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The Latest Breaking News from Porcupine Tree

Porcupine Tree alumni Colin Edwin and Chris Maitland reunite for new album

Jon Durant, Colin Edwin and Chris Maitland will release The Baldock Transmission in November

Louder

“We started out as a Pink Floyd tribute and evolved from that. Artists who claim to be original are lying through their teeth”: Airbag’s Bjørn Riis used classic prog inspirations to chart a nervous breakdown

His fifth solo album Fimbulvinter was inspired by Porcupine Tree, King Crimson, Black Sabbath and others. He aimed to sound like them without ripping them off

Louder

“I thought you really had to work to make a song great. That’s actually a load of crap – the best songs I’ve written took 10 minutes”: When The Pineapple Thief began to break through with Someone Here Is Missing

Just before their eighth album arrived, Bruce Soord reflected on remixing his back catalogue, learning to keep a distance from fans and the validity of comparisons with Porcupine Tree

Louder

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“I’d have been up for having Slash on the album – but I’d have insisted he played the xylophone!” Steve Hogarth and Richard Barbieri pushed each other hard on their first album Not the Weapon But The Hand

Marillion vocalist found himself singing over drum’n’bass music on 2012 release, while Porcupine Tree keyboardist had to allow lyrics in a piece he’d wanted to be instrumental – but the result of years of effort satisfied them both

Louder

“It’s a $20 plugin. It makes it sound like it’s coming off a tape that’s been recorded over three or four times”: Steven Wilson reveals his go-to guitar plugin – and why digital can successfully coexist with analog

The highly-coveted plugin prides itself in emulating the full range of cheap tape sounds

Guitar World

"I'm very clear on what I want to do, which can be really annoying for other people": Steven Wilson on being a control freak, the wonder of space, Porcupine Tree and more

Steven Wilson's new album The Overview promises to take listeners "on an incredible journey from Earth to the other side of the universe"

Louder

“The lyrics just blew my mind. That song changed the way I write. I think Steven Wilson is really poetic”: Killswitch Engage’s Jesse Leach loves Porcupine Tree

Killswitch Engage vocalist Jesse Leach chooses his favourite Porcupine Tree song, and gives some love to Pink Floyd and Mikael Åkerfeldt

Metal Hammer

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"I'm not as humourless as my music!" Steven Wilson announces comedians as support acts for upcoming London Palladium shows

Stewart Lee, Al Murray, Clinton Baptiste and Frank Skinner will all support Steven Wilson on different nights

Louder

“I said, ‘We’re going to reinvent the notion of the extended classic rock solo. This is going to be the “not Comfortably Numb” solo’”: Steven Wilson bringing back the long guitar solo – with a twist

Wilson's eight studio album promises to be “an old-fashioned piece of conceptual rock in the tradition of The Dark Side of the Moon and Tubular Bells”

Guitar World

“She blends her beloved characteristics with those of King Crimson, Genesis and Porcupine Tree”: Tori Amos’ From The Choirgirl Hotel is prog in its truest sense

1996 album opens with arguably her proggiest song then delivers figurative lyrics, rhythmic shifts and style change-ups

Louder

“I could be listening to Abba one minute and then Morbid Angel. It doesn’t seem strange to me”: How Porcupine Tree reinvented progressive rock for the 21st century metal generation

Porcupine Tree’s 2010 album The Incident capped their rise from cult psychedelicists to prog metal giants

Metal Hammer

John Wesley guests on new anthemic O.R.k. single Mask Becomes The Face

Modern prog supergroup O.R.k, will release their new album in 2025

Louder

“Captain Beefheart possessed an unrestrained imagination and a totally eccentric form of creativity… I’d have lasted five minutes in The Magic Band”: Colin Edwin’s prog world includes Magma, Cardiacs, Gong and more

Former Porcupine Tree and current O.R.k. member on seeing Daevid Allen live, falling under Tim Smith’s spell, messing about with plastic cameras and, well, Lonnie Donegan

Louder

“You could argue we were the quintessential cult band. But I was thinking, ‘We can be more than this’”: In Absentia sold poorly, influenced greatly, and marked the beginning of the end for Porcupine Tree

They delivered a defining moment in progressive metal with their 2002 album, but it wasn’t easy to do it – and once they had, Steven Wilson didn’t want to do it again

Metal Hammer

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Louder

“The way he uses all his drum kit; no one else really sounds like that." How Gavin Harrison's arrival inspired The Pineapple Thief's Dissolution

The Pineapple Thief are back with album number 12, one that perfectly encapsulates their style. Bruce Soord and Gavin Harrison talk dark lyrics, ‘cyber jamming’ and battling demons…

Louder

“I’m terrified… I want my child to grow up able to speak her mind and to have opinions of her own”: Why Airbag had to call out cancel culture on The Century Of The Self

Guitarist Bjørn Riis says their new concept album grew with the benefit of no record label deadline – but that it was still important to set their own completion date

Louder

For nearly 20 years, people have asked Steven Wilson why he thinks Coldplay are wankers. Now he finally has an answer

In 2006 Porcupine Tree's Steven Wilson was pictured holding up a 'Coldplay Are Wankers' sign, and the image has haunted him ever since

Louder

“It felt like the right time to me. And I think Gavin and Richard acknowledged this too." How Porcupine Tree returned with Closure/Continuation

Never say never. After years of speculation and rumours, Steven Wilson reunited with his former Porcupine Tree bandmates Richard Barbieri and Gavin Harrison for one of the most unexpected musical reformations.

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Louder

“We always try to go for it, always try to have that relentless ride." Dream Theater and the making of Black Clouds & Silver Linings

In 2009 we sat down with Mike Portnoy to discuss Dream Theater's tenth album Black Clouds & Silver Linings, little realising it would be his last with the band for 15 years!

Guitar World

“I’ve learned to completely let go and say, ‘That’s different… but let’s go with it!’” The Pineapple Thief are one of UK prog’s leading lights – Bruce Soord explains how they crossed the Rubicon with Porcupine Tree’s drummer

It Leads to This finds Soord and company working in weird time signatures and towards the point of mental exhaustion in search of new sounds

Louder

“It was an unusual paradox: most acts keep recording stylistically similar albums… Porcupine Tree were being harassed for daring to not transform”: But Lightbulb Sun matters more than you may think

After veering too close to becoming a “new Pink Floyd,” their seventh album was a key moment in their development through psychedelia, classic prog, krautrock and pop rock to the truly progressive sound they made their own

Louder

“Nothing was too crazy. Nothing was too outrageous. Once we had a beautiful part, we thought we should make it evil and disturbing”: Powered by red wine and bored with prog metal, Steven Wilson and Mikael Åkerfeldt made Storm Corrosion their way

Porcupine Tree and Opeth leaders’ 2012 collaboration wasn't what many people thought it would be – instead it was something more experimental which they described as “organic pagan minimalism”

Louder

“Robert Fripp played the solo and we didn’t like it. He said, ‘You’re wrong.’ Steven Wilson said, ‘This is how wrong we are,’ and deleted it”: How No-Man prospered by refusing to ever fit in

Housekeeping box set illustrates that when Tim Bowness and Wilson refused to compromise, it was a strength rather than a weakness – even if one of them couldn’t listen to their early work for 20 years

Louder

“You see people in music magazines who call themselves rebels. I’m more of a rebel because I really put my life at risk”: Aviv Geffen and Steven Wilson’s contrasting worlds make Blackfield’s work so powerful

Israeli musician and campaigner’s third album with Porcupine Tree leader was named Welcome To My DNA as an illustration of the pair’s powerful connection

Louder

“The albums I love the most were the ones where I wasn’t sure what I was listening to… There’s something great about music that’s beyond easy description or categorisation”: Steven Wilson gets it if you don’t get The Harmony Codex at first

He’s not out to mislead or deceive with his seventh solo album, but admits: “You can look for explanation, you can look for logic, but it’s not there”

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