DI‑Preamp II offers bassists everything they need in one compact housing that's 40 per cent smaller than its predecessor

Guitar World

“His dad got him a guitar. The next day he came back playing Black Magic Woman by Santana. He was obsessed with being great at guitar”: Prince was destined to become a guitar legend as soon as he started playing

Prince’s cousin and former bandmate has recalled the day the Purple One became a guitarist – and seemingly skipped the beginner phase

Guitar World

"Its thoughtfully contoured hourglass shape is nipped and tucked in all the right places to nestle naturally against the (female) body in a way many traditional designs simply don’t.": Venus Revolution review

A featherweight double-cut challenging decades of one-size-fits all guitar design

Guitar World

“Paul McCartney likes to control things under the guise of saying, ‘Play as free as you like.’ Then he’ll start to pick it all apart”: Chris Spedding’s favorite sessions

From handling Jack Bruce’s temper, to Brian Eno’s budget studio and Macca’s post-Beatles era, the UK session veteran picks his most treasured moments

Guitar World

"It gives my $2,800 American Vintage II Telecaster a serious run for its money": Fender 75th Anniversary Vintera Road Worn 1951 Telecaster review

Fender is celebrating the 75th anniversary of the Telecaster in style, and this Road Worn model is an exceptional ode to the first-ever mass-produced solidbody electric guitar

Guitar World

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Guitar World

“It was like, ‘Here’s what we need.’ They said, ‘But you have to use Fender parts.’ I said, ‘Alright, I’ll see you guys later’”: Steve Morse on why his ill-fated Fender signature guitar never got off the ground

Before partnering with Ernie Ball Music Man for his now-iconic signature, Morse was courted by Fender – but the project didn’t get far

Guitar World

“I said, ‘We gotta re-record this. This is terrible. I cannot allow this to happen’”: How Linda Perry saved 4 Non Blondes’ ’90s classic What's Up? from certain doom

Released in 1992 as the second single from their sole studio album, What's Up? became 4 Non Blondes' biggest and most enduring hit

Guitar World

“We bounced around the idea of having everyone from Joe Cocker to Phil Collins to Mike Rutherford sing”: Out went David Lee Roth and Frankenstein, in came Sammy Hagar and Kramer –the story of Van Halen’s rebirth

It was the end of an era. Roth’s exit, Frankenstein's last hurrah. But it was the start of a new one as Eddie Van Halen got experimental on 1986's blockbuster, 5150

Guitar World

“I was nervous enough, and that spring goes flying. I looked for about 15 minutes, and time was running out”: What it takes to tech and tour with Slash, according to a pro guitar technician

With over 30 years of experience, Doug Redler lifts the veil on the day-to-day experience of guitar tech’ing for the stars

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Guitar World

“Chuck Schuldiner called me. The next thing I knew we’d rented a rehearsal room in Miami. I would just burn a joint and play”: Steve DiGiorgio’s life with Death – and why he wouldn’t trade Testament for Megadeth

The fretless metal bass pioneer recalls refusing to leave Testament, the homemade bass built out of necessity and Death’s determination to avoid the familiar

Guitar World

“George Clinton said, ‘You just can’t play guitar like that until your heart has been shattered to smithereens and you have lost all hope’”: Flea looks back on his life-changing jam with Parliament-Funkadelic guitar hero Eddie Hazel

Flea shared the stage with the P-Funk guitar icon during soundcheck at one of the Red Hot Chili Peppers' earliest European gigs

Guitar World

“All of a sudden, I heard, ‘Morgan!’ I went outside, and I was like, ‘Oh my god! It’s Kim Deal!’” Morgan Nagler on the time Kim Deal showed up on her driveway – and they wound up writing songs together

The Haim and Phoebe Bridgers collaborator started out as an actress, moved on to the Californian indie project Whispertown, and is now stepping out on her own

Guitar World

"The simple layout, compact size, and beautiful tone have made me excited to pick up my acoustic guitar again and again": AER Compact 60/4 review

A compact, premium acoustic amp delivering stunning tone with simple, singer-songwriter-friendly controls

Guitar World

“It can be at least as fast as straight flatpicking, if not faster, and also easier to do”: Used by everyone from Brad Paisley to Buckethead, hybrid picking makes impossible-sounding licks a reality – here's how to introduce it into your lead playing

In his inaugural Guitar World column, the great Corey Congilio demonstrates how all players can benefit from a technique borrowed from country players

Guitar World

“Those disillusioned with foot-controlled expression pedals might delight in this, but as fun as it can be at times, I’m struggling to see where it would fit into my rig long-term”: Casio Dimension Shifter review

Casio’s strap-mounted expression pedal looks to breathe new life into how we play – but it teeters on the fine line between gimmick and genius

Guitar World

“Nostalgia for a time when digital was still new”: How Mk.gee is bringing back a ’90s-era modeler favored by Joni Mitchell, David Lynch, and Sting

The Roland VG-8, released in 1995, was designed as “a toolbox filled with essentially every existing guitar sound” – and, over the past couple of years, has been given a new lease on life by modern-day tone hunters

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