The Latest Breaking News from Lizzy

In 1976, Thin Lizzy were in urgent need of a guitarist and Canadian guitarist Pat Travers says he was very nearly their man

Our maine coon would wait for me in the front window, then sit by my side as I recovered from radiotherapy, my tears spilling out. I wasn’t ready to lose her

One fan was not impressed with her view once the Taylor Swift show started and is urging others to think about exactly where they choose to sit or stand to see Taylor Swift live

"As the taxi driver's talking to me, I suddenly made a riff in my imagination"

It’s so cool you feel like you’re on the set of an Ultravox video. But when your phone says ‘no’ there’s no disguising the dismay

Jailbreak your rock chops with a lesson in the playing of two guitarists who influenced every guitar duo that followed

Thin Lizzy's studio sessions in Paris for 1979's Black Rose album were punctuated by heavy drug use, and Phil Lynott wasn't particularly careful about hiding that fact

CHICAGO — The Florida-born filmmaker and Bard College film professor Kelly Reichardt makes beautiful movies about harsh conditions. In the singular early 19th century Oregon-set “First Cow” and now with her newest work, the disarming seriocomedy “Showing Up,” Reichardt pays attention to lives lived, often precariously, just above a fraying…

A droll, easygoing procession of slights, obstacles and microaggressions on the road to an artist’s gallery opening, “Showing Up” could be classified as co-writer and director Kelly Reichardt’s first comedy since her “Old Joy” 17 years ago. But labels are deceptive. There’s subterranean seriousness underneath the deadpan-comic surface here, and…

A ceramic artist named Lizzy sits in her studio, nimbly bending the arm of a clay figurine. She examines her creation, then picks up a fork and scrapes the clay girl's skirt. In doing so, she adds folds to the clothing and makes it look more realistic.

Unfairly maligned as an album "fixed in the studio", a new version of Live And Dangerous proves Lynott and co didn't need overdubs