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The Latest Breaking News from Rodrigo Prieto

Ever wondered what Hollywood cinematographers do to get ready for a shoot?

From coffee and light meters to quiet rituals, this Panavision video reveals the habits of some of the world’s top DPs

Digital Camera World

Mexican 'Barbie' DP & Taylor Swift Collaborator Rodrigo Prieto Blasts 'Emilia Pérez' Describing It As 'Offensive'

The Oscar nominated cinematographer and director was very tough on his criticisms towards Selena Gomez's new movie

Latin Times

Pedro Páramo review – Mexican magic realism is full of time slippages and perspective shifts

Adapted from Juan Rulfo’s influential novel, Rodrigo Prieto’s fractured drama of a son’s return home is confusing but powerful

The Guardian - UK

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read the most diverse news in one place.

Interview: Rodrigo Prieto's Mexican Touch in Oscar-Nominated 'Barbie' and 'Killers of the Flower Moon'

Rodrigo Prieto talks about how he gave a Mexican touch to Oscar-nominated 'Barbie' and 'Killers of the Flower Moon'

Latin Times

Santa Barbara International Film Festival Honors Artisans Behind Oscar-Nominated Films

Discover the favorite rainy day movies of the honorees at the 10th annual Variety Artisans Awards at the Santa Barbara International Film Festival.

Top News

Oscars 2024: Latino Emotions Swirl as Ferrera, Domingo Get Nominations, Almodóvar, Pascal Face Snubs

The 2024 Oscar nominations for Latino and Spanish actors, artists and filmakers

Latin Times

2024 Oscar nomination predictions, from Barbie to Oppenheimer

Let's predict next week's Academy Award nominations.

USA Today Sports Media Group

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Critics Choice 2024 nominations: Barbie dominates with record-breaking 18 nods

‘Oppenheimer’ and Yorgos Lanthimos’s ‘Poor Things’ trail behind with 13 nominations each

The Independent UK

Leonardo DiCaprio had to wear ‘butt padding’ for Killers of the Flower Moon spanking scene

‘You could tell De Niro was really hitting him,’ cinematographer said of filming scene

The Independent UK

Martin Scorsese is still curious — and still awed by the possibilities of cinema

“Killers of the Flower Moon” is an audacious big swing by Martin Scorsese to continue his kind of ambitious, personal filmmaking on the largest scale at a time when such grand, big-screen statements are increasingly a rarity

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