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The Latest Breaking News from PROG

The story of Marillion's Marbles is on the cover of the new issue of Prog, on sale now!

Plus Yes, Steven Wilson, Richard Thompson, ELO, AIrbag, Moody Blues, Nordic Giants, Marjana Semkina and loads more...

Louder

“Many prog bands hire a singer who’ll just rely on their chops… we’re one of those bands who can actually sing”: Echolyn didn’t kill the joy with their second self-titled album

2012 release from the mainly part-time band is a prime example of five friends surviving industry pressure to do things their way

Louder

“The cape-wielding progressive rock behemoth was not in vogue… there was an effort to make it simpler, but our musical identity was still at stake”: Gentle Giant take a fresh look at The Missing Piece

Underrated gem or confused mess? Gary Green, John Weathers and Kerry Minnear discuss their 1977 album in the light of Steven WIlson’s remix

Louder

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“I can’t look into myself and say why I stopped for that long. That’s too complicated. It was just a feeling I had”: When Roine Stolt brought back The Flower Kings via Banks Of Eden

He didn’t plan on taking a five-year break before the Swedish prog giants released their 11th album – but then, he didn’t really take a break at all

Louder

“We were sure A Whiter Shade Of Pale would drop out of the charts, but it just stuck there!” See Emily Play became Syd Barrett’s last stand as Pink Floyd took flight

Their second single remains their second-biggest hit, and will always be significant in their history

Louder

“We kept binning stuff that sounded too much like us… 10 albums in, it’s got to feel different”: Prog was always in Elbow’s music, but it’s upfront on Audio Vertigo

Singer Guy Garvey and keyboardist Craig Potter chart their history from second-hand record collectors to art rock giants with big-name fans

Louder

“They matched ELP for pomp, bombast, overambition and grandiosity of execution”: How Frankie Goes To Hollywood helped carry prog into the 80s and beyond with Welcome To The Pleasuredome

With a stack of references to the 70s giants, and three members of Yes involved, how could any debut double album arrive without prog credentials?

Louder

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“The supermassive black hole renders our experience terminally irrelevant… we need to be more light-hearted about stuff”: Prog’s Best New Band EBB are guided by the galaxy

Reader award winners explain the motivation for latest release The Management Of Consequences, and their ambitions for expanding their already impressive live show

Louder

“It could have been a huge record, but they buried it… It was his time but the boat just sailed away”: Despite his label's disinterest, Roy Harper’s Stormcock refused to die

His four-track concept rock masterpiece is a primer for revolutionary thinking that’s as relevant now as it was in 1971

Louder

"We make musical journeys. We’re the Alan Whicker of prog!” The Tangent and how they made Songs From The Hard Shoulder

Twenty years into a career as one of British prog’s most prolific underground bands, The Tangent are focusing on long-form songs on their 12th album, Songs From The Hard Shoulder.

Louder

“I ended up thinking I knew it all, and it was my responsibility to tell everybody what they were doing wrong”: How close did Devin Townsend come to forming a cult in 1998?

Anger and paranoia sent him into freefall as he worked towards solo album Infinity, leading him to believe he was a martyr

Metal Hammer

“Surely it’s the greatest psychedelic rock song ever recorded… It makes the whole God thing seem plausible!” Kavus Torabi’s Guide To Cardiacs

Gong and Knifeworld guitarist recalls his time in Tim Smith’s band via five of their songs chosen by Prog

Louder

“Every week, every month, I was doing something new… but fighting Martians has become a lifestyle for me”: Jeff Wayne on waging the relentless War Of The Worlds

Composer of prog’s greatest conceptual album – among many, many overshadowed works – recalls cutting the invaders’ language in half, casting Phil Lynott as a vicar and scraping his wife’s best pots for a tension-building sound effect

Louder

Great new prog you need to hear from Hasse Froberg, Oliver Wakeman, Eivør, Mercury Rev and more in Prog's Tracks Of The Week

Wonderful new proggy sounds you really should check out from Louise Patricia Crane, ASIWYFA, Paralydium and more...

Louder

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Louder

"Barmy night in Bracknell" promised as Spriggan Mist joined by EBB, Haze and Kindred Spirit for Four Play Progfest III

Bracknell prog all dayer Four Play Progfest III returns for the frst time since 2017, taking place on November 9

Louder

“It was the best thing I’d come up with for years – it vanished off the recorder and I could never, ever remember it. John was like, ‘Just tell yourself it was crap!’”: How Anathema made Distant Satellites

Fate played positive and negative roles during the years-long development of their electronica-enhanced 10th album

Louder

"Hellfire is something that has way more impact with a much wider scope." Are black midi really the 'natural heirs' to King Crimson?

Young London modern prog rock trio black midi set out their stall with third album Hellfire

Louder

“I said, ‘What’s this – “Run For Home?’ He said, ‘Oh, that’s just shite’”: Lindisfarne’s biggest-selling hit, like so many, was a happy accident

If Back And Fourth producer Gus Dudgeon had arrived early, Ray Laidlaw wouldn’t have been looking through Alan Hull’s lyric book beside a piano

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Louder

Great new prog you really must hear from Tim Bowness, Al Di Meola, The Omnific, Kaipa and more in Prog's Tracks Of The Week

Cool new proggy sounds you really should check out from Storm Deva, Magic Fig, Kati Rán, Oresund Space Collective and more...

Louder

"We need to get a younger generation on board with prog. There’s a massive gap in the market waiting to be tapped." Last Flight To Pluto are ready to pick up the baton

Welsh prog rockers Last Flight To Pluto tell the story of third album Random Karma, Fate And Destiny

Louder

“It was an unusual paradox: most acts keep recording stylistically similar albums… Porcupine Tree were being harassed for daring to not transform”: But Lightbulb Sun matters more than you may think

After veering too close to becoming a “new Pink Floyd,” their seventh album was a key moment in their development through psychedelia, classic prog, krautrock and pop rock to the truly progressive sound they made their own

Louder

“In the ‘70s I said I’d love to release an album per month, like a magazine. People thought I was insane!” Bill Nelson just released two albums – and he has at least nine more coming up

Making the most of his freedom from the mainstream music industry, the 75-year-old Be Bop Deluxe mastermind says his health issues are making him work faster, not slower

Louder

“There’s nothing I like more than finding our back catalogue in the prog section alongside Yes and Genesis… we wanted to show off every aspect of what we could do as artists”: Call them what you like, but Chicago know they’re a prog band

One of the few groups to ever get away with releasing a double-album as a debut, they’d started out as a covers band who’d rebuild and extend every song they played

Louder

“Music is built into Rebus. Early on he listens to jazz; then I thought, ‘Why not give him my record collection?’” Ian Rankin on the prog soundtrack to his fictional cop’s life

Hi-fi freak who never got over Hawkwind explains what he listens to while he works – and revels in the joy of putting a Mogwai joke in one of his books

Louder

“The band start to sound like the musique concrète pioneers they were, rather than keepers of a farmful of flatulent quadrupeds”: Pink Floyd’s Animals – Dolby Atmos Edition

Pioneers’ ‘punkest’ record gets the Atmos Blu-ray treatment to impressive effect, claiming the music back for proggers

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