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The Latest Breaking News from Sydney Theatre Company

Sydney Theatre Company books $10m revenue boost after Dorian Gray production becomes global hit

Company due to reap more millions from cut in award-winning Broadway run starring Sarah Snook

The Guardian - AU

Sarah Snook wins best actress at Tony awards for The Picture of Dorian Gray

Australian actor performed all 26 roles in Broadway production of the Sydney Theatre Company play directed by Kip Williams

The Guardian - AU

Cynthia Erivo to play Dracula and 22 supporting roles in West End transfer of Australian show

Wicked star to play Bram Stoker’s bloodsucking fiend in a production from the creators of Olivier award-winning hit The Picture of Dorian Gray

The Guardian - AU

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Pamela Rabe shines in this hypnotic revival of Samuel Beckett’s classic play Happy Days

Samuel Beckett is justly regarded as one of the greatest playwrights of the 20th century – and unquestionably one of the most demanding. Few of his works illustrate this more clearly than Happy Days, first performed in 1961, and currently playing at the Sydney Theatre Company.

The Conversation

Happy Days review – Pamela Rabe gives an aching performance in Samuel Beckett’s unrelenting play

This is a particularly oppressive and tragic take on Beckett’s famous play, with fewer laughs than usual – making it a tough space to exist in for its run-time

The Guardian - AU

Picnic at Hanging Rock review – a haunting, heady horror story

Sydney Theatre Company’s adaptation of the beloved Joan Lindsay novel, in which four schoolgirls go missing during a bush excursion, reveals the ghost story lurking within

The Guardian - AU

From irreverent musicals to unresolved histories, live theatre will provide rich entertainment in 2025

Australian voices will be centre stage in the Sydney Theatre Company’s 2025 program

The Guardian - AU

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Three things with Lisa McCune: ‘I’ve never found coffee nirvana but this machine comes close’

In Guardian Australia’s weekly interview about objects, the actor and four-time Gold Logie winner tells us about her near-perfect kitchen contraption – and a little brown beret

The Guardian - AU

Sweat review – sociological snapshot doesn’t always make for compelling drama

Wharf 1 theatre, Sydney Theatre CompanyIn Pulitzer winner that ‘explains Trump’s win’ in 2016, everyone looks the part and hits their marks but the spiral into toxicity is mechanical

The Guardian - AU

Dear Evan Hansen: Australian production of Broadway hit puts mental health centre stage

The team behind the new staging of the Tony award-winning show leaned into emotional authenticity and a design that evokes the overwhelming experience of social media

The Guardian - AU

Talented Mr Ripley and the Shiralee headline Sydney Theatre Company’s 2025 season

Picnic at Hanging Rock, Happy Days and aged care musical Bloom also on next year’s STC program, which will the last from outgoing artistic director Kip Williams

The Guardian - AU

Philip Quast: ‘I don’t have anything left to say in theatre, it’s not my turn any more’

The three-time Olivier award winner, and ‘voice of Playschool’, on why musicals have been a curse and love, and why it’s now time to leave

The Guardian - AU

Sydney Theatre Company’s Dracula: a virtuosic performance, sexy staging, and a queer rewriting

The figure of Dracula has always lived somewhere between the written word, screen projections and our fantasy lives. His story is tailor-made for one of Kip Williams’ hybrid adaptations.

The Conversation

Dracula review – a clever and playful victory lap for Kip Williams’ gothic cine-theatre trilogy

Zahra Newman is remarkable in the director’s last production with the company

The Guardian - AU

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The Conversation

New play American Signs looks at the nefarious world of consultancies – but leaves Australia off the hook

Anchuli Felicia King’s new one-performer piece, American Signs, written for the talented Catherine Văn-Davies, thrusts us into the world of a campus hire at “The Firm”, one of the “Big Three” consultancies in the United States.

The Guardian - AU

The President review – Hugo Weaving satire verges on an endurance test

Sydney Theatre CompanyWeaving delivers a funny, commanding performance but this rarely performed 1975 Thomas Bernhard play feels neither relevant nor prescient

The Guardian - AU

Hugo Weaving: ‘This is the hardest thing I’ve ever done’

Thirty years after Priscilla, Queen of the Desert thrust him on to the international stage, the actor discusses tiring of Hollywood villains and his most challenging role yet

The Guardian - AU

No Pay? No Way! review – this 50-year-old cost-of-living satire is perfect for today’s Australia

Drama theatre, Sydney Opera HouseSet in the aftermath of a riot in a supermarket over skyrocketing prices, Marieke Hardy’s adaptation of Dario Fo is marvellously funny

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The Guardian - AU

Three things with Kerry Armstrong: ‘He’d hidden the engagement ring in his board shorts’

In Guardian Australia’s weekly interview about objects, the actor tells us of a lucky escape from a house fire – and being robbed in New York

The Guardian - AU

The Picture of Dorian Gray’s Kip Williams steps down as Sydney Theatre Company artistic director

Williams, who directed the play, leaving company to prepare for its potential Broadway season following acclaimed West End run starring Sarah Snook

The Guardian - AU

David Williamson: ‘Australian drama has ignored the elephant in the room – we’re an unfair and unequal society’

At 82, anger still inspires the elder statesman of Australian theatre. As he comes out of retirement, Williamson muses on inequality, escaping death and why we’re in the ‘bread and circus’ phase of culture

AAP

Heather Mitchell delights in return as RBG in hit play

The Sydney Theatre Company's RBG: Of Many, One was a sellout in 2022. It's returning with a second run followed by a national tour.

The Guardian - AU

Australia on stage: the best theatre, musicals, dance and opera of 2023

From ballet to Afrofuturism to a world-class immersive spectacle, Guardian Australia critics pick out the best live stage experiences of the year

AAP

Theatre company acts after Palestine protest backlash

The Sydney Theatre Company has apologised for the way it has responded to a protest by actors at an opening night performance.

The Conversation

Chekhov called The Seagull 'a comedy'. The Sydney Theatre Company seems to forget it was a tragedy, too

What is comedy?

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