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The Latest Breaking News from Mike Rutherford

"You can't dance or clap along to it. When we play it live, you can always see the audience getting caught out": How Genesis wrote the career-changing song that confused their fans - and Peter Gabriel

Deceptively straightforward but with a rhythmic banana skin, Genesis's transformation from major cult band to stadium-filling hit-makers started here

Louder

“They’re portrayed as unhip, exploitative capitalist men of the rock world. But it’s entirely down to them that the movement can move. And they didn’t get anything out of it”: When Peter Gabriel received death threats, Genesis reunited to help him

Their former leader found himself in serious trouble after his WOMAD festival lost money. So the classic line-up returned to stage their Six Of The Best show in 1982, leaving an indelible mark on prog history

Louder

“Marvel again at the ridiculous ambition of the young musicians who came up with this. It gave Peter Gabriel little option but to leave the band”: Genesis’ 50th anniversary edition of The Lamb Lies Down On Broadway is even better than the Rael thing

With its many component parts and forward-thinking modernism, their most celebrated yet debated album finally receives the release it deserves

Louder

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“It was the rats you could hear running up and down the air ducts. Either that or it was haunted. Jimmy Page says it was haunted”: Peter Gabriel and Genesis dissect their bonkers but brilliant prog swan song

Album was “a journey into the soul” says singer

MusicRadar

Four-fifths of the Genesis Lamb line-up reunite at Atmos playback in London

Check out our exclusive photos as Tony Banks, Peter Gabriel, Steve Hackett and Mike Rutherford attend a Doly Atmos playback of the new reissue of The Lamb Lies Down On Broadway

Louder

"A five-piece Genesis was never going to last, there were too many writing ideas": When Genesis reunited to make a film, it was the same old story

Tony Banks and Mike Rutherford look back on the controversial Genesis documentary Sum Of The Parts

Louder

“My hand ran off the keyboard… I ground to a halt, threw my hands in the hair, and everyone looked at me. My father thought I was taking a bow and was very proud!” Genesis’ best and worst moments on stage

Tony Banks and Mike Rutherford on the band’s messy first show, hitting the road without Peter Gabriel, and what makes touring fun

Louder

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“I said, ‘Are we sure we can write a song about death?’”: The story of Mike + The Mechanics' classic No.1 The Living Years

"If we’d got it wrong, it would’ve been very schmaltzy"

MusicRadar

"The demo had my singing on it. When I played it to the band, the look on their faces said, 'We’re in trouble, boys'": Mike Rutherford and producer Chris Neil remember the making of Mike & The Mechanics' All I Need Is A Miracle

There was a weird moment when, in the US Top 20, there was a Gabriel song, a Collins song, a Genesis song and a Mechanics song

MusicRadar

‘I wrote it while bored on a health farm’: how Mike and the Mechanics made All I Need Is a Miracle

‘The demo had my singing on it. When I played it to the band, the look on their faces said, “We’re in trouble, boys”’

The Guardian - UK

“I said, ‘Are we sure we can write a song about death?’”: The story of Mike + The Mechanics' classic No.1 The Living Years

"If we’d got it wrong, it would’ve been very schmaltzy"

MusicRadar

“On a frenetic album about consumerism and masturbation, you need your moments of contrast to count": The 10 best Genesis songs, as chosen by Prog readers

Over 28 years the genre giants released 15 albums, achieving over 100 million sales. It’s unfair to boil their work down to just a handful of key songs – but you did it anyway

Louder

“Peter Gabriel started singing over my solos. I was pissed off – ‘You’re singing on my bit!’ But that half-minute is probably our peak”: How Genesis made Supper’s Ready, arguably their greatest song

The band believe it’s the moment they began to become significant – and the construction of the 23-minute anthem for 1972’s Foxtrot was itself an epic experience

Louder

"I was debagged on a regular basis. And in Chicago I barely held on to my underpants": From Genesis to revelations with Peter Gabriel

From Genesis frontman to solo star and beyond: The rise, fall and rise again of Peter Gabriel, the great innovator

Louder

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Louder

If you ever dreamed of living in a mansion in Scotland formerly owned by Genesis, we have excellent news: there's one on the market right now, and it's going for a song

Pennyghael House, a nine-room mansion on the Isle of Mull once owned by Phil Collins, Tony Banks and Mike Rutherford, is up for sale:, and in need of some love and attention

Evening Standard

Phil Collins shares rare health update and admits: 'It’s still sinking in that I can’t play the drums’

The legendary musician candid on retirement and the physical toll of his decades in the spotlight

MusicRadar

“It was fun. He was a great player”: Mike Rutherford on his surprise collaboration with Eddie Van Halen

The bad news? “I can’t find the tape!”

Louder

“I’m probably the one who’s most aware of everything we’ve done. I probably like our music the most”: Genesis’ Tony Banks wonders if the world needs any more of his music

Keyboard icon looks back on his classical albums, recently assembled in a box set, recalls being knocked off the No. 1 spot by gardener Alan Titchmarsh – and remembers offering Peter Gabriel a new gig

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Guitar World

“He says, ‘Hey Mike, come over about 1:30.’ And I thought, ‘Well, that’s going to work for me, a little lunch.’ Eddie says: ‘a.m.’”: Mike Rutherford reveals his secret studio sessions with Eddie Van Halen – and sheds light on their unreleased songs

Van Halen had just come across Rutherford's second solo album when he called the Genesis co-founder to collaborate

Louder

“Suddenly he had a different attitude, and from that moment it wasn’t as much fun… It’s strange when one of the guys is a little less keen”: How The Lamb Lies Down On Broadway forced Peter Gabriel and Genesis apart

1974’s ambitious double-album took a heavy toll on the people who worked on it – then its lukewarm reception and bewildering stage show made things even more tense

Louder

“An obvious smash in hindsight, given its chart-friendly tale of a gardener who refuses to grow up because he’d rather push his lawnmower around”: Genesis’ 10 best songs with Peter Gabriel

The band’s first phase features a charming, very English sense of melancholy and melodrama – matched with wilful prog complexity

Guitar World

“It took me a while to learn that guitarists can’t play bass. It’s about more than just getting the notes right”: How Mike Rutherford’s ‘lead bass’ approach helped demystify the low-end for prog rock cornerstone Genesis

The departure of guitarists Anthony Phillips and Steve Hackett cleared the way for Rutherford's angular bassline on this Genesis classic

Louder

“In interviews they’d talk about Phil and Mike then say, ‘What have you been doing while these guys have been in the charts?’ It takes as long to make a record that’s not a success as it does to make one that is”: Tony Banks on his career outside Genesis

Keyboardist’s solo albums may not have reached the heady heights of his bandmates’ output – but he’s had a great time making “more progressive” music with artists of his own choosing, including Fish, Toyah and Nik Kershaw

Louder

“I had to threaten them. If they weren’t going to include all of my ideas on it, I was off. No one was expecting me to be quite so forthright”: Genesis’ Selling England By The Pound wore a smile over hidden depths

By the time they’d toured their 1973 album, they’d had a sit single, proved Phil Collins could deliver lead vocals, and offered a hint at what would come after Steve Hackett and Peter Gabriel left

Louder

“I felt they were having second thoughts… I got quite angry – ‘Just stop the bus, I’ll get off, no problem’”: Ray Wilson knows what went wrong during his time in Genesis

The singer who fronted 1997’s Calling All Stations only had one serious argument with Tony Banks and Mike Rutherford – and remains glad he was there at all

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