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The Latest Breaking News from Leo Fender

“He says to me, ‘You’re a legend.’ I said, ‘Are you kidding? You’re a legend. You’re the new Leo Fender. You’re the new Les Paul. You’re the new Orville Gibson’”: Randy Bachman on the guitar builder who’s up there with the greats of the industry

And Bachman says this builder is working on an electric guitar that will weigh less than 4lbs.

Guitar World

“I put it in the freezer overnight and took a blowtorch to it”: Joe Perry put his “desert island guitar” through hell but it’s still his number one

Perry’s Fender/Warmoth “Burned Strat” aka the “Rat Strat” was the main guitar on Aerosmith’s recent collab with Yungblud

Guitar World

“A high-octane character that’s occasionally stubborn, but it stands out from the crowd”: Fender 75th Anniversary American Professional Classic Cabronita Telecaster review

The Telecaster’s “asshole cousin” trades traditional twang for a boutique growl that looks as sharp as it sounds

Guitar World

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“I’m not an amp snob. I’m gonna give everything a try. Some of the oddest guitars and amps I have are ones I’ve used on my favorite songs”: Joe Perry gives us a decade-by-decade guide to the amps behind his Aerosmith tone

Is Joe Perry a Marshall guy, Fender guy, boutique guy, pedal amp guy? Answer: he’s all of the above

Guitar World

“Most photographers don’t need better gear, they need better taste,” but investing in camera kit can still be a good thing

A Redditor has said something that I know an awful lot of people agree with –myself included –but I think the argument against gear acquisition is slightly more nuanced

Digital Camera World

“The Telecaster is like the heart and soul of rock and roll music”: Fender celebrates 75 years of the electric guitar that started it all with limited edition collection

The 75th Anniversary Telecaster Collection features five stunning takes on the first mass-produced solidbody electric

MusicRadar

"We let John take this out and beat it up for a while. This is about as robust a unit as we can make – because it needed to be”: Inside Fender’s B-Bender revival – and the making of its very first in-house design

Fender’s Chief Engineer Tim Shaw lifts the lid on the making of the John Osborne Telecaster, the challenges around creating a B-Bender for a heavy-handed player, and the freedom that comes with designing hardware in-house

Guitar World

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“It’s about time this unsung guitar great received the recognition he deserves”: All the guitar gear that has caught my eye this week – including a firm-first from my favorite pedal brand

New drops from Gibson, Ernie Ball Music Man, JHS Pedals and more

Guitar World

“It was like, ‘Congratulations, you just bought Leo Fender’s company. Now you gotta learn how to make guitars’”: The origins of Ernie Ball Music Man – and how it all started with a bass

The StingRay was worked on by Sterling Ball, Leo Fender and others, initially under the Music Man brand name

Guitar World

NAMM 2026: The best new things in bass from the biggest music instrument event of the year

From Aguilar to Ashdown and beyond, here’s a look at the new gear that had bassists abuzz at this year’s NAMM show

Guitar World

“The Stratocaster has been around for 70 years and it’s perfect. Now we come along and say, ‘You’re wrong!’ They don’t like it”: True Temperament wants to disrupt an industry built on heritage, but do its necks actually fix the guitar’s biggest flaw?

Crooked frets, designed to solve the instrument’s biggest intonation issues, have won over some big-name players (even if they’re keeping quiet about it). Is it a revolution or just a fad?

Guitar World

“The brief I gave the team was simple, but extraordinarily difficult: make an acoustic guitar the way that Leo would have made it”: Ex-Fender CEO Andy Mooney on the birth of the Acoustasonic – and the happy accident that made it a reality

When the first Fender Acoustasonic launched in 2019, it ushered in a new era – not only for the legacy brand, but for the acoustic space at large

Guitar World

Rave culture meets the first mass-produced electric guitar – Fender teams up with Palace Skateboards for limited edition Telecaster with “high-energy” graphic

The Big F and the cult skate and streetwear brand also unveil guitar picks and strap

MusicRadar

“G&L is no longer – and we still have a lot of unanswered questions”: Former G&L employee speaks out following quiet closure of company – as Fender purchases the 'Leo Fender' trademark

Steve Araujo, who worked with G&L for nearly a decade, has shed light on the fate of the company following weeks of speculation

Guitar World

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Guitar World

“When I went to England in 1965 with this Strat, Jeff Beck and Jimmy Page said, ‘Man, I didn’t know that kind of guitar could play the blues’”: Buddy Guy on showmanship, Sinners– and why he has unfinished business with the blues

Is Buddy Guy our greatest living blues guitarist? As his 10th decade approaches, we meet the master for a frank talk about passing the torch, the importance of a sip of cognac and his advice for Hendrix

Guitar World

“It may be a cliché, but let’s say it anyway: Jimi Hendrix didn’t do too badly with CBS Fenders”: Fender’s CBS era is often associated with the company losing its reputation for quality – but is that view still justified?

Fender’s CBS era is often boiled down to an equation of ‘corporate drive for profit and quantity = lowering of build standards,’ but like many things in life, it's not so simple

Guitar World

“One of the most visionary and influential bassists in the history of our instrument”: Anthony Jackson, low-end legend who pioneered the concept of the modern six-string bass, dies aged 73

Al Di Meola has led the tributes to a session icon who took the instrument to new frontiers

MusicRadar

"Rest in Power": Anthony Jackson, six-string bass ace, dies aged 73

Jackson played for stars across the jazz-fusion-pop spectrum, including Buddy Rich, Al Di Meola, Madonna, Chaka Khan, Roberta Flack and more

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Guitar World

“Leo was somewhat disgusted that he played an indirect role in the newfangled radical and rambunctious sounds that were taking over radio airwaves”: How the Fender Jazzmaster became the one offset to rule them all – even if no one really used it for jazz

Joe Pass was one of the few jazz cats who used the Jazzmaster for what it was designed for. But that didn't stop it being a sleeper hit for Fender, and a future classic

Guitar World

“If Leo Fender had released a Jazz Bass like this back in the ‘60s, it would have changed the entire history of popular music”: The inside story of Adrian Younge’s half-fretless, fuzz-loaded Fender Custom Shop Jazz Bass

Having collaborated with the likes of Jay-Z, Wu-Tang Clan and Kendrick Lamar, Younge joined forces with Master Builder Vincent Van Trigt to recreate his favourite bass sound

Guitar World

“The big thing was the neck shape that Clapton wanted. We made about a dozen neck samples for him to play”: From Slowhand’s Strat to “tongue-in-cheek” relics, this is the hidden history of the Fender Custom Shop

Fender’s Custom Shop had a precarious start in the mid-1980s, but the story of its formative years is full of big ideas, some bizarre instruments, and a queue of famous guitarists

MusicRadar

“I was playing the Fender Strat that Jimi Hendrix gave me. We wound up plugging the guitar straight into the board. That’s why it’s such a clean tone on that track”: Billy Gibbons on the making of ZZ Top's greatest blues song

"For some reason the guitar wasn’t working through the amp," Gibbons recalled

MusicRadar

“I of course fully endorse ANY mods done to any of my designs, let alone from the great Hammett”: Kirk Hammett orders up custom Thinline version of Jack White’s Fender Triplecaster – and gets one for White, too

Jack White's been giving out his Triplecaster to all and sundry and now Hammett returns the favour, with a "cool mod" that White hopes will duly upset Telecaster purists

Guitar World

“Sleep Token are big fans of what we did, and they’re the biggest rock band in the world right now. That means a lot”: From Oceansize to Biffy Clyro and now Cardiacs, Mike Vennart is one of the UK’s greatest under-the-radar guitar talents

With a style somewhere between shred, Slayer and Pavement, Mike Vennart has headlined some of the world’s biggest festivals, played with Dave Lombardo, and now he’s fronting his all-time favorite band. He attempts to make sense of the many twists and turns in his career

The Independent UK

Rolling Stones guitarist has an axe to grind over Met museum’s Gibson Les Paul

Instrument is believed to have been among nine guitars stolen from the band’s villa in France back in 1971

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