Get all your news in one place.
100’s of premium titles.
One app.
Start reading
The Guardian - UK
The Guardian - UK
Entertainment
Harriet Gibsone

Lionel Richie at Glastonbury 2015 review – funky afternoon party moves

Lionel Richie on the Glastonbury Pyramid stage.
‘Welcome to the party!’ Lionel Richie on the Pyramid stage. Photograph: Jim Dyson/Getty Images

“We’ve got a lot of songs tonight,” says Lionel Richie, the cartoonishly consummate showman and conductor of a field full of bleary eyed beings at the Pyramid stage. “Welcome to the party!”

While Dolly Parton’s heritage slot at 2014’s festival brought rhinestone-encrusted majesty and kitsch country to a claggy Somerset field, Richie, in spite of some shoddy sound issues, offers a succession of watertight soul, funk, tender sex jams, not to mention a backing band member who is capable of playing a one-armed sax solo while simultaneously simulating the missionary position atop his instrument.

As promised, the 66-year-old’s pristine, Vegas-styled show is a party, of sorts – perhaps more like the kind of party which starts with champagne in the jacuzzi and ends up on a shagpile. It’s exactly the type of smooth sentimentality and silliness that a Sunday afternoon audience at Glastonbury deserves: from the gloriously gooey Penny Lover, to the chintzy You are my Destiny and the funk triumph of Brick House, Richie, dressed in a black blazer adorned with a glittered trim, packs every single second of the show with unbridled pop theatrics.

Lionel Richie and his band churn out the hits at Glastonbury.
Lionel Richie and his band churn out the hits at Glastonbury. Photograph: Guy Bell/Rex Shutterstock

Most vital to the Alabama-born singer’s Glastonbury debut is his knowing relationship with his audience, many of whom are wearing masks and T-shirts emblazoned with drawings of his face. Well aware of his camp charisma, he wins support from the crowd immediately, complimenting their ability to remember his lyrics, whipping them into a yobbish singalong for Three Times a Lady, and triggering some bolshie dance moves during Dancing on the Ceiling. The opening to the Commodores’ Easy even prompts a sigh of joy from the crowd. In contrast to Kanye’s cold, brutalist headline set the night before, Richie provides a reassuring hour of tender, tacky hits; mud melts into milk chocolate, the grey clouds are silky silver pillows, joy is restored.

Before capping off his set with All Night Long, he necks a glass of what looks like vodka cranberry, and the thousands of fans and converts cheer and laugh. Lionel Richie; party starter, people pleaser, a Glastonbury highlight.

Sign up to read this article
Read news from 100’s of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.